The Unconscious as Space explores the experience of being and the practice of psychoanalysis by thinking of the unconscious in mathematical terms. Anca Carrington introduces mathematical models of space, from dimension theory to algebraic topology and knot theory, and considers their immediate psychoanalytic relevance. The hypothesis that the unconscious is structured like a space marked by impossibility is then examined. Carrington considers the clinical implications, with particular focus on the interplay between language and the unconscious as related topological spaces in which movement takes place along knot-like pathways. The Unconscious as Space will be of appeal to psychotherapists, psychoanalysts and mental health professionals in practice and in training.

Imagining has long been used as a therapeutic tool. Carl Jung developed the concept further by introducing Active Imagination, in which the creative powers of the unconscious produce images which are then addressed by the ego. While Jung never described this method in book form, Kast explains it thrillingly to the lay reader.

V.1 The class of books to which the "Philosophy of the Unconscious" belongs is all but unrepresented in our literature, but the absence of similar home-productions can no longer be held to imply either an inability to comprehend their scope or an indifference to their results. To what shall we attribute the welcome accorded of late to certain reproductions and elucidations of the master-works of modern Transcendentalism, if not to the awakening of a long-repressed desire to re-examine the foundations of a spiritual fabric, for whose stability an instinctive confidence alone made answer? To many two attitudes of mind have become insupportable--that of total unconcern about fundamental truth, and that of unthinking acquiescence in the admission of merely juxtaposed and uncommunicating spheres of positive knowledge and impenetrable nescience. (PsycINFO Database Record (c) 2011 APA, all rights reserved).

There are a number of recent texts that draw on psychoanalytic theory as an interpretative approach for understanding architecture, or that use the formal and social logics of architecture for understanding the psyche. But there remains work to be done in bringing what largely amounts to a series of independent voices, into a discourse that is greater than the sum of its parts, in the way that, say, the architect Peter Eisenman was able to do with the architecture of deconstruction or that the historian Manfredo Tafuri was able to do with the Marxist critique of architecture. The discourse of the present volume focuses specifically for the first time on the subject of the unconscious in relation to the design, perception, and understanding of architecture. It brings together an international group of contributors, who provide informed and varied points of view on the role of the unconscious in architectural design and theory and, in doing so, expand architectural theory to unexplored areas, enriching architecture in relation to the humanities. The book explores how architecture engages dreams, desires, imagination, memory, and emotions, how architecture can appeal to a broader scope of human experience and identity. Beginning by examining the historical development of the engagement of the unconscious in architectural discourse, and the current and historical, theoretical and practical, intersections of architecture and psychoanalysis, the volume also analyses the city and the urban condition.

A systematic effort to rethink Freud's theory of the unconscious, aiming to separate out the different forms of unconsciousness. The logico-mathematical treatment of the subject is made easy because every concept used is simple and simply explained from first principles. Each renewed explanation of the facts brings the emergence of new knowledge from old material of truly great importance to the clinician and the theorist alike. A highly original book that ought to be read by everyone interested in psychiatry or in Freudian psychology.

This ambitious and innovative volume stretches over time and space, over the history of modernity in relation to antiquity, between East and West, to offer insights into what the author terms the 'geographical unconscious.' She argues that, by tapping into this, we can contribute towards the reinstatement of some kind of morality and justice in today's troubled world. Approaching selected moments from ancient times to the present of Greek cultural and aesthetic geographies on the basis of a wide range of sources, the book examines diachronic spatiotemporal flows, some of which are mainly cultural, others urban or landscape-related, in conjunction with parallel currents of change and key issues of our time in the West more generally, but also in the East. In doing so, The Geographical Unconscious reflects on visual and spatial perceptions through the ages; it re-considers selective affinities plus differences and identifies enduring age-old themes, while stressing the deep ancient wisdom, the disregarded relevance of the aesthetic, and the unity between human senses, nature, and space. The analysis provides new insights towards the spatial complexities of the current age, the idea of Europe, of the East, the West, and their interrelations, as well as the notion of modernity.

Bion’s unfashionable thought is a challenge for our times in which anaesthesia and mass thinking prevail. The themes this book addresses are time and the unconscious. In the present/past, the here and now reveals its relationship with the unredeemable time, which conditions our behaviour and is at the root of a state of hallucinosis in the form of a short-sighted view that is distorted by deep-seated wounds. This book also highlights the resonances with contemporary epistemology and physics that underlie the new paradigm of psychoanalytic field theory. The topic of the unconscious raises questions about its origin and the difference between the Bionian and the Freudian unconscious. In Bion we see an evolutionary, process character emerge, with a double movement of repetition and expansion within a single system in unstable equilibrium, for which there is no conscious feeling that does not also carry with it the shadow of the unconscious. Drawing on psychoanalytic and philosophical concepts this book is essential reading for psychoanalysts, psychotherapists, philosophers and anyone who wishes to understand more fully what it means to be human.

This book explores the unconscious in psychoanalysisusing cross-disciplinary input from the cultural, social and linguistic perspectives. This book is the first contemporary collection applying the various perspectives from within the psychoanalytic discipline. It covers the unconscious from three main perspectives: the metaphysical, including links with quantum mechanics and Jung's thought; the socio-relational, drawing on ideas from politics, inter-generational trauma and the interpersonal; and the linguistic, drawing on notions of the social construct of language and hermeneutics. Throughout the history of psychoanalysis, theorists have wrestled with the ubiquitousness and diverse nature of the unconscious. This collection is an account of the contemporary psychoanalytic struggle to understand and work with this quintessential, defining, and foundational object of psychoanalysis. This book is primarily of interest to practicing clinicians and trainees. It is also of significant interest to any academic professionals and students who adapt psychoanalytic thought in their studies in the humanities, including literature, philosophy, and the social sciences.

This is Volume VII of eight in a series on the Philosophy of Mind and Language. Originally published in 1931, this book presents Speculative Results according to the Inductive Method of Physical Science. Interest in Hartmann’s conception of the Unconscious until the beginning of the present century was primarily metaphysical; his treatise was merely the first, and most significant, of the thirty volumes which set forth his “system.”

Bringing psychoanalysis to bear on the diagnosis of ecological crisis Why has psychoanalysis long been kept at the margins of environmental criticism despite the many theories of eco-Marxism, queer ecology, and eco-deconstruction available today? What is unique, possibly even traumatic, about eco-psychoanalysis? The Environmental Unconscious addresses these questions as it provides an innovative and theoretical account of environmental loss focused on the counterintuitive forms of enjoyment that early modern poetry and psychoanalysis jointly theorize. Steven Swarbrick urges literary critics and environmental scholars fluent in the new materialism to rethink notions of entanglement, animacy, and consciousness raising. He introduces concepts from psychoanalysis as keys to understanding the force of early modern ecopoetics. Through close readings of Edmund Spenser, Walter Ralegh, Andrew Marvell, and John Milton, he reveals a world of matter that is not merely hyperconnected, as in the new materialism, but porous and off-kilter. And yet the loss these poets reveal is central to the enjoyment their works offer—and that nature offers. As insightful as it is engaging, The Environmental Unconscious offers a provocative challenge to ecocriticism that, under the current regime of fossil capitalism in which everything solid interconnects, a new theory of disconnection is desperately needed. Tracing the propulsive force of the environmental unconscious from the early modern period to Freudian and post-Freudian theories of desire, Swarbrick not only puts nature on the couch in this book but also renews the psychoanalytic toolkit in light of environmental collapse.