An unprecedented inside view of the Hmong experience in America.

Farmers in Laos, U.S. allies during the Vietnam War, refugees in Thailand, citizens of the Western world, the stories of the Hmong who now live in America have been told in detail through books and articles and oral histories over the past several decades. Like any immigrant group, members of the first generation may yearn for the past as they watch their children and grandchildren find their way in the dominant culture of their new home. For Hmong people born and educated in the United States, a definition of self often includes traditional practices and tight-knit family groups but also a distinctly Americanized point of view. How do Hmong Americans negotiate the expectations of these two very different cultures? This book contains a series of essays featuring a range of writing styles, leading scholars, educators, artists, and community activists who explore themes of history, culture, gender, class, family, and sexual orientation, weaving their own stories into depictions of a Hmong American community where people continue to develop complex identities that are collectively shared but deeply personal as they help to redefine the multicultural America of today.

This study documents Hmong’s involvement in the Secret War in Laos, their refugee exodus from Laos to the refugee camps in Thailand, and the challenges to find third countries to take Hmong refugees. At the time, Hmong and other highlander refugees from Laos were considered unsuitable to be resettled into the United States. He provides detailed research on the adaptation of Hmong Americans to their new lives in the United States, facing discrimination and prejudice, and the advancement of Hmong Americans over the past 40 years. He presents the Hmong American community as an uprooted refugee community that grew from a small population in 1975 to more than 300,000 by the year 2015; spreading to all 50 states while becoming a diverse and complex American ethnic community. To get better insight into their diversity, complexity, and adaptation to different localities, Kou Yang uses the Hmong communities in Montana, Fresno and Denver as case studies. The progress of Hmong Americans over the past 4 decades is highlighted with a list of many achievements in education, high-tech, academia, political participation, the military and other fields. Readers of this book will gain a deeper understanding of the challenges, complex and diverse experience of the Hmong American community. They will also obtain insight into the overall experience of the Hmong, an ethnic people of Diaspora, found in Asia, the Americas, Africa, Australia, and Europe. They are like bristle-cone pines on the rock that have been exposed to all types of weather, climate and conditions, but they won't die.

The Hmong were driven out of Laos by the turmoil of the Vietnam War and settled in America in such large numbers that they are now the second largest Southeast Asian population in the United States. Twelve Hmong immigrants, including a female shaman, an ex-military officer, a reformed gang member, a doctor, and a woman who was snatched from her mountain village at the age of eight, deposited in Laos's French culture and finally returned to Laos years later, tell their stories of struggling with American life while preserving the values of their own ancient culture. The author also considers the 5,000 years of Hmong history and its lasting influence.

Minnesota has always been a land of immigrants. Successive waves have each made their own way, found their place, and made it their home. The Hmong are one of the most recent immigrant groups, and their remarkable and moving story is told in Hmong in Minnesota. Chia Youyee Vang reveals the colorful, intricate history of Hmong Minnesotans, many of whom were forced to flee their homeland of Laos when the communists seized power during the Vietnam War. Having assisted U.S. troops in the "Secret War," Hmong soldiers and civilians were eligible to settle in the United States. Vang offers a unique window into the lives of the Minnesota Hmong through the stories of individuals who represent the experiences of many. One voice is that of Mao Heu Thao, one of the first refugees to come to Minnesota, sponsored by Catholic Charities in 1976. She tells of the unexpectedly cold weather, the strange food, and the kindness of her hosts. By introducing readers to the immigrants themselves, Hmong in Minnesota conveys a population's struggle to adjust to new environments, build communities, maintain cultural practices, and make its mark on government policies and programs. Chia Youyee Vang was born in Laos and as a child escaped with her family to the United States. An assistant professor of history at the University of Wisconsin-Milwaukee, she specializes in the study of Hmong community-building efforts.

"In 1961, U.S. President Kennedy sent CIA operatives into northern Laos to recruit a secret army to fight communist forces in Laos and Vietnam. For fifteen years, Hmong highlanders attacked the Ho Chi Minh Trail, guarded U.S. radar installations, and acted as the frontline defense of Laos. In 1975 the Americans withdrew. Thousands of Hmong families fled to Thailand. After months or years in refugee camps, most resettled in the United States. There they faced the imposing challenge of starting a new life in a highly industrialized, technology-driven society with radically different cultural values and practices."--Back cover.

Of an estimated twelve million ethnic Hmong in the world, more than 160,000 live in the United States today, most of them refugees of the Vietnam War and the civil war in Laos. Their numbers make them one of the largest recent immigrant groups in our nation. Today, significant Hmong populations can be found in California, Minnesota, Wisconsin, North Carolina, Michigan, and Colorado, and St. Paul boasts the largest concentration of Hmong residents of any city in the world. In this groundbreaking anthology, first-and second-generation Hmong Americans--the first to write creatively in English--share their perspectives on being Hmong in America. In stories, poetry, essays, and drama, these writers address the common challenges of immigrants adapting to a new homeland: preserving ethnic identity and traditions, assimilating to and battling with the dominant culture, negotiating generational conflicts exacerbated by the clash of cultures, and developing new identities in multiracial America. Many pieces examine Hmong history and culture and the authors' experiences as Americans. Others comment on issues significant to the community: the role of women in a traditionally patriarchal culture, the effects of violence and abuse, the stories of Hmong military action in Laos during the Vietnam War. These writers don't pretend to provide a single story of the Hmong; instead, a multitude of voices emerge, some wrapped up in the past, others looking toward the future, where the notion of "Hmong American" continues to evolve. In her introduction, editor Mai Neng Moua describes her bewilderment when she realized that anthologies of Asian American literature rarely contained even one selection by a Hmong American. In 1994, she launched a Hmong literary journal, Paj Ntaub Voice, and in the first issue asked her readers "Where are the Hmong American voices?" Now this collection--containing selections from the journal as well as new submissions--offers a chorus of voices from a vibrant and creative community of Hmong American writers from across the United States.

In search of a place to call home, thousands of Hmong families made the journey from the war-torn jungles of Laos to the overcrowded refugee camps of Thailand and onward to America. But lacking a written language of their own, the Hmong experience has been primarily recorded by others. Driven to tell her family’s story after her grandmother’s death, The Latehomecomer is Kao Kalia Yang’s tribute to the remarkable woman whose spirit held them all together. It is also an eloquent, firsthand account of a people who have worked hard to make their voices heard. Beginning in the 1970s, as the Hmong were being massacred for their collaboration with the United States during the Vietnam War, Yang recounts the harrowing story of her family’s captivity, the daring rescue undertaken by her father and uncles, and their narrow escape into Thailand where Yang was born in the Ban Vinai Refugee Camp. When she was six years old, Yang’s family immigrated to America, and she evocatively captures the challenges of adapting to a new place and a new language. Through her words, the dreams, wisdom, and traditions passed down from her grandmother and shared by an entire community have finally found a voice. Together with her sister, Kao Kalia Yang is the founder of a company dedicated to helping immigrants with writing, translating, and business services. A graduate of Carleton College and Columbia University, Yang has recently screened The Place Where We Were Born, a film documenting the experiences of Hmong American refugees. Visit her website at www.kaokaliayang.com.

This anthology wrestles with Hmong Americans’ inclusion into and contributions to Asian American studies, as well as to American history and culture and refugee, immigrant, and diasporic trajectories. It negotiates both Hmong American political and cultural citizenship, meticulously rewriting the established view of the Hmong as “new” Asian neighbors—an approach articulated, Hollywood style, in Clint Eastwood’s film Gran Torino. The collection boldly moves Hmong American studies away from its usual groove of refugee recapitulation that entrenches Hmong Americans points-of-origin and acculturation studies rather than propelling the field into other exciting academic avenues. Following a summary of more than three decades’ of Hmong American experience and a demographic overview, chapters investigate the causes of and solutions to socioeconomic immobility in the Hmong American community and political and civic activism, including Hmong American electoral participation and its affects on policymaking. The influence of Hmong culture on young men is examined, followed by profiles of female Hmong leaders who discuss the challenges they face and interviews with aging Hmong Americans. A section on arts and literature looks at the continuing relevance of oral tradition to Hmong Americans’ successful navigation in the diaspora, similarities between rap and kwv txhiaj (unrehearsed, sung poetry), and Kao Kalia Yang’s memoir, The Latehomecomer. The final chapter addresses the lay of the land in Hmong American studies, constituting a comprehensive literature review. Diversity in Diaspora showcases the desire to shape new contours of Hmong American studies as Hmong American scholars themselves address new issues. It represents an essential step in carving out space for Hmong Americans as primary actors in their own right and in placing Hmong American studies within the purview of Asian American studies.

Simple, earthy, fiery, and fresh, Hmong food is an exciting but still little-known South Asian cuisine. In traditional Hmong culture, dishes are created and replicated not by exact measurements but by taste and experimentationfor every Hmong recipe, there are as many variations as there are Hmong cooksand often served to large, communal groups. Sami Scripter and Sheng Yang have gathered more than 100 recipes, illustrated them with color photos of completed dishes, and provided descriptions of unusual ingredients and cooking techniques.