2021 Button Poetry Short Form Poetry Contest Winner Topaz Winters' third poetry collection spans three countries & three generations. In a far-reaching & deftly woven series of ars poeticas, Winters questions the boundary between the things we inherit & those we owe. Topaz arrives at the grave of the American dream, & unspools the enormous grace & guilt of being loved. So, Stranger stands as a fixed mark between the shifting histories & futures of being a daughter, being an artist, & being an immigrant. If its reader begins as a stranger, they end as part of a lineage: one both of grief & glory, of distance & arrival.

Speculative essays that probe the mythology of the face by the author of The Old Drift

World Relief staffers Matthew Soerens and Jenny Yang move beyond the rhetoric to offer a Christian response to immigration. With careful historical understanding and thoughtful policy analysis, they debunk myths about immigration, show the limits of the current immigration system, and offer concrete ways for you to welcome and minister to your immigrant neighbors.

Back in grade five, Bridge, Tabitha and Emily made a pact. Never to fight, ever. Now, two years later, they’re still best friends, but other things are changing. Bridge meets Sherm, and is soon excited and confused by her new, strange feelings. And when Emily starts texting pictures of herself to Patrick, Bridge and Tab find themselves complicit in a naïve plan that quickly spirals out of control. And while the three friends navigate the challenges of their changing friendship, another story—of betrayal and remorse—keeps you guessing until the very end. Goodbye Stranger is a tender and intricate story about friendships, and love, and the pain of sometimes making the wrong choices. Rebecca Stead is the author of four novels: First Light, When You Reach Me (a New York Times bestseller and Newbery Medal winner), Liar & Spy (Guardian Children’s Fiction Prize winner and New York Times bestseller) and, most recently, Goodbye Stranger. She lives in New York City with her family. ‘This memorable story about female friendships, silly bets, different kinds of love, and bad decisions is authentic in detail and emotion—another Stead hallmark.’ STARRED Review, Publishers Weekly ‘[Stead] captures the stomach-churning moments of a misstep or an unplanned betrayal and reworks these events with grace, humour, and polish into possibilities for kindness and redemption. Superb.’ STARRED Review, Kirkus ‘Stead shows how strongly love of all kinds can smooth the juddering path toward adulthood. Winsome, bighearted, and altogether rewarding.’ STARRED Review, Booklist ‘[Stead’s writing is] filled with humor, delightful coincidences, and the sorts of things...that escalate in ways that can seem life-shattering to a 13-year-old. The author keeps all her balls in the air until she catches them safely with ineffable grace.’ STARRED Review, School Library Journal ‘Rebecca Stead’s story is multi-layered and sumptuous, beautifully plotted and a real page-turner.’ Alpha Reader ‘An unforgettable book about young girls coming of age written with wit and compassion.’ ReadPlus ‘Goodbye Stranger was such a pleasure to read...[Stead’s] teenage characters are so real, and charming and likeable, even when they’re not making the best decisions...I will continue to sing the praises of this new book well into the rest of the year (and probably much longer).’ Middle Chapter ‘[Stead has] a profound appreciation for the young people she writes for...She creates the kind of situations that would shatter a vulnerable thirteen-year-old girl but somehow manages to do so with a deft, light touch full of empathy and humour.’ Readings ‘Goodbye Stranger is the kind of book you might call a revelation. It is surprising, generous, thoughtful, honest and it paints a picture of the time after childhood and before youth more honestly than I have ever seen depicted.’ Where the Writer Comes to Write ‘The language is often dazzling and the minor characters have great appeal. A very satisfying read.’ Stuff NZ ‘The emotional complexity is deftly done by Stead in a way that is satisfying and accessible for young adults and adults alike, without being patronising, and acknowledging that we all make mistakes along the way.’ New Zealand Book Council ‘Goodbye Stranger falls in the zone of upper middle fiction/young YA, and is a great book to discuss with a tween as it gently preempts teen issues...Stead opens up a discussion of phone use and photos that never veers into shaming or hysteria.’ Leanne Hall, Readings

" The Blade of Anubis is the action-packed sequel to The Chronicles of Stranger, full of danger, mysteries, twists, magic, and battles. In this book, Stranger, now thirteen, truly begins his training as a magician and god. Delve into his mind as well as his adventures while Stranger begins to discover who he really is. The gods have offered him a spot at their god training c& it's a decision that might change his life forever. Will Stranger live to see the day or see his untimely demise? Meanwhile, the Great Serpent of Chaos himself has managed to seep just a wriggle of his essence from his otherworldly prison, spreading chaos and evil in his wake. Concurrently, monsters are being set loose all over the country, causing chaos to ravage the mortals of the earth. Yet Stranger takes more onto his already laden shoulders. Anubis has disappeared, and Stranger has taken it upon himself to find him. Without Anubis, the underworld is back up. The souls of the damned cannot be judged, and the world's foundations are weakening. A strange woman in white keeps appearing to Stranger. Who is she, and what does she want from him? Can Stranger prepare himself for what's to come and save the world? If he can't, more will be lost than just his life . . . "

Introduction : prohibition and a ritual regime -- A history of mediation -- Fasting, bodies, and the calendar -- Proliferations of mediators -- Blood, silver, and coffee -- Spirits in the marketplace -- Concrete, bones, and feasts -- Echoes of the host -- The media landscape -- The knowledge of the world -- Conclusion

With the intrigue of a psychological thriller, Camus's masterpiece gives us the story of an ordinary man unwittingly drawn into a senseless murder on an Algerian beach. Behind the intrigue, Camus explores what he termed "the nakedness of man faced with the absurd" and describes the condition of reckless alienation and spiritual exhaustion that characterized so much of twentieth-century life. First published in 1946; now in translation by Matthew Ward.

An urgent manifesto and a dramatic memoir of awakening, this is the story of revolutionary love. Finalist for the Dayton Literary Peace Prize • “In a world stricken with fear and turmoil, Valarie Kaur shows us how to summon our deepest wisdom.”—Elizabeth Gilbert, author of Eat Pray Love How do we love in a time of rage? How do we fix a broken world while not breaking ourselves? Valarie Kaur—renowned Sikh activist, filmmaker, and civil rights lawyer—describes revolutionary love as the call of our time, a radical, joyful practice that extends in three directions: to others, to our opponents, and to ourselves. It enjoins us to see no stranger but instead look at others and say: You are part of me I do not yet know. Starting from that place of wonder, the world begins to change: It is a practice that can transform a relationship, a community, a culture, even a nation. Kaur takes readers through her own riveting journey—as a brown girl growing up in California farmland finding her place in the world; as a young adult galvanized by the murders of Sikhs after 9/11; as a law student fighting injustices in American prisons and on Guantánamo Bay; as an activist working with communities recovering from xenophobic attacks; and as a woman trying to heal from her own experiences with police violence and sexual assault. Drawing from the wisdom of sages, scientists, and activists, Kaur reclaims love as an active, public, and revolutionary force that creates new possibilities for ourselves, our communities, and our world. See No Stranger helps us imagine new ways of being with each other—and with ourselves—so that together we can begin to build the world we want to see.

Explains how to deal with strangers in public places, on the telephone, and in cars, emphasizing situations in which the best thing to do is run away or talk to another adult.

Time Magazine: 100 Best Fantasy Books of All Time · World Fantasy, British Fantasy, & Crawford Award winner Jevick, the pepper merchant's son, has been raised on stories of Olondria, a distant land where books are as common as they are rare in his home. When his father dies and Jevick takes his place on the yearly selling trip to Olondria, Jevick's life is as close to perfect as he can imagine. But just as he revels in Olondria's Rabelaisian Feast of Birds, he is pulled drastically off course and becomes haunted by the ghost of an illiterate young girl. In desperation, Jevick seeks the aid of Olondrian priests and quickly becomes a pawn in the struggle between the empire's two most powerful cults. Yet even as the country shimmers on the cusp of war, he must face his ghost and learn her story before he has any chance of becoming free by setting her free: an ordeal that challenges his understanding of art and life, home and exile, and the limits of that seductive necromancy, reading. A Stranger in Olondria is a skillful and immersive debut fantasy novel that pulls the reader in deeper and deeper with twists and turns reminiscent of George R. R. Martin and Joe Hill.