WINNER OF THE DAYTON LITERARY PEACE PRIZE 2017 Reina Castillo's beloved brother is serving a death sentence for a crime that shocked the community - a crime for which Reina secretly blames herself. When she is at last released from her seven-year prison vigil, Reina moves to a sleepy town in the Florida Keys seeking anonymity. There, she meets Nesto, a recently exiled Cuban awaiting with hope the arrival of the children he left behind in Havana. Through Nesto's love of the sea and capacity for faith, Reina comes to understand her own connections to the life-giving and destructive forces of the ocean that surrounds her as well as its role in her family's troubled history. Set in the vibrant coastal and Caribbean communities of Miami; the Florida Keys; Havana, Cuba; and Cartagena, Colombia, The Veins of the Ocean is a wrenching exploration of what happens when life tests the limits of compassion, and a stunning and unforgettable portrait of fractured lives finding solace in the beauty and power of the natural world, and in one another.

A New York Times Notable Book, an NPR Best Debut of the Year, and a PEN/Hemingway finalist. These linked stories follow Sabina as she navigates her shifting identity as a daughter of the Colombian diaspora, and struggles to find her place within and beyond the net of her strong, protective, but embattled family. In “Lucho,” Sabina’s family—already “foreigners in a town of blancos”—is shunned by the community when a relative commits an unspeakable act of violence, but she is in turn befriended by the town bad boy, who has a secret of his own. In “Desaliento,” Sabina surrounds herself with other young drifters who spend their time looking for love and then fleeing from it—until reality catches up with one of them. And in “Vida,” the urgency of Sabina’s self-imposed exile in Miami fades when she meets an enigmatic Colombian woman with a tragic past. “Vida calls to mind some of the best fiction from recent years. Like Elizabeth Strout’s Olive Kitteridge, Engel uses stories about connected characters to illuminate her main subject, in this case Sabina, who moves with her family from Bogotá, Colombia, to New Jersey. Engel brings Sabina’s family and culture to life with a narrative style reminiscent of Junot Díaz’s The Brief Wondrous Life of Oscar Wao . . . Vivid, memorable . . . An exceptionally promising debut.” —The Plain Dealer

A spellbinding story of a young American abroad and a star-crossed relationship: “This is a novel to get lost in.” —The Miami Herald Lita del Cielo is the daughter of two Colombian immigrants who arrived in America with nothing and made a fortune with their Latin food empire. Now Lita has been granted one year to pursue her studies in Paris before returning to work in the family business. She moves into a crumbling Left Bank mansion known as “The House of Stars,” where the spirited but bedridden Countess Séraphine rents out rooms to young women visiting Paris to work, to study, and, unofficially, to find love. Cautious and guarded, Lita keeps a cool distance from the other girls, who seem at once boldly adult and impulsively naïve, who both intimidate and fascinate her. Then Lita meets Cato, and the contours of her world shift. Charming, enigmatic, and weak with illness, Cato is the son of a notorious right-wing politician. As Cato and Lita retreat to their own world, they soon find it difficult to keep the outside world from closing in on theirs. Ultimately Lita must decide whether to stay in France with Cato or return home to fulfill her family’s dreams for her future. From the author of Vida, a finalist for the PEN/Hemingway Award, It’s Not Love, It’s Just Paris is a love story, a portrait of a Paris caught between the old world and the new, and an exploration of one woman’s journey to lay claim to her own life. “Wise and accomplished . . . Beautifully written.” —The New York Times Book Review

A REESE’S BOOK CLUB PICK and INSTANT NEW YORK TIMES BESTSELLER WINNER OF THE 2021 NEW AMERICAN VOICES AWARD, LONGLISTED FOR THE 2022 ANDREW CARNEGIE MEDAL, A 2022 DAYTON LITERARY PEACE PRIZE FINALIST, AND A NATIONAL ENDOWMENT OF THE ARTS “BIG READS” SELECTION “A profound, beautiful novel.” —People * “Poignant.” —BuzzFeed * “A breathtaking story of the unimaginable prices paid for a better life.” —Esquire This “heartbreaking portrait of a family dealing with the realities of migration and separation” (Time) is “a sweeping love story and tragic drama [and] an authentic vision of what the American Dream looks like in a nationalistic country” (Elle). I often wonder if we are living the wrong life in the wrong country. Talia is being held at a correctional facility for adolescent girls in the forested mountains of Colombia after committing an impulsive act of violence that may or may not have been warranted. She urgently needs to get out and get back home to Bogotá, where her father and a plane ticket to the United States are waiting for her. If she misses her flight, she might also miss her chance to finally be reunited with her family. How this family came to occupy two different countries, two different worlds, comes into focus like twists of a kaleidoscope. We see Talia’s parents, Mauro and Elena, fall in love in a market stall as teenagers against a backdrop of civil war and social unrest. We see them leave Bogotá with their firstborn, Karina, in pursuit of safety and opportunity in the United States on a temporary visa, and we see the births of two more children, Nando and Talia, on American soil. We witness the decisions and indecisions that lead to Mauro’s deportation and the family’s splintering—the costs they’ve all been living with ever since. Award-winning, internationally acclaimed author Patricia Engel, herself a dual citizen and the daughter of Colombian immigrants, gives voice to all five family members as they navigate the particulars of their respective circumstances. Rich with Bogotá urban life, steeped in Andean myth, and tense with the daily reality of the undocumented in America, Infinite Country “is as much an all-American story as it is a global one” (Booklist, starred review).

Winner, Discover Great New Writers Award. Winner, Minnesota Book Award for Fiction. "Profound.... a quietly stunning work that leaves soft tracks in the heart."--The Washington Post BookWorld "Merits placement beside some of the mesmerizing new literature with its roots in Latin America."--The New York Times Book Review

Since its U.S. debut a quarter-century ago, this brilliant text has set a new standard for historical scholarship of Latin America. It is also an outstanding political economy, a social and cultural narrative of the highest quality, and perhaps the finest description of primitive capital accumulation since Marx. Rather than chronology, geography, or political successions, Eduardo Galeano has organized the various facets of Latin American history according to the patterns of five centuries of exploitation. Thus he is concerned with gold and silver, cacao and cotton, rubber and coffee, fruit, hides and wool, petroleum, iron, nickel, manganese, copper, aluminum ore, nitrates, and tin. These are the veins which he traces through the body of the entire continent, up to the Rio Grande and throughout the Caribbean, and all the way to their open ends where they empty into the coffers of wealth in the United States and Europe. Weaving fact and imagery into a rich tapestry, Galeano fuses scientific analysis with the passions of a plundered and suffering people. An immense gathering of materials is framed with a vigorous style that never falters in its command of themes. All readers interested in great historical, economic, political, and social writing will find a singular analytical achievement, and an overwhelming narrative that makes history speak, unforgettably. This classic is now further honored by Isabel Allende's inspiring introduction. Universally recognized as one of the most important writers of our time, Allende once again contributes her talents to literature, to political principles, and to enlightenment.

According to acclaimed writer Isak Dinesen, "the cure for anything is salt water," and most coastal Mainers would likely agree. The distinct sense of place one gets in Maine is instilled at early age and living along Maine's rugged coast requires a combination of industriousness, flexibility, and self-sufficiency, all coupled with a profound sense of community. Like barnacles on a tidal ledge, these close-knit communities cling to the edge of the sea. They have salt in their veins, and the Maine coast is their ecosystem. In this book about people, Charlie Wing talks with some of the hardy folk who call this place home. Here are stories of lobstermen, boatbuilders, artists, writers, and teachers who opened up to Charlie and share their feelings on world events, government, the weather, and people from away.

Three sisters bound by something more powerful than blood---a secret as deep as the ocean. Once a maid, Hannah is now engaged to a talented painter. But although both were born mer, Stannish has severed ties to the sea and insists that Hannah do the same. Torn between love and the Laws of Salt, Hannah must make a choice that can only lead to heartbreak. Lucy grew up longing to swim, but her mother believed that girls belonged in the drawing room, not the ocean, and took drastic measures to keep Lucy's identity a secret. Now it's up to Lucy's sisters to save her, before she succumbs to landsickness . . . or the executioner's noose. After a lonely childhood, May suddenly found everything she'd ever wanted. But now with Hannah pulling away and Lucy sentenced to die, May's world is falling apart. Is she destined to lose her sisters all over again? This conclusion is as beautiful and dangerous as the sea itself. Fans of Downton Abbey will delight in the Edwardian splendor, and all readers will be swept away by a tide of magic and romance.

“Impressive . . . [Cristina García’s] story is about three generations of Cuban women and their separate responses to the revolution. Her special feat is to tell it in a style as warm and gentle as the ‘sustaining aromas of vanilla and almond,’ as rhythmic as the music of Beny Moré.”—Time Cristina García’s acclaimed book is the haunting, bittersweet story of a family experiencing a country’s revolution and the revelations that follow. The lives of Celia del Pino and her husband, daughters, and grandchildren mirror the magical realism of Cuba itself, a landscape of beauty and poverty, idealism and corruption. Dreaming in Cuban is “a work that possesses both the intimacy of a Chekov story and the hallucinatory magic of a novel by Gabriel García Márquez” (The New York Times). In celebration of the twenty-fifth anniversary of the novel’s original publication, this edition features a new introduction by the author. Praise for Dreaming in Cuban “Remarkable . . . an intricate weaving of dramatic events with the supernatural and the cosmic . . . evocative and lush.”—San Francisco Chronicle “Captures the pain, the distance, the frustrations and the dreams of these family dramas with a vivid, poetic prose.”—The Washington Post “Brilliant . . . With tremendous skill, passion and humor, García just may have written the definitive story of Cuban exiles and some of those they left behind.”—The Denver Post

This “authentic, generous, and heartfelt” (Mary Kay Andrews, New York Times bestselling author) instant New York Times bestseller from the author of The Summer of Lost and Found recounts one family’s summer of forging new beginnings against the enduring beauty and resilience of the natural world. It’s been sixteen years since Caretta “Cara” Rutledge has returned home to the beautiful shores of Charleston, South Carolina. Over those years, she has weathered the tides of deaths and births, struggles and joys. And now, as Cara prepares for her second wedding, her life is about to change yet again. Meanwhile, the rest of the storied Rutledge family is also in flux. Cara’s niece, Linnea, returns to Sullivan’s Island to begin a new career and an unexpected relationship. Linnea’s parents, having survived bankruptcy, pin their hopes and futures on the construction of a new home on Ocean Boulevard. But as excitement over the house and wedding builds, a devastating illness strikes the family and brings plans to a screeching halt. It is under these trying circumstances that the Rutledge family must come together yet again to discover the enduring strength in love, tradition, and legacy from mother to daughter to granddaughter. “A heartwarming story of lowcountry love, loyalty, and longstanding friendships” (Booklist), On Ocean Boulevard is Mary Alice Monroe at her very best.