Shy and sheltered as a young woman, Kathleen Norris wasn't prepared for the sex, drugs, and bohemianism of Bennington College in the late 1960s—and when she moved to New York City after graduation, it was a case of out of the frying pan and into the fire. In this chronicle, Norris remembers the education she received, both formal and fortuitous; the influence of her mentor Betty Kray, who shunned the spotlight while serving as a guiding force in the poetry world of the late 20th century; her encounters with such figures as James Merrill, Jim Carroll, Denise Levertov, Stanley Kunitz, Patti Smith, and Erica Jong; and her eventual decision to leave Manhattan for the less-crowded landscape she described so memorably in Dakota. This account of the making of a young writer will resonate with anyone who has stumbled bravely into a bigger world and found the poetry that lurks on rooftops and in railroad apartments—and with anyone who has enjoyed the blessings of inspiring teachers and great friends.

A NEW YORK TIMES BESTSELLER AND NEW YORK TIMES NOTABLE BOOK OF THE YEAR “Vivid, compelling... An embrace of moral and spiritual contemplation.” –The New York Times “A remarkable piece of writing. If read with humility and attention, Kathleen Norris's book becomes lectio divina, or holy reading.” –The Boston Globe From the iconic author of Amazing Grace: A Vocabulary of Faith, a spiritual journey that brings joy to the meanings of love, grace and faith. Why would a married woman with a thoroughly Protestant background and often more doubt than faith be drawn to the ancient practice of monasticism, to a community of celibate men whose days are centered on a rigid schedule of prayer, work, and scripture? This is the question that poet Kathleen Norris asks us as, somewhat to her own surprise, she found herself on two extended residencies at St. John's Abbey in Minnesota. Part record of her time among the Benedictines, part meditation on various aspects of monastic life, The Cloister Walk demonstrates, from the rare perspective of someone who is both an insider and outsider, how immersion in the cloistered world-- its liturgy, its ritual, its sense of community-- can impart meaning to everyday events and deepen our secular lives. In this stirring and lyrical work, the monastery, often considered archaic or otherworldly, becomes immediate, accessible, and relevant to us, no matter what our faith may be.

“A deeply spiritual, deeply moving book” about life on the Great Plains, by the New York Times–bestselling author of The Cloister Walk (The New York Times Book Review). “With humor and lyrical grace,” Kathleen Norris meditates on a place in the American landscape that is at once desolate and sublime, harsh and forgiving, steeped in history and myth (San Francisco Chronicle). A combination of reporting and reflection, Dakota reminds us that wherever we go, we chart our own spiritual geography.

A NEW YORK TIMES NOTABLE BOOK OF THE YEAR From the New York Times-bestselling author of The Cloister Walk, a book about Christianity, spirituality, and rediscovered faith. Struggling with her return to the Christian church after many years away, Kathleen Norris found it was the language of Christianity that most distanced her from faith. Words like "judgment," "faith," "dogma," "salvation," "sinner"—even "Christ"—formed what she called her "scary vocabulary," words that had become so codified or abstract that their meanings were all but impenetrable. She found she had to wrestle with them and make them her own before they could confer their blessings and their grace. Blending history, theology, storytelling, etymology, and memoir, Norris uses these words as a starting point for reflection, and offers a moving account of her own gradual conversion. She evokes a rich spirituality rooted firmly in the chaos of everyday life—and offers believers and doubters alike an illuminating perspective on how we can embrace ancient traditions and find faith in the contemporary world.

Although Kathleen Norris's best-selling Dakota: A Spiritual Geography has brought her to the attention of many thousands of readers, she is first and last a poet. Like Robert Frost, another poet identified with a particular landscape, she can reveal the miraculous in the ordinary, and she writes with clarity, humor, and deep sympathy for her subjects.

When Nicole Hardy's eye-opening "Modern Love" column appeared in the New York Times, the response from readers was overwhelming. Hardy's essay, which exposed the conflict between being true to herself as a woman and remaining true to her Mormon faith, struck a chord with women coast-to-coast. Now in her funny, intimate, and thoughtful memoir, Nicole Hardy explores how she came, at the age of thirty-five, to a crossroads regarding her faith and her identity. As a member of the Church of Jesus Christ of Latter-day Saints, Nicole had held absolute conviction in her Mormon faith during her childhood and throughout her twenties. But as she aged out of the Church's "singles ward" and entered her thirties, she struggled to merge the life she envisioned for herself with the one the Church prescribed, wherein all women are called to be mothers and the role of homemaker is the emphatic ideal. Confessions of a Latter-day Virgin chronicles the extraordinary lengths Nicole went to in an attempt to reconcile her human needs with her spiritual life--flying across the country for dates with LDS men, taking up salsa dancing as a source for physical contact, even moving to Grand Cayman, where the ocean and scuba diving provided some solace. But neither secular pursuits nor LDS guidance could help Nicole prepare for the dilemma she would eventually face: a crisis of faith that caused her to question everything she'd grown up believing. In the tradition of the memoirs Devotion and Mennonite in a Little Black Dress, Confessions of a Latter-day Virgin is a mesmerizing and wholly relatable account of one woman's hard-won mission to find love, acceptance, and happiness--on her own terms.

Iris Bennington is furious when she discovers her younger brother is following the instructions found in the acclaimed advice columns on How to be a Gentleman. The so-called "advice" is more likely to turn her brother into a scoundrel than a true gentleman. Iris decides to locate the author of the columns and confront him. Merritt Steel, the Earl of Ashby, cannot help but be amused by the slip of a woman who comes calling. Unwilling to let such a delightful potential conquest go, he proposes a wager: bring him anyone off the street and he can pass them off as a gentleman. It's a bargain she readily accepts—but with a twist. Their bargain proves to be a greater challenge than either anticipated. Merritt finds it near impossible to keep his hands off Iris, and she begins to see the undeniable appeal of ungentlemanly behavior... Each book in the Lords of Vice series is STANDALONE: * The Scoundrel and the Lady * The Marquess and the Maiden * The Earl and the Reluctant Lady

Kathleen Norris's masterpiece: a personal and moving memoir that resurrects the ancient term acedia, or soul-weariness, and brilliantly explores its relevancy to the modern individual and culture.

"The personal narrative, be it autobiography or memoir, tells what it is to live and die in the world. Spiritual memoir adds two further dimensions. First, belief or unbelief in God is not incidental to the narrative but crucial. The narrator and other characters must determine how the judgment or grace of God will influence the conduct of their lives. Some memoirs tell how the narrator came to faith; others examine what Augustine calls "the life of faith." Second, spiritual memoir entails the (usually) implied offer: "What happened to me, dear reader, can also happen to you, but in a different way, of course." This is the gospel of memoir. Our Hearts Are Restless explores the nature of spiritual memoir via a close reading of twenty-one memoirs or memoir-like works. The author engages in personal reflection with the memoirists and facilitates roundtable discussions among them. The work displays the diversity of spiritual memoir by following seven paths: conversion (e.gs., Augustine, Merton), mystical vision (Julian of Norwich, Emily Dickinson), excruciating doubt (Bunyan), devastation (Abelard, C.S. Lewis), life-long pilgrimage (Harriet Jacobs, Dorothy Day), daily adventures and challenges (Lamott), and nomadic, sometimes angry expressions of faith (Baldwin, Rodriquez). The names above are meant as samples of the book's diversity. If there is a theological argument in this study, it is this: there is no argument and no authoritative theology apart from the lives of God's people and the circumstances in which they live. "The glory of God," said St. Irenaeus, "is a human being fully alive.""--