An action-oriented medium, comics have long used wars--real and fictional--as narrative fodder, often with a strong message attached. Buried in rare comics published during the Cold War were powerful war, fantasy, and sci-fi stories that strongly condemned war and the bomb, boldly calling for peace. While a few comics of the time portrayed the horrors of war, the more blatant anti-war stories were largely unappreciated or so cloaked in metaphor that they went unnoticed by contemporary audiences. Today, we can more fully appreciate the efforts of the fine writers and cartoonists who were crying out for peace in their--and our--time. Journey back with us now, and discover the secret, surprising history of anti-war comics with this marvelously curated collection.

Presents the first ten volumes of the "Omega: The Unknown" comic, which features the adventures of an alien superhero and an orphaned teenage boy who shares his destiny.

Catch a glimpse of what it was like to live through two World Wars through the eyes of characters including Sgt. Rock, Enemy Ace, the Boy Commandos, Blackhawk, and many others. From tales of rebellion to surviving the battlefield, this title collects some of the greatest war stories of their time. Collects Sgt. Rock Special #2, Enemy Ace: War in Heaven #1-2, Showcase #57, Our Army at War #67, #83, #233, and #235, Boy Commandos #1, Star Spangled War Stories #87 and #183, All-American Comics #48, Weird War Tales #3 (1972), G.I. Combat #87, Our Fighting Forces #49 and #102, The Losers Special #1, and Military Comics #1.

Join an oneiric odyssey through a slacker second life.

Originally published in the midst of the cold war, Is This Tomorrow is a classic example of red scare propaganda. The story envisions a scenario in which the Soviet Union orders American communists to overthrow the US Government. Charles Schulz contributed to the artwork throughout the issue. Reprinted here for the first time in 70 years.

A volume of reproductions from the influential war-comics magazine offers insight into the periodical's controversial publication of anti-war tales, in a collection that includes the classic short, "Landscape," in which a jaded Vietnamese rice farmer becomes a victim of circumstance. Reprint.

A lavishly illustrated, witty, and original look at the awesome power of the political cartoon throughout history to enrage, provoke, and amuse. As a former editor of The New York Times Magazine and the longtime editor of The Nation, Victor S. Navasky knows just how transformative—and incendiary—cartoons can be. Here Navasky guides readers through some of the greatest cartoons ever created, including those by George Grosz, David Levine, Herblock, Honoré Daumier, and Ralph Steadman. He recounts how cartoonists and caricaturists have been censored, threatened, incarcerated, and even murdered for their art, and asks what makes this art form, too often dismissed as trivial, so uniquely poised to affect our minds and our hearts. Drawing on his own encounters with would-be censors, interviews with cartoonists, and historical archives from cartoon museums across the globe, Navasky examines the political cartoon as both art and polemic over the centuries. We see afresh images most celebrated for their artistic merit (Picasso's Guernica, Goya's "Duendecitos"), images that provoked outrage (the 2008 Barry Blitt New Yorker cover, which depicted the Obamas as a Muslim and a Black Power militant fist-bumping in the Oval Office), and those that have dictated public discourse (Herblock’s defining portraits of McCarthyism, the Nazi periodical Der Stürmer’s anti-Semitic caricatures). Navasky ties together these and other superlative genre examples to reveal how political cartoons have been not only capturing the zeitgeist throughout history but shaping it as well—and how the most powerful cartoons retain the ability to shock, gall, and inspire long after their creation. Here Victor S. Navasky brilliantly illuminates the true power of one of our most enduringly vital forms of artistic expression.

Examining how stories of conflict have been told in comics down the years, this book covers everything from EC Comics depictions of the US Civil War to Joe Saccos reportage on modern, assymmetric, conflicts. Comics from the First and Second World Wars are put in context, with their propaganda- driven plotlines and enemy-bashing superheroes, but the book also covers rebellious, anti-war, underground comix, horror comics, investigative journalism and more thoughtful mainstream developments such as Charleys War. War Comics: A Graphic History exposes this fascinating genre in all its many forms.

Comic books have presented fictional and fact-based stories of the Korean War, as it was being fought and afterward. Comparing these comics with events that inspired them offers a deeper understanding of the comics industry, America's "forgotten war," and the anti-comics movement, championed by psychiatrist Fredric Wertham, who criticized their brutalization of the imagination. Comics--both newsstand offerings and government propaganda--used fictions to justify the unpopular war as necessary and moral. This book examines the dramatization of events and issues, including the war's origins, germ warfare, brainwashing, Cold War espionage, the nuclear threat, African Americans in the military, mistreatment of POWs, and atrocities.