Comic books have presented fictional and fact-based stories of the Korean War, as it was being fought and afterward. Comparing these comics with events that inspired them offers a deeper understanding of the comics industry, America's "forgotten war," and the anti-comics movement, championed by psychiatrist Fredric Wertham, who criticized their brutalization of the imagination. Comics--both newsstand offerings and government propaganda--used fictions to justify the unpopular war as necessary and moral. This book examines the dramatization of events and issues, including the war's origins, germ warfare, brainwashing, Cold War espionage, the nuclear threat, African Americans in the military, mistreatment of POWs, and atrocities.

Follow Private Meyer's wartime memoirs as he travels you back in time to 1950 to 1952, as an infantry soldier on the frontlines of the Korean War, only just turning 17 years old. Be inspired by these true life stories with fully illustrated comics for each one. See him survive harsh winters in foxholes and deal with the life at war. Motivating, captivating, and sometimes even funny. So grab a cup of coffee, sit back, and enjoy these greatest ever stories by a U.S. Army veteran. At 90 years old Phillip W. Meyer still enjoys writing stories and poems. Each story in this book includes a fully illustrated comic.

Conventional wisdom holds that comic books of the post-World War II era are poorly drawn and poorly written publications, notable only for the furor they raised. Contributors to this thoughtful collection, however, demonstrate that these comics constitute complex cultural documents that create a dialogue between mainstream values and alternative beliefs that question or complicate the grand narratives of the era. Close analysis of individual titles, including EC comics, Superman, romance comics, and other, more obscure works, reveals the ways Cold War culture--from atomic anxieties and the nuclear family to communist hysteria and social inequalities--manifests itself in the comic books of the era. By illuminating the complexities of mid-century graphic novels, this study demonstrates that postwar popular culture was far from monolithic in its representation of American values and beliefs.

After World War II ended, control of Korea was divided between the United States, who occupied the southern part, and the Soviet Union, who occupied the north. Tensions escalated until North Korea invaded South Korea in 1950. This book features three stories in graphic novel format describing Cold War conflicts between American and United Nations forces and Soviet, North Korean, and Chinese forces in the Korean Peninsula.

When the Korean War broke out in June 1950, there were no U.S. Marines on the Korean peninsula. This changed quickly, as elements of the 1st Marine Division arrived in August 1950. This is a story of the Chosin.

Keum Suk Gendry-Kim was an adult when her mother revealed a family secret: she was separated from her sister during the Korean War. It’s not an uncommon story—the peninsula was split down the 38th parallel, dividing one country into two. As many fled violence in the north, not everyone was able to make it south. Her mother’s story inspired Gendry-Kim to begin interviewing her and other Koreans separated by the war; that research fueled a deeply resonant graphic novel. The Waiting is the fictional story of Gwija, told by her novelist daughter Jina. When Gwija was 17 years old, after hearing that the Japanese were seizing unmarried girls, her family married her in a hurry to a man she didn't know. Japan fell, Korea gained its independence, and the couple started a family. But peace didn’t come. The young family—now four—fled south. On the road, while breastfeeding and changing her daughter, Gwija was separated from her husband and son. Then 70 years passed. Seventy years of waiting. Gwija is now an elderly woman and Jina can’t stop thinking about the promise she made to help find her brother. Expertly translated from Korean by award-winning Janet Hong, The Waiting is the devastating followup to Gendry-Kim’s Grass, which won the Krause Essay Prize, the Slate Cartoonist Studio Prize, the Harvey Award, and appeared on best of the year lists from the New York Times, The Guardian, Library Journal, and more.

"A deeply moving and intellectually profound novel built on the iconic myth of the American West." —KIRKUS REVIEWS Working a dying trade in a dead town, dairy farmer Jack Selvedge finds his life and existence stagnant. When Rebekah Rainsford moves back to town on the run from her father, her dark history consumes him. It soon becomes clear why girls like her don’t stay in towns like these, as elements of humanity in ruin culminate in tragedy. A deeply written and deeply felt story of love, depravity, and shattered ideals, Pale Harvest examines the loss of beauty, purity, and simplicity within the mindset of the rural American West.

Army Attack: Volume 2 The saga chicken company 8.5-X11- Full color. history comic books, comic book, ww2 historical fiction, wwii comic, Army Attack The origins of war comics can be traced back to the age of superheroes. During World War II the masked men turned their attention to defeating Hitler and the Nazi hordes. At the end of the war public interest in superheroes waned, but this led to comics that devoted themselves solely to war stories. More titles appeared, especially during the Korean War. The modern war comic was born. One of the major publishers of war comics was Charlton with such titles as Battlefield Action and their Fightin' series. Also worthy of mention is Quality's Blackhawk. Apart from his own title, he appears in Miltary comics, Modern comics and many other of their books. Another star is G.I. Joe brought to us by Ziff Davis, always with a smile on his face and a flower in his helmet.

Discover the Korean War through the eyes of the journalist who covered it in this installment of the New York Times bestselling graphic novel series In 1950, Marguerite Higgins (1920–1966) was made bureau chief of the Far East Asia desk for the New York Herald Tribune. Tensions were high on the Korean peninsula, where a border drawn after WWII split the country into North and South. When the North Korean army crossed the border with Soviet tanks, it was war. Marguerite was there when the Communists captured Seoul. She fled with the refugees heading south, but when the bridges were blown over the Han River, she was trapped in enemy territory. Her eyewitness account of the invasion was a newspaper smash hit. She risked her life in one dangerous situation after another––all for the sake of good story. Then she was told that women didn’t belong on the frontlines. The United States Army officially ordered her out of Korea. She appealed to General Douglas MacArthur, and he personally lifted the ban on female war correspondents, which allowed her the chance to report on many of the major events of the Korean War. Nathan Hale’s Hazardous Tales are graphic novels that tell the thrilling, shocking, gruesome, and TRUE stories of American history. Read them all—if you dare!