The 2016 winner of the Walt Whitman Award of the Academy of American Poets, selected by Carolyn Forché When I make the crossing, you must not be taken no matter what the current gives. When we reach the camp, there will be thousands like us. If I make it onto the plane, you must follow me to the roads and waiting pastures of America. We will not ride the water today on the shoulders of buffalo as we used to many years ago, nor will we forage for the sweetest mangoes. I am refugee. You are too. Cry, but do not weep. —from “Transmigration” Afterland is a powerful, essential collection of poetry that recounts with devastating detail the Hmong exodus from Laos and the fate of thousands of refugees seeking asylum. Mai Der Vang is telling the story of her own family, and by doing so, she also provides an essential history of the Hmong culture’s ongoing resilience in exile. Many of these poems are written in the voices of those fleeing unbearable violence after U.S. forces recruited Hmong fighters in Laos in the Secret War against communism, only to abandon them after that war went awry. That history is little known or understood, but the three hundred thousand Hmong now living in the United States are living proof of its aftermath. With poems of extraordinary force and grace, Afterland holds an original place in American poetry and lands with a sense of humanity saved, of outrage, of a deep tradition broken by war and ocean but still intact, remembered, and lived.

A reinvestigation of chemical biological weapons dropped on the Hmong people in the fallout of the Vietnam War In this staggering work of documentary, poetry, and collage, Mai Der Vang reopens a wrongdoing that deserves a new reckoning. As the United States abandoned them at the end of the Vietnam War, many Hmong refugees recounted stories of a mysterious substance that fell from planes during their escape from Laos starting in the mid-1970s. This substance, known as “yellow rain,” caused severe illnesses and thousands of deaths. These reports prompted an investigation into allegations that a chemical biological weapon had been used against the Hmong in breach of international treaties. A Cold War scandal erupted, wrapped in partisan debate around chemical arms development versus control. And then, to the world’s astonishment, American scientists argued that yellow rain was the feces of honeybees defecating en masse—still held as the widely accepted explanation. The truth of what happened to the Hmong, to those who experienced and suffered yellow rain, has been ignored and discredited. Integrating archival research and declassified documents, Yellow Rain calls out the erasure of a history, the silencing of a people who at the time lacked the capacity and resources to defend and represent themselves. In poems that sing and lament, that contend and question, Vang restores a vital narrative in danger of being lost, and brilliantly explores what it means to have access to the truth and how marginalized groups are often forbidden that access.

The universe is dominated by the Laowan Imperium, aliens who use humans as slaves and pets. One day Jon Iehard, a former slave, is charged with hunting a terrorist who holds half the key to a weapon capable of destroying the Laowan empire.

During its secret war in Laos (1961–1975), the United States recruited proxy soldiers among the Hmong people. Following the war, many of these Hmong soldiers migrated to the United States with refugee status. In History on the Run Ma Vang examines the experiences of Hmong refugees in the United States to theorize refugee histories and secrecy, in particular those of the Hmong. Vang conceptualizes these histories as fugitive histories, as they move and are carried by people who move. Charting the incomplete archives of the war made secret through redacted US state documents, ethnography, film, and literature, Vang shows how Hmong refugees tell their stories in ways that exist separately from narratives of U.S. empire and that cannot be traditionally archived. In so doing, Vang outlines a methodology for writing histories that foreground refugee epistemologies despite systematic attempts to silence those histories.

This study documents Hmong’s involvement in the Secret War in Laos, their refugee exodus from Laos to the refugee camps in Thailand, and the challenges to find third countries to take Hmong refugees. At the time, Hmong and other highlander refugees from Laos were considered unsuitable to be resettled into the United States. He provides detailed research on the adaptation of Hmong Americans to their new lives in the United States, facing discrimination and prejudice, and the advancement of Hmong Americans over the past 40 years. He presents the Hmong American community as an uprooted refugee community that grew from a small population in 1975 to more than 300,000 by the year 2015; spreading to all 50 states while becoming a diverse and complex American ethnic community. To get better insight into their diversity, complexity, and adaptation to different localities, Kou Yang uses the Hmong communities in Montana, Fresno and Denver as case studies. The progress of Hmong Americans over the past 4 decades is highlighted with a list of many achievements in education, high-tech, academia, political participation, the military and other fields. Readers of this book will gain a deeper understanding of the challenges, complex and diverse experience of the Hmong American community. They will also obtain insight into the overall experience of the Hmong, an ethnic people of Diaspora, found in Asia, the Americas, Africa, Australia, and Europe. They are like bristle-cone pines on the rock that have been exposed to all types of weather, climate and conditions, but they won't die.

An unprecedented inside view of the Hmong experience in America.

This is the first completely up-to-date Hmong history book ever written by a member of the Hmong people. It describes the earliest civilizations of the Hmong and Miao in China, and why some of the Hmong migrated into Southeast Asia in the early 19th century, particularly to Vietnam, Laos and Thailand; and how the Hmong of Laos were involved with the Lao civil war, especially the secret war from 1962 to 1975 that caused almost a hundred thousand Hmong to flee to Thailand and Western countries as political refugees after the Communists takeover. This book includes the forcible repatriation of the Lao-Hmong asylum seekers at Nam Khao refugee camp in Thailand back to Laos in late 2009 and the arrest and discharge of former General Vang Pao by the U.S. authorities. "[It] is full of fascinating materials [and] a wonderful book. Congratulations," commented by Dr Nicholas C. T. Tapp, Senior Fellow in the Department of Anthropology, Research School of Pacific and Asian Studies, the Australian National University.

How well do you know His story? By the time a Christian reaches young adulthood, he is likely to be quite familiar with every major story in the Bible, but not from having studied them in any particular order. Ask an average Bible student to arrange certain characters and events chronologically, and the results are telling. Telling God’s Story looks closely at the Bible from its beginning in Genesis to its conclusion in Revelation. By approaching Scripture as one purposefully flowing narrative, emphasizing the inter-connectedness of the text, veteran college professors Preben Vang and Terry G. Carter reinforce the Bible’s greatest teachings and help readers in their own ability to share God’s story effectively with others. Ideal for classroom settings, this second edition of Telling God's Story now features all supporting charts, photographs, and illustrations in full color!

An incisive look at Hmong religion in the United States, where resettled refugees found creative ways to maintain their traditions, even as Christian organizations deputized by the government were granted an outsized influence on the refugees’ new lives. Every year, members of the Hmong Christian Church of God in Minneapolis gather for a cherished Thanksgiving celebration. But this Thanksgiving takes place in the spring, in remembrance of the turbulent days in May 1975 when thousands of Laotians were evacuated for resettlement in the United States. For many Hmong, passage to America was also a spiritual crossing. As they found novel approaches to living, they also embraced Christianity—called kev cai tshiab, “the new way”—as a means of navigating their complex spiritual landscapes. Melissa May Borja explores how this religious change happened and what it has meant for Hmong culture. American resettlement policies unintentionally deprived Hmong of the resources necessary for their time-honored rituals, in part because these practices, blending animism, ancestor worship, and shamanism, challenged many Christian-centric definitions of religion. At the same time, because the government delegated much of the resettlement work to Christian organizations, refugees developed close and dependent relationships with Christian groups. Ultimately the Hmong embraced Christianity on their own terms, adjusting to American spiritual life while finding opportunities to preserve their customs. Follow the New Way illustrates America’s wavering commitments to pluralism and secularism, offering a much-needed investigation into the public work done by religious institutions with the blessing of the state. But in the creation of a Christian-inflected Hmong American animism we see the resilience of tradition—how it deepens under transformative conditions.