Reviews and rates the best recordings of 8,900 blues artists in all styles.

In Camera Geologica Siobhan Angus tells the history of photography through the minerals upon which the medium depends. Challenging the emphasis on immateriality in discourses on photography, Angus focuses on the inextricable links between image-making and resource extraction, revealing how the mining of bitumen, silver, platinum, iron, uranium, and rare earth elements is a precondition of photography. Photography, Angus contends, begins underground and, in photographs of mines and mining, frequently returns there. Through a materials-driven analysis of visual culture, she illustrates histories of colonization, labor, and environmental degradation to expose the ways in which photography is enmeshed within and enables global extractive capitalism. Angus places nineteenth-century photography in dialogue with digital photography and its own entangled economies of extraction, demonstrating the importance of understanding photography’s complicity in the economic, geopolitical, and social systems that order the world.

An entirely original account of Victoria's relationship with the Raj, which shows how India was central to the Victorian monarchy from as early as 1837 In this engaging and controversial book, Miles Taylor shows how both Victoria and Albert were spellbound by India, and argues that the Queen was humanely, intelligently, and passionately involved with the country throughout her reign and not just in the last decades. Taylor also reveals the way in which Victoria's influence as empress contributed significantly to India's modernization, both political and economic. This is, in a number of respects, a fresh account of imperial rule in India, suggesting that it was one of Victoria's successes.

In its 114th year, Billboard remains the world's premier weekly music publication and a diverse digital, events, brand, content and data licensing platform. Billboard publishes the most trusted charts and offers unrivaled reporting about the latest music, video, gaming, media, digital and mobile entertainment issues and trends.

Shortly after Wolfgang Amadeus Mozart's death, his widow Constanze sent a manuscript copy of one of his most beloved operas, Die Zauberflste, to the court of the Elector of Cologne. It was eventually published by Nicolaus Simrock in 1814 as the first full-score edition. However, the question still remains as to why this early copy in her possession diverges from Mozart's autograph in so many libretto details. The Authentic Magic Flute Libretto: Mozart's Autograph or the First Full-Score Edition? investigates the origin and claim to authenticity of the first full-score edition of Die Zauberflste, drawing attention to the close bond between words and music. Michael Freyhan brings the subtlety of the first edition word setting to the attention of scholars, musicians, and opera-lovers, setting out the evidence for its authenticity and detailing the quest, pursued in 15 countries, for the earliest possible historical sources. Freyhan examines the differences between the first edition and the autograph, discussing the quality of the word-setting_supported by 32 musical examples_and evaluating the relationship of the two texts in terms of language and literature. The following chapters discuss the early history of the autograph, focusing on four alleged owners, its market value, and the misleading catalogue numbering systems seen on the first page. Details of the performance and publication history of the first edition text are followed by a new perspective on the disputed authorship of the libretto, in light of the possible existence of two authentic texts. A concluding chapter discusses Mozart's sketches and working methods, while an appendix traces the character and career of Karl Ludwig Giesecke, one of the writers who claimed ownership of the opera's libretto. The book also includes several photos and the complete first edition libretto, in German and with literal English translation, providing a side-by-side text comparison with the autograph text.

The role of the portrait in India between 1560 and 1860 served as an official chronicle or eye-witness account, as a means of revealing the intimate moments of everyday life, and as a tool for propaganda. Yet the proliferation and mastery of Indian portraiture in the Mughal and Rajput courts brought a new level of artistry and style to the genre.

Four Centuries of Geological Travel: The Search for Knowledge on Foot, Bicycle, Sledge and Camel focuses on the complexities of geological exploration and will be of particular interest to earth scientists, historians of science and to the general reader interested in science.

ESSENCE of an IDEALIST ESSENCE, From the French word, esse, to be. To exist. If we exist we have essence. When we exist we have choices to make from the very moment we recognize our own existence. This book is about a person who chose to be an idealist, a person who set goals for himself at a very early age and achieved most of them without the need for money. Do not think it is easy to be an idealist? Certainly not in my case, those around you continually remind you to be more practical and advise you, that your goals are neither realistic nor pragmatic. Do idealists fail? Of course they do and some quit to blend in with everyone else. Others recognize their own failure, change direction and try again, and again until they succeed. This book is true account of the author's quest to find his purpose in life. A quest that contains so many failures and so many successes that one questions the trials of an idealist. We tend to categorize idealists as crazy Don Quixote types, charging at windmills to protect the chastity of his Dulcinea. When in fact, the true romantic recognizes, that both author, Cervantes and Don Quixote, appearing as an old chivalrous knight in rusty armor truly understood the power of love. The idealist in this true story seeks adventure at a very early age and even though he finds it, he never stops seeking more challenging adventures. The same is true for success. Success so often is measured in dollars as so aptly put in Atlas Shrugged by Ayn Rand. By mid-life this author has become a millionaire and questions the materialistic rewards of success. He concludes that the accumulation of dollars and materialism are not the answer to happiness, for that which you own, owns you. Should success then be re-defined.? Perhaps. Success could be defined as happiness and only the happiness, within you. If you are truly happy, you are successful. This quest contains both successes and failures to find a purpose in life. I'm writing this while maturing in age and knowledge, and if my life ends tomorrow it shall be said by my friends that I sought adventure, success, happiness and love and you can judge for yourself whether or not I found it.