Carrie Chang was born in 1970, in Syracuse, New York. She attended Stanford University, UC-Berkeley and New York University, obtaining her B.A., and M.J. and M.F.A. in English and journalism and creative writing, respectively. She worked as an Asian American journalist in the arts/political field for almost a decade, creating her own magazine, “Monolid,” and lives as a writer/poet in the Bay Area. Her favorite pastimes include swimming and painting.

In its five year anniversary edition, Topaz Winters’ Portrait of My Body as a Crime I’m Still Committing returns with ten new poems, a revised body of work, & a foreword by bestselling author Blythe Baird. An examination of desire as religion, food as compulsion, & illness as a gut reflex in the face of girlhood’s little violences, Portrait haunts the landscape of self-mythology & cuts straight into its own marrow. This book is a howl in the night, a fracture through the dark, as omnivorous & revelatory today as it was five years ago. “Must I say it to survive?” asks its speaker, balanced on the knife’s edge between confessional & manifesto. “Then I will.”

Topaz explores the immediate and lingering effects of WWII prison camps on Japanese American families and on future generations

Sometimes questions are asked regarding the value of a detailed study of the sanctuary. Why, when we have the Christ of the New Testament, do we need to go back into the Old? I find no problem in the way of such a study. You have seen the beautiful illustrations in the books that are sold in Christian bookstores. Do you think that the artist painted these from memory? Why no! He used many models. Today these models, living and inanimate, need not sit for long hours before the artist. He simply takes a colored transparencies of the sections of his picture by posing the model for a few minutes. When he is ready to paint, he works these colored segments together, studying each part in detail. It is for a similar reason that God has given us the details of the sanctuary. We should study each part minutely. Only then will we be able to see Christ in His fullness. We can comprehend only one point at a time. Jesus is the Sacrifice. He is also the preist. He is the Shekinah, and He is also the veil. He is every whit! In order to discern the Lord Jesus Christ, the Lamb of God, the Mediator of mankind, the Saviour of the race, the Redeemer--King, we must synthesize all aspects of the tabernacle. While we may spend time on one part of His ministry, we should keep in mind that He is many-sided. It is only thus that we will come to understand the One Who is altogether lovely, the chiefest among ten thousand, our Lord and Savior Jesus Christ.

An updated look and a new format gives a fresh life to this long-time favorite of Beverly Jenkins’s fans, out in time for Black History Month. A Perilous Pursuit Kate Love is an ambitious reporter on the trail of a swindler who has been preying on elderly blacks. But when her investigation leads her into danger, she is snatched by Dix Wildhorse, a Black Seminole Marshal from Oklahoman’s Indian country. Kate has no choice but to flee with the daring knight her father sent to rescue her. Despite the warm simmering fire Dix’s bronzed, muscled embrace ignites, she is determined to hold on to her independence, challenging him at every turn. Yet even as their battle of wills intensifies, the heat of their passion blazes with unmatched fury...a wildfire of love that can only be answered in the sweet ecstasy of surrender.

2021 Button Poetry Short Form Poetry Contest Winner Topaz Winters' third poetry collection spans three countries & three generations. In a far-reaching & deftly woven series of ars poeticas, Winters questions the boundary between the things we inherit & those we owe. Topaz arrives at the grave of the American dream, & unspools the enormous grace & guilt of being loved. So, Stranger stands as a fixed mark between the shifting histories & futures of being a daughter, being an artist, & being an immigrant. If its reader begins as a stranger, they end as part of a lineage: one both of grief & glory, of distance & arrival.

In the aftermath of their hard-fought victory, the realm of Vacari thought darkness had been banished forever. Yet, the sinister warlock Phoenix Shadowwalker, believed to be defeated, secretly resurfaces, his power grown to unimaginable heights during his exile. Whispers of his newfound strength circulate, leaving the realm trembling in fear. Fueled by a burning desire for revenge, Phoenix's malevolent intentions focus on two figures: Ong, the valiant warrior, and Lady Keisha, whose resilience once thwarted his dark ambitions. Blinded by rage and consumed by vengeance, he orchestrates a masterful plan to ensnare them in his clutches. In a race against time, Ong, Keisha, and their allies must unravel the mysteries surrounding Phoenix's newfound power while confronting their pasts and insecurities. As the clock ticks down, alliances are forged, and battles are fought both on the battlefield and within themselves. Vacari's fate teeters on the edge, and its defenders must rise once more to protect the realm they hold dear. "Shadows Unveiled" is a gripping fantasy tale of vengeance, redemption, and the enduring strength of unity in the face of darkness. Will Vacari survive this relentless onslaught, or will its light be extinguished forever?

An Amazon Book of the Month 2022 Texas Library Association's Texas Topaz Nonfiction Reading List Pick Tootie Nienow and Erika Medina's There Goes Patti McGee! is an uplifting picture book biography of the first-ever professional female skateboarder and winner of the 1964 National Skateboard Championship for Women. Brought to life by Erika Medina's dynamic and joyful illustrations, There Goes Patti McGee! walks us through Patti first place win in the women’s division of the 1964 National Skateboard Championship. She wowed the judges with with what would become her signature move—the rolling handstand. Inspiring and unapologetic, Patti McGee proves that anyone can skate.

“A poignant expression of the durability, grace, and potential of the human spirit” set in a post-nuclear dystopia where words are worth killing for (Jean M. Auel, author of the Earth’s Children series). By the late twenty-first century, civilization has nearly been destroyed by overpopulation, economic chaos, horrific disease, and a global war that brought a devastating nuclear winter. On the Oregon coast, two women—writer Mary Hope and painter Rachel Morrow—embark on an audacious project to help save future generations: the preservation of books, both their own and any they can find at nearby abandoned houses. For years, they labor in solitude. Then they encounter a young man who comes from a group of survivors in the South. They call their community the Ark. Rachel and Mary see the possibility of civilization rising again. But they realize with trepidation that the Arkites believe in only one book—the Judeo-Christian bible—and regard all other books as blasphemous. And those who go against the word of God must be cleansed from the Earth . . . In this “thought-provoking” novel of humanity, hope, and horror, M.K. Wren displays “her passionate concern with what gives life meaning (Library Journal).