Offers a complex consideration of the relationship of mass terror and utopianism under the fascist government of wartime Croatia.

Political journalist Paul Berman recounts four episodes in the history of a generation: student radicalism of the years around 1968; the birth of gay liberation and modern identity politics; the anti-Communist trajectory in the Eastern bloc; and the ideals and self-criticism of thinkers in America and in France, who debated the meaning of these events. A "New York Times" Notable Book.

An exploration of the utopias and dystopias that could develop from present society Peter Frase argues that increasing automation and a growing scarcity of resources, thanks to climate change, will bring it all tumbling down. In Four Futures, Frase imagines how this post-capitalist world might look, deploying the tools of both social science and speculative fiction to explore what communism, rentism and extermininsm might actually entail. Could the current rise of the real-life robocops usher in a world that resembles Ender's Game? And sure, communism will bring an end to material scarcities and inequalities of wealth—but there's no guarantee that social hierarchies, governed by an economy of "likes," wouldn't rise to take their place. A whirlwind tour through science fiction, social theory and the new technologies are already shaping our lives, Four Futures is a balance sheet of the socialisms we may reach if a resurgent Left is successful, and the barbarisms we may be consigned to if those movements fail.

Utopia City.Rebuilt from the ashes of America's most horrific terror attack and transformed into a paragon of technological advancement, this city stands as a beacon of possibility where almost anything can happen.Jericho Hansen certainly hopes so; as a gay superhero in the deep South, his ambition is to achieve lifelong recognition by joining Force Majeure, America's best-known superhero team. But to do that, he must first travel to Utopia and learn the hard way if he's got what it takes. The events that transpire when he gets there will turn his entire world upside down. He will experience love and loss, triumph and tragedy. Mysteries will be solved and fresh inquiries opened.Welcome to Utopia, where the most important lesson is that nothing is truly as it seems.

Utopia is a work of fiction and socio-political satire by Thomas More published in 1516 in Latin. The book is a frame narrative primarily depicting a fictional island society and its religious, social and political customs. Many aspects of More's description of Utopia are reminiscent of life in monasteries.

United in Hate analyzes the Left's contemporary romance with militant Islam as a continuation of the Left's love affair with communist totalitarianism in the twentieth century. Just as the Left was drawn to the communist killing machines of Lenin, Stalin, Mao, Pol Pot and Castro, so too it is now attracted to radical Islam. Both the radical Left and radical Islam possess a profound hatred for Western culture, for a capitalist economic structure that recognizes individual achievement and for the Judeo-Christian heritage of the United States. Both seek to establish a new world order: leftists in the form of a classless communist society and Islamists in the form of a caliphate ruled by Sharia law. To achieve these goals, both are willing to wipe the slate clean by means of limitless carnage, with the ultimate goal of erecting their utopia upon the ruins of the system they have destroyed.

A Companion to Michael Haneke is a definitive collection of newly-commissioned work that covers Haneke's body of work in its entirety, catering to students and scholars of Haneke at a time when interest in the director and his work is soaring. Introduces one of the most important directors to have emerged on the global cinema scene in the past fifteen years Includes exclusive interviews with Michael Haneke, including an interview discussion of The White Ribbon Considers themes, topics, and subjects that have formed the nucleus of the director's life's work: the fate of European cinema, Haneke in Hollywood, pornography, alienation, citizenship, colonialism, and the gaze of surveillance Features critical examinations of La Pianiste, Time of the Wolf, Three Paths to the Lake and Caché, amongst others

This book examines the quest for/failure of Utopia across a range of contemporary American/transnational fictions in relation to terror and globalization through authors such as Susan Choi, André Dubus, Dalia Sofer, and John Updike. While recent critical thinkers have reengaged with Utopia, the possibility of terror — whether state or non-state, external or homegrown — shadows Utopian imaginings. Terror and Utopia are linked in fiction through the exploration of the commodification of affect, a phenomenon of a globalized world in which feelings are managed, homogenized across cultures, exaggerated, or expunged according to a dominant model. Narrative approaches to the terrorist offer a means to investigate the ways in which fiction can resist commodification of affect, and maintain a reasoned but imaginative vision of possibilities for human community. Newman explores topics such as the first American bestseller with a Muslim protagonist, the links between writer and terrorist, the work of Iranian-Jewish Americans, and the relation of race and religion to Utopian thought.

Human rights offer a vision of international justice that today’s idealistic millions hold dear. Yet the very concept on which the movement is based became familiar only a few decades ago when it profoundly reshaped our hopes for an improved humanity. In this pioneering book, Samuel Moyn elevates that extraordinary transformation to center stage and asks what it reveals about the ideal’s troubled present and uncertain future. For some, human rights stretch back to the dawn of Western civilization, the age of the American and French Revolutions, or the post–World War II moment when the Universal Declaration of Human Rights was framed. Revisiting these episodes in a dramatic tour of humanity’s moral history, The Last Utopia shows that it was in the decade after 1968 that human rights began to make sense to broad communities of people as the proper cause of justice. Across eastern and western Europe, as well as throughout the United States and Latin America, human rights crystallized in a few short years as social activism and political rhetoric moved it from the hallways of the United Nations to the global forefront. It was on the ruins of earlier political utopias, Moyn argues, that human rights achieved contemporary prominence. The morality of individual rights substituted for the soiled political dreams of revolutionary communism and nationalism as international law became an alternative to popular struggle and bloody violence. But as the ideal of human rights enters into rival political agendas, it requires more vigilance and scrutiny than when it became the watchword of our hopes.

This novel is a major literary discovery, and Odrach is drawing favorable comparisons with such eminent writers as Chekhov and Solzhenitsyn. Odrach wrote in Ukrainian, while living an exile's life in Toronto. This remarkable book is a microcosm of Soviet history, and Odrach provides a first-hand account of events during the Stalinist era that newsreels never covered. It has special value as a sensitive and realistic portrait of the times, while capturing the internal drama of the characters with psychological concision. Odrach creates a powerful and moving picture, and manages to show what life was really like under the brutal dictatorship of Stalin, and brings cataclysmic events of history to a human scale.