Neuroscientist Alvaro Cruz finds himself haunted by a recurring dream of a banjo player in an elusive cornfield that leads him on a personal quest to uncover the mysterious past of a New Orleans street singer known as Una Vida. Stricken with Alzheimer's, Una Vida can only offer tantalizing clues about her past through her mesmerizing vocals, incredible recollection of jazz lyrics, and the occasional verbal revisiting of a fascinating life that s fading quickly and forever into the recess of her mind. As Cruz searches for Una Vida's true identity, he learns profound lessons about the human psyche, the nature of memory and himself. Now available in paperback for the first time!

Originally published in 1979, Vida is Marge Piercy’s classic bookend to the ’60s. Vida is full of the pleasures and pains, the experiments, disasters, and victories of an extraordinary band of people. At the center of the novel stands Vida Asch. She has lived underground for almost a decade. Back in the ’60s she was a political star of the exuberant antiwar movement—a red-haired beauty photographed for the pages of Life magazine—charismatic, passionate, and totally sure she would prevail. Now, a decade later, Vida is on the run, her star-quality replaced by stubborn courage. She comes briefly to rest in a safe house on Cape Cod. To her surprise and annoyance, she finds another person in the house, a fugitive, Joel, ten years younger than she, a kid who dropped into the underground out of the army. As they spend the next days together, Vida finds herself warming toward a man for the first time in years, knowing the dangers all too well. As counterpoint to the underground ’70s, Marge Piercy tells the extraordinary tale of the optimistic ’60s, the thousands of people who were members of SAW (Students Against the War) and of the handful who formed a fierce group called the Little Red Wagon. Piercy’s characters make vivid and comprehensible the desperation, the courage, and the blind rage of a time when “action” could appear to some to be a more rational choice than the vote. A new introduction by Marge Piercy situates the book, and the author, in the times from which they emerged.

First in a delightfully irreverent new series-and second to none when it comes to beautiful 227-year-old career women. Being dead isn't all it's cracked up to be. Take it from Francesca Marinelli, trapped underground for over 200 years and rediscovered during the renovation of a Victorian mansion in historic St. Augustine. A tourist attraction herself, she's well suited for a job as an Old Ghost Town Tour guide. Francesca's due for a new lease on afterlife-and with enough sunblock, she can finally live it. Unfortunately, everything she learned about men is a little dated. And when people in her tour group turn up dead, naturally the police suspect her. After all, she is a vampire. Which is why a crazed vampire-hunting vigilante squad is out to get her as well. Between the dead bodies, the stalkers, and a seriously non-existent love life, she's starting to wish she was dead. Or at least buried, where she was safe.

A New York Times Notable Book, an NPR Best Debut of the Year, and a PEN/Hemingway finalist. These linked stories follow Sabina as she navigates her shifting identity as a daughter of the Colombian diaspora, and struggles to find her place within and beyond the net of her strong, protective, but embattled family. In “Lucho,” Sabina’s family—already “foreigners in a town of blancos”—is shunned by the community when a relative commits an unspeakable act of violence, but she is in turn befriended by the town bad boy, who has a secret of his own. In “Desaliento,” Sabina surrounds herself with other young drifters who spend their time looking for love and then fleeing from it—until reality catches up with one of them. And in “Vida,” the urgency of Sabina’s self-imposed exile in Miami fades when she meets an enigmatic Colombian woman with a tragic past. “Vida calls to mind some of the best fiction from recent years. Like Elizabeth Strout’s Olive Kitteridge, Engel uses stories about connected characters to illuminate her main subject, in this case Sabina, who moves with her family from Bogotá, Colombia, to New Jersey. Engel brings Sabina’s family and culture to life with a narrative style reminiscent of Junot Díaz’s The Brief Wondrous Life of Oscar Wao . . . Vivid, memorable . . . An exceptionally promising debut.” —The Plain Dealer

Biographical free verse about one of the 20th centurys greatest painters

Finalist for the Readers ofElle Magazine's Grand Prize (France) Winner of the Plaidoiries Prize for Best Crime Novel at the Festival Clameur(s) of Dijon Almodóvar meets Orwell in this acclaimed, fast-paced contemporary noir novel exposing the most shameful secrets of the Franco era. Present-day Spain, a time of economic crisis and resurgent populist nationalism. The radical right has just won the election after twelve years of Socialist rule. In the midst of this political upheaval, a series of murders is committed, taking place from Madrid to Barcelona to Valencia. The victims include a politician a real-estate lawyer, doctor, a banker, and a nun. There is no obvious connection between them. As the country prepares for a return to a certain moral order, radio crime reporter Diego Martin is trying to keep his head above water in anticipation of the expected media purge. When he decides to look into the first murder, he doesn't have the faintest clue that his investigation will lead far beyond his local beat and put his life at risk. For what he uncovers exposes the roots of a national scandal: the theft of babies from the victims of the Franco regime, crimes—never prosecuted—that were orchestrated by now well-connected citizens who will do anything to avoid exposure.

“This enigmatic tale of adolescent friendship . . . is smart, sly, and as knowing about the mind and heart of a teenage girl as an Elena Ferrante novel.” —O, The Oprah Magazine “One of the best novels about girlhood and female friendship I’ve ever read.” —Mary Beth Keane, New York Times–bestselling author of Ask Again, Yes “A tough and exquisite sliver of a short novel whose world I want to remain lost in. . . . [A] spectacular narrator . . . [A] wonder of a novel.” —Maureen Corrigan, NPR’s Fresh Air Teenager Eulabee and her best friend, Maria Fabiola, own the streets of Sea Cliff, their San Francisco neighborhood. They know Sea Cliff’s homes and beaches, its hidden corners and eccentric characters. One day, walking to school with friends, they witness a horrible act—or do they? Eulabee and Maria Fabiola disagree on what happened, and their rupture is followed by Maria Fabiola’s sudden disappearance—a potential kidnapping that shakes the community and threatens to expose unspoken truths. Set in pre-tech boom San Francisco, a city on the brink of radical transformation, and told with a gimlet eye and great warmth, We Run the Tides is both a gripping mystery and a tribute to the wonders of youth. “The affectionate specificity of the portrait [Vida] offers is one of the book’s real pleasures.” —The New York Times Book Review “Detailed and vibrant.” —Los Angeles Review of Books “Smart, perceptive, elegant, sad, surprising and addictive.” —Nick Hornby, New York Times–bestselling author of About a Boy “There’s something naughty, almost gleeful about this nostalgia-soaked portrayal of pre-tech-boom San Francisco that keeps the pages turning.” —San Francisco Chronicle

The story of the near rookie who became a sensational baseball player for the Oakland A's.

There have been many writers who have written in the world of poetry. Yet, only a few have come from the streets of East Los Angeles. This is not a fictional story being told. These words were lived by the author, Richard Cabral. Through love, gang life, fatherhood, being a son, and being a prisoner, he shares his inner darkest secrets. While most have documented their lives through film and photography, Richard documents his life through poetry.

One-of-a-kind collection of Latinx comics that sheds light on Latinx experiences, exploring language, culture, history, and more.