This ambitious and innovative volume stretches over time and space, over the history of modernity in relation to antiquity, between East and West, to offer insights into what the author terms the 'geographical unconscious.' She argues that, by tapping into this, we can contribute towards the reinstatement of some kind of morality and justice in today's troubled world. Approaching selected moments from ancient times to the present of Greek cultural and aesthetic geographies on the basis of a wide range of sources, the book examines diachronic spatiotemporal flows, some of which are mainly cultural, others urban or landscape-related, in conjunction with parallel currents of change and key issues of our time in the West more generally, but also in the East. In doing so, The Geographical Unconscious reflects on visual and spatial perceptions through the ages; it re-considers selective affinities plus differences and identifies enduring age-old themes, while stressing the deep ancient wisdom, the disregarded relevance of the aesthetic, and the unity between human senses, nature, and space. The analysis provides new insights towards the spatial complexities of the current age, the idea of Europe, of the East, the West, and their interrelations, as well as the notion of modernity.

In this thoughtful discussion of Blake's well-known Marriage of Heaven and Hell, Singer shows us that Blake was actually tapping into the collective unconscious and giving form and voice to primordial psychological energies, or archetypes, that he experienced in his inner and outer world. With clarity and wisdom, Singer examines the images and words in each plate of Blake's work, applying in her analysis the concepts that Jung brought forth in his psychological theories.

The Book of Consciousness by Dr. Bara H. Loveland Have you ever wondered what Consciousness is, or the mind, the unconscious or Archetypes and Symbols – how they work and how to define these? Without arriving at the reach of Consciousness, there are numerous books on "consciousness;" there are conferences held, and groups searching for "consciousness," with dictionaries attempting to define it. Why have they not found the ultimate definition of Consciousness, to this day of the publication of The Book of Consciousness, in January 2011? Could Bara’s new book, The Book of Consciousness, hold the answer? Can it deliver the ultimate in Consciousness? There are many other questions, which science has not positively answered yet. Why is it that our “brain” (cerebrum), seat of the mind, has to be calmed from 40+ Hertz to 8 Hertz or less (literally put to sleep), in order to reach highest states of awareness, although the cerebrum is supposed to be the seat of the world ́s highest intelligence? Why is this "seat of highest intelligence" polluting the earth to the brink of dying of life? Why is the unconscious called unconscious, when it is able to construct meaningful dreams; and is there a difference between an Archetype and a Symbol, appearing in dreams and myths? Could a neurosis not be a disease? And what is it the mind really knows? Profound contemplation of Consciousness must lead to further questions about the origins of Archetypes and Symbols, about wisdom and similarities of ancient Stone Age Symbols, East Indian and Egyptian scriptures, Runes, Mayan glyphs and biblical Symbols, or world religions in general. One may wonder, why an Egyptian god is frequently named in Christian churches, and is mentioned in both, the Old and the New Testaments. Is God “He,” and could “He” exist? Could there be a different world behind our visible one, and could we have “Bio*Modulators” to sense the other world? What can we learn form a Germanic “king?” Is it possible that we have more than five senses and how many diseases could naturally exist? Can the DNA communicate, and how many laws exist in the universe? What is the meaning of certain Bible verses, and what could have been the message, Jesus gave the world on the cross? Is New Age wisdom contained in the Bible, and could it be that common science limits itself, when excluding miracles it could perform with ease, protecting the animals from harm? Are there more levels of logic than one? How could we realize or activate them? What is the role, our belief plays in our life and in science? The Book of Consciousness begins where common science ends. Be surprised by the innovative answers, with some published about 30 years ago by this author! Be captivated by the author’s authentic, new style; by the insights, humor and vivid experiences, enjoy the 40 figures and tables, as well as exercises, to reach altered states of awareness—naturally and at will. May The Book of Consciousness raise into Oneness the conscious of all those who read its 640 pages; may they be the "igniters," inspiring divine Oneness and Love in the perception of all! Genre: Specialty Books

How did Thomas Merton become Thomas Merton? Starting out from any one of his earlier major life moments--wealthy orphan boy, big man on campus, fervent Roman Catholic convert, new and obedient monk--we find ourselves asking how by his life's end he had grown from who he was then into a transcultural and transreligious spiritual teacher read by millions. This book takes another such starting point: his attempt in the mid-1950s to move from his abbey of Gethsemani, in Kentucky--a place that had become, in his view, noisy beyond bearing--to an Italian monastery, Camaldoli, which he idealized as a place of monastic peace. The ultimate irony: Camaldoli at that time, bucolic and peaceful outwardly, was inwardly riven by a pre-Vatican II culture war; whereas Gethsemani, which he tried so hard to leave, became, when he was given his hermitage there in 1965, his place to recover Eden. In walking with Merton on this journey, and reading the letters he wrote and received at the time, we find ourselves asking, as he did, with so much energy and honesty, the deep questions that we may well need to answer in our own lives.

NATIONAL BESTSELLER • This incredible true history of the colonization of Australia explores how the convict transportation system created the country we know today. "One of the greatest non-fiction books I’ve ever read ... Hughes brings us an entire world." —Los Angeles Times Digging deep into the dark history of England's infamous efforts to move 160,000 men and women thousands of miles to the other side of the world in the eighteenth and nineteenth centuries, Hughes has crafted a groundbreaking, definitive account of the settling of Australia. Tracing the European presence in Australia from early explorations through the rise and fall of the penal colonies, and featuring 16 pages of illustrations and 3 maps, The Fatal Shore brings to life the history of the country we thought we knew.

Arctic cinemas represent a noteworthy new subfield of film studies, and in the current era of unprecedented global warming, interest in the Arctic region and its cinematic portrayals has never been greater. Individually and collectively, films pertaining to Arctic inhabitants and experiences have substantially influenced viewer perceptions of the region throughout the world, often serving as blank slates for the fantasies and projections of individuals elsewhere with regard to its challenging landscape and perceived "otherworldliness." Written by a blend of academic scholars, artists, and filmmakers, this collection of essays provides a transnational overview of the variety of works--ranging from art films and documentaries to horror and road movies--that fall under the conceptual rubric of "Arctic cinemas," and examines their contributions to past and present perceptions of the Arctic. Theoretical and analytical approaches represented here include critical theory, cultural studies, ecocriticism, ethnography, gender studies, genre theory, historiography, and indigenous studies.

This book offers original interdisciplinary insights into cities as a diachronic creation of urban art. It engages in a sequence of historical perspectives to examine urban space as an object of apparent quasi-cycles and processes of constitution, exaltation, imitation, contestation and redemption through art. Urban art transforms the city into a human-made sublime which is explored in the context of the Eastern Mediterranean. The book probes this process primarily through the example of Athens and Byzantine Constantinople, but also Jerusalem, Cyprus and regional cities, revealing how urban space unavoidably encompasses a spatial and temporal palimpsest which is constantly emerging. It presents new ideas for both the theorization and sensuous conception of artistic reality, architecture, and planning attributes. These extend from archaic, classical and Byzantine urban splendour to current urban decline as constitution and attack on the sublime and back. Urban processes of contestation and redemption respond recently to the new ‘imperialism of debt’ and the positivist, technocratic understandings and demands of Euro-governments and neoliberal institutions, while still evoking older forms of spatial power. Offering fresh notions on art, architecture, space, antiquity, (post)-modernity and politics of the region, this book will appeal to scholars and students of geography, urban studies, art, restoration, and film theory, architecture, landscape design, planning, anthropology, sociology and history.

Where do children travel when they read a story? In this collection, scholars and authors explore the imaginative geography of a wide range of places, from those of Indigenous myth to the fantasy worlds of Middle-earth, Earthsea, or Pacificus, from the semi-fantastic Wild Wood to real-world places like Canada’s North, Chicago’s World Fair, or the modern urban garden. What happens to young protagonists who explore new worlds, whether fantastic or realistic? What happens when Old World and New World myths collide? How do Indigenous myth and sense of place figure in books for the young? How do environmental or post-colonial concerns, history, memory, or even the unconscious affect an author's creation of place? How are steampunk and science fiction mythically re-enchanting for children? Imaginative geography means imaged earth writing: it creates what readers see when they enter the world of fiction. Exploring diverse genres for children, including picture books, fantasy, steampunk, and realistic novels as well as plays from Canada, the United States, the United Kingdom, and Ireland from the early nineteenth century to the present, Children’s Literature and Imaginative Geography provides new geographical perspectives on children’s literature.

In a world increasingly marked by migration and dislocation, the question of displacement, and of establishing a sense of belonging, has become ever more common and ever more urgent. But what of those who stay in place? How do people who remain in their place of origin or ancestral homeland rearticulate a sense of connection, of belonging, when ownership of the territory they occupy is contested? Focusing on Australia, Allaine Cerwonka examines the physical and narrative spatial practices by which people reclaim territory in the wake of postcolonial claims to land by indigenous people and new immigration of "foreigners." As a multicultural, postcolonial nation whose claims to land until recently were premised on the notion of the continent as "empty" (terra nullius), Australia offers an especially rich lens for understanding the reterritorialization of the nation-state in an era of globalization. To this end, Native to the Nation provides a multisited ethnography of two communities in Melbourne, the Fitzroy Police Station and the East Melbourne Garden Club, allowing us to see how bodies are managed and nations physically constructed in everyday confrontations and cultivations. Allaine Cerwonka is assistant professor of women's studies and political science at Georgia State University.