The Unconscious as Space explores the experience of being and the practice of psychoanalysis by thinking of the unconscious in mathematical terms. Anca Carrington introduces mathematical models of space, from dimension theory to algebraic topology and knot theory, and considers their immediate psychoanalytic relevance. The hypothesis that the unconscious is structured like a space marked by impossibility is then examined. Carrington considers the clinical implications, with particular focus on the interplay between language and the unconscious as related topological spaces in which movement takes place along knot-like pathways. The Unconscious as Space will be of appeal to psychotherapists, psychoanalysts and mental health professionals in practice and in training.

Imagining has long been used as a therapeutic tool. Carl Jung developed the concept further by introducing Active Imagination, in which the creative powers of the unconscious produce images which are then addressed by the ego. While Jung never described this method in book form, Kast explains it thrillingly to the lay reader.

This book deals with the problematic of temporality in the unconscious: how to grasp the differences in temporality between the time in repetition of unconscious contents -that Freud designated as timeless- and the time for the passage to the conscious?

Hidden beneath consciousness, the brain mechanisms controlling personal space affect every aspect of our lives-- social, emotional, cultural, and practical. A neuroscientist, award-winning novelist, and science columnist for The Atlantic, Graziano tells this compelling story with humor, drama, and a deeply personal connection.

There are a number of recent texts that draw on psychoanalytic theory as an interpretative approach for understanding architecture, or that use the formal and social logics of architecture for understanding the psyche. But there remains work to be done in bringing what largely amounts to a series of independent voices, into a discourse that is greater than the sum of its parts, in the way that, say, the architect Peter Eisenman was able to do with the architecture of deconstruction or that the historian Manfredo Tafuri was able to do with the Marxist critique of architecture. The discourse of the present volume focuses specifically for the first time on the subject of the unconscious in relation to the design, perception, and understanding of architecture. It brings together an international group of contributors, who provide informed and varied points of view on the role of the unconscious in architectural design and theory and, in doing so, expand architectural theory to unexplored areas, enriching architecture in relation to the humanities. The book explores how architecture engages dreams, desires, imagination, memory, and emotions, how architecture can appeal to a broader scope of human experience and identity. Beginning by examining the historical development of the engagement of the unconscious in architectural discourse, and the current and historical, theoretical and practical, intersections of architecture and psychoanalysis, the volume also analyses the city and the urban condition.

A systematic effort to rethink Freud's theory of the unconscious, aiming to separate out the different forms of unconsciousness. The logico-mathematical treatment of the subject is made easy because every concept used is simple and simply explained from first principles. Each renewed explanation of the facts brings the emergence of new knowledge from old material of truly great importance to the clinician and the theorist alike. A highly original book that ought to be read by everyone interested in psychiatry or in Freudian psychology.

In Finding Space, Ann Belford Ulanov argues that depth psychology in general and the work of D. W. Winnicott in particular offer vital new ways in which to apprehend religious life, especially Christian religious life. Her inspiration is rooted in Winnicott's influence on her work as an analyst and how his ideas have enriched her own Christian faith and religious understanding. In addition, Ulanov feels Winnicott's focus on the intensity of aliveness is an antidote to the plight of contemporary religion - that it can be passionless or rote, and thereby irrelevant to so many people. She expands Winnicott's concept of transitional space between self and other to apply to the space between the human and divine. She explores the importance of the "illusionist element" of God images in creative approaches to the divine. Other topics include the paradox transitional reality holds with subjective and objective notions Christians have of God; the inclusion of the body - specifically sexuality and aggression and the struggle for integration within the self - in the search for relationship with God; and the importance of the feminine. In an especially helpful appendix, Ulanov includes Winnicott's thoughts on matters pertinent to religious life and thought.

This ambitious and innovative volume stretches over time and space, over the history of modernity in relation to antiquity, between East and West, to offer insights into what the author terms the 'geographical unconscious.' She argues that, by tapping into this, we can contribute towards the reinstatement of some kind of morality and justice in today's troubled world. Approaching selected moments from ancient times to the present of Greek cultural and aesthetic geographies on the basis of a wide range of sources, the book examines diachronic spatiotemporal flows, some of which are mainly cultural, others urban or landscape-related, in conjunction with parallel currents of change and key issues of our time in the West more generally, but also in the East. In doing so, The Geographical Unconscious reflects on visual and spatial perceptions through the ages; it re-considers selective affinities plus differences and identifies enduring age-old themes, while stressing the deep ancient wisdom, the disregarded relevance of the aesthetic, and the unity between human senses, nature, and space. The analysis provides new insights towards the spatial complexities of the current age, the idea of Europe, of the East, the West, and their interrelations, as well as the notion of modernity.

Bion’s unfashionable thought is a challenge for our times in which anaesthesia and mass thinking prevail. The themes this book addresses are time and the unconscious. In the present/past, the here and now reveals its relationship with the unredeemable time, which conditions our behaviour and is at the root of a state of hallucinosis in the form of a short-sighted view that is distorted by deep-seated wounds. This book also highlights the resonances with contemporary epistemology and physics that underlie the new paradigm of psychoanalytic field theory. The topic of the unconscious raises questions about its origin and the difference between the Bionian and the Freudian unconscious. In Bion we see an evolutionary, process character emerge, with a double movement of repetition and expansion within a single system in unstable equilibrium, for which there is no conscious feeling that does not also carry with it the shadow of the unconscious. Drawing on psychoanalytic and philosophical concepts this book is essential reading for psychoanalysts, psychotherapists, philosophers and anyone who wishes to understand more fully what it means to be human.