A true story of vendetta and intrigue, triumph and tragedy, exile and repatriation, this book recounts the interwoven microhistories of Count Girolamo Della Torre, a feudal lord with a castle and other properties in the Friuli, and Giulia Bembo, grand-niece of Cardinal Pietro Bembo and daughter of Gian Matteo Bembo, a powerful Venetian senator with a distinguished career in service to the Venetian Republic. Their marriage in the mid-sixteenth century might be regarded as emblematic of the Venetian experience, with the metropole at the center of a fragmented empire: a Terraferma nobleman and the daughter of a Venetian senator, who raised their family in far off Crete in the stato da mar, in Venice itself, and in the Friuli and the Veneto in the stato da terra. The fortunes and misfortunes of the nine surviving Della Torre children and their descendants, tracked through the end of the Republic in 1797, are likewise emblematic of a change in feudal culture from clan solidarity to individualism and intrafamily strife, and ultimately, redemption. Despite the efforts by both the Della Torre and the Bembo families to preserve the patrimony through a succession of male heirs, the last survivor in the paternal bloodline of each was a daughter. This epic tale highlights the role of women in creating family networks and opens a precious window into a contentious period in which Venetian republican values clash with the deeply rooted feudal traditions of honor and blood feuds of the mainland.

A true story of vendetta and intrigue, triumph and tragedy, exile and repatriation, this book recounts the interwoven microhistories of Count Girolamo Della Torre, a feudal lord with a castle and other properties in the Friuli, and Giulia Bembo, grand-niece of Cardinal Pietro Bembo and daughter of Gian Matteo Bembo, a powerful Venetian senator with a distinguished career in service to the Venetian Republic. Their marriage in the mid-sixteenth century might be regarded as emblematic of the Venetian experience, with the metropole at the center of a fragmented empire: a Terraferma nobleman and the daughter of a Venetian senator, who raised their family in far off Crete in the stato da mar, in Venice itself, and in the Friuli and the Veneto in the stato da terra. The fortunes and misfortunes of the nine surviving Della Torre children and their descendants, tracked through the end of the Republic in 1797, are likewise emblematic of a change in feudal culture from clan solidarity to individualism and intrafamily strife, and ultimately, redemption. Despite the efforts by both the Della Torre and the Bembo families to preserve the patrimony through a succession of male heirs, the last survivor in the paternal bloodline of each was a daughter. This epic tale highlights the role of women in creating family networks and opens a precious window into a contentious period in which Venetian republican values clash with the deeply rooted feudal traditions of honor and blood feuds of the mainland.

The year is 1938. Dee is studying to become a nurse. Her breath catches when she meets her beautiful sister’s boyfriend, Mark, for the first time. She has never met a handsome, cheerful man with such a booming voice before. Even while dating her sister, Mark treats Dee as a lady, and she falls for him and the way he takes her seriously. Dee hopes that he will hurry up and marry her sister so she can forget about her feelings for him. But Dee has no idea what her sister is feeling. She also doesn’t know about Mark’s uninhibited relationships or his rash and reckless dream.

Presents a survey of sixty Venetian Renaissance paintings of the calibre of Bellini and Titian's "Feast of the Gods" in Washington and Giorgione's "Laura and Three Philosophers" in Vienna.

Another delicious Georgian gem from Lucinda Brant: High drama, deep emotion, and witty prose, all deftly sprinkled with historical detail to keep you mesmerized from beginning to end. Immerse yourself in the romance and opulence of her eighteenth century aristocratic world. When the Earl of Salt Hendon marries squire's daughter Jane Despard, Society is aghast. But Jane and Salt share a secret past of heartache and mistrust. They are forced into a marriage neither wants; the Earl to honor a dying man's wish, Jane to save her stepbrother from financial ruin. Beautiful inside and out, the patient and ever optimistic Jane believes love conquers all; the Earl will take some convincing. Enter Diana St. John, who has been living in a fool's paradise believing she would be the next Countess of Salt Hendon. She will go to extreme lengths, even murder, to hold Salt's attention. Can the newlyweds overcome past prejudices and sinister opposition to fall in love all over again? As the plot develops and darkens you realize the imagery is spectacular. If you've never met true evil just wait 'till you meet Diana St. John; definitely made me a fan. --SWurman: 5 STAR TOP PICK Night Owl Reviews. A love story that fans of historical romance will relish. The rakish and raucous character of the period is contrasted superbly with the sophistication of the age. --Fiona Ingram: 5 STARS Readers' Favorite. Brant's talent is undeniable and dare I admit... I enjoyed Salt Bride more than many of Georgette Heyer's own beloved works and that is high praise indeed. --Courtney Webb: Stiletto Storytime. 2015 B.R.A.G. Medallion Honoree, 2011 Australian Romance Readers Awards Finalist. Full-length novel (117,000 words, about 460 standard pages). Parental Guidance Recommended (mild sensuality). Classic romance with a modern voice, similar to Regency noir.

Inscriptions, medals, and travelers' accounts, on more learned humanist and antiquarian writings, and, most importantly, on the art of the period, Brown explores Venice's evolving sense of the past. She begins with the late middle ages, when Venice sought to invent a dignified civic past by means of object, image, and text. Moving on to the fourteenth and fifteenth centuries, she discusses the collecting and recording of antiquities and the incorporation of Roman forms.

Already haunted by a youth of illegitimacy and poverty, Valente Lorenzatto never forgave Caroline Hales's abandonment of him at the altar. But now he's made millions and claimed his aristocratic Venetian birthright—and he's poised to get his revenge. He'll ruin Caroline's family by buying out their company and throwing them out of their mansion…unless she agrees to give him the wedding night she denied him five years ago….

This volume brings together the published academic essays of the Renaissance historian Patricia Hochschild Labalme (1927-2002). Appearing between 1955 and 1999, they deal with the intellectual, social and religious life of Venice in the 15th-16th centuries. An important focus is the exploration of the careers, milieu and writings of cultural and literary women of early modern Venice, a field to which the author made a particular contribution.

Elisabetta Caminer Turra (1751-96) was one of the most prominent women in eighteenth-century Italy and a central figure in the international "Republic of Letters." A journalist and publisher, Caminer participated in important debates on capital punishment, freedom of the press, and the abuse of clerical power. She also helped spread Enlightenment ideas into Italy by promoting and publishing Voltaire's latest works and translating new European plays-plays she herself directed, to great applause, on Venetian stages. Bringing together Caminer's letters, poems, and journalistic writings, nearly all published for the first time here, Selected Writings offers readers an intellectual biography of this remarkable figure as well as a glimpse into her intimate correspondence with the most prominent thinkers of her day. But more important, Selected Writings provides insight into the passion that animated Caminer's fervent reflections on the complex and shifting condition of women in her society-the same passion that pushed her to succeed in the male-dominated literary professions.

Often hailed as one of the best travel books ever written, Venice is neither a guide nor a history book, but a beautifully written immersion in Venetian life and character, set against the background of the city's past. Analysing the particular temperament of Venetians, as well as its waterways, its architecture, its bridges, its tourists, its curiosities, its smells, sounds, lights and colours, there is scarcely a corner of Venice that Jan Morris has not investigated and brought vividly to life. Jan Morris first visited the city of Venice as young James Morris, during World War II. As she writes in the introduction, 'it is Venice seen through a particular pair of eyes at a particular moment - young eyes at that, responsive above all to the stimuli of youth.' Venice is an impassioned work on this magnificent but often maddening city. Jan Morris's collection of travel writing and reportage spans over five decades and includes such titles as Sydney, Coronation Everest, Hong Kong, Spain and Manhattan '45. Since its first publication, Venice has appeared in many editions, won the W.H. Heinemann award and become an international bestseller. 'The best book about Venice ever written' Sunday Times 'No sensible visitor should visit the place without it . . . Venice stands alone as the essential introduction, and as a work of literature in its own right.' Observer