Inscriptions, medals, and travelers' accounts, on more learned humanist and antiquarian writings, and, most importantly, on the art of the period, Brown explores Venice's evolving sense of the past. She begins with the late middle ages, when Venice sought to invent a dignified civic past by means of object, image, and text. Moving on to the fourteenth and fifteenth centuries, she discusses the collecting and recording of antiquities and the incorporation of Roman forms.

"As the sixteenth century opened, members of the patriciate were increasingly withdrawing from trade, desiring to be seen as "gentlemen in fact" as well as "gentlemen in name." The author considers why this was so and explores such wide-ranging themes as attitudes toward wealth and display, the articulation of family identity, the interplay between the public and the private, and the emergence of characteristically Venetian decorative practices and styles of art and architecture. Brown focuses new light on the visual culture of Venetian women - how they lived within, furnished, and decorated their homes; what spaces were allotted to them; what their roles and domestic tasks were; how they dressed; how they raised their children; and how they entertained. Bringing together both high arts and low, the book examines all aspects of Renaissance material culture."--BOOK JACKET.

The study of landscape has in recent years been a field for considerable analytical archaeological experimentation. Although the Mediterranean is the home of classicism, it has seen the implementation of projects of this new kind, and in regions of Spain and Italy, after some delay, the proliferation of landscape archaeology studies.

Innovative study re-positioning the Adriatic as a liminal region between different cultures and faiths before the heyday of Venice.

"Inspired by the teachings and research of Patricia Fortini Brown, a renowned scholar of Venetian art and history, these beautifully illustrated essays by leading scholars address topics ranging from painted Venetian narrative cycles of the late 15th century to the rebuilding of the Campanile in the early 20th century. This book was derived from [a portion of the] papers given at the [56th annual meeting of the Renaissance Society of America held April 8-10, 2010, Venice, Italy, and the 2010] Giorgione Symposium [Giorgione and his time : confronting alternate realities] held at Princeton University on the occasion of Fortini Brown’s recent retirement"--

The medieval palaces of Venice are unlike those from anywhere else and they also survive in this equally unique city in far greater numbers. This well-presented study argues, however, that contrary to other opinions, the architecture of Venice was developed from that of northern and western Europe and not from that of Byzantium and Late Antiquity.

Inscriptions convey meaning not just by their contents but also by other means, such as choice of script, location, scale, spatial organisation, letterform, legibility and clarity. The essays in this book consider these visual qualities of inscriptions, ranging across the Mediterranean and the Near East from Spain to Iran and beyond, including Norman Sicily, Islamic North Africa, Byzantium, medieval Italy, Georgia and Armenia. While most essays focus on Late Antiquity and the Middle Ages, they also look back at Achaemenid Iran and forward to Mughal India. Topics discussed include real and pseudo-writing, multilingual inscriptions, graffiti, writing disguised as images and images disguised as words. From public texts set up on mountainsides or on church and madrasa walls to intimate craftsmen's signatures, barely visible on the undersides of precious objects, the inscriptions discussed in this volume reveal their meanings as textual and visual devices.