Winner of the OFM Best Food Personality Readers' Award, 2018. A Sunday Times bestseller. Simple and affordable, Tin Can Cook strips away the blinding glamour and elitism of many cookbooks and takes it back to the basics: making great-tasting food with ordinary ingredients. Food writer and anti-poverty campaigner Jack Monroe brings together seventy-five recipes that you can rustle up from tinned and dried ingredients. Beautifully designed with accompanying quirky hand-drawn illustrations, this book is for you if you’ve struggled to make a dish because the recipe calls for an exotic ingredient you’ve never heard of. Jack does away with the effort; all her dishes are exciting and new, but you won’t have to look further than your local supermarket to make them. Jack's recipes include Red Lentil and Mandarin Curry, Catalan Fish Stew, Pina Colada Toast and many more delicious and creative ideas. 'An exuberant rebuttal to the idea that good food must be expensive, farm-fresh and unprocessed.' - Great British Bake Off's Ruby Tandoh 'At a time when good food can often be seen as rather elitist or exclusive, Jack has done an excellent job to create recipes which are simple, straightforward and delicious.' - Felicity Spector

E.J. Jernigan's memoir offers readers a fascinating glimpse of life as an enlisted man aboard the USS Saufley, one of the most highly decorated destroyers of World War II. It is a rarely told story of the sailors who fought the war from boiler rooms, after-steering spaces, radio shacks, and other gritty places that keep a warship going. For the author, it was a world of strong emotions and quick reactions, where men had to adapt and grow if they were to survive. With its colorful view of what went on below decks, the book has made a lasting contribution to World War II literature since first published in 1993. It appeals to veterans, historians, and naval enthusiasts alike looking for an honest account of what happened.

“This will be a fight against overwhelming odds from which survival cannot be expected. We will do what damage we can.” With these words, Lieutenant Commander Robert W. Copeland addressed the crew of the destroyer escort USS Samuel B. Roberts on the morning of October 25, 1944, off the Philippine Island of Samar. On the horizon loomed the mightiest ships of the Japanese navy, a massive fleet that represented the last hope of a staggering empire. All that stood between it and Douglas MacArthur’ s vulnerable invasion force were the Roberts and the other small ships of a tiny American flotilla poised to charge into history. In the tradition of the #1 New York Times bestseller Flags of Our Fathers, James D. Hornfischer paints an unprecedented portrait of the Battle of Samar, a naval engagement unlike any other in U.S. history—and captures with unforgettable intensity the men, the strategies, and the sacrifices that turned certain defeat into a legendary victory. BONUS: This edition includes an excerpt from James D. Hornfischer's Neptune's Inferno. Praise for The Last Stand of the Tin Can Sailors “One of the finest WWII naval action narratives in recent years, this book follows in the footsteps of Flags of Our Fathers. . . . Exalting American sailors and pilots as they richly deserve. . . . Reads like a very good action novel.”—Publishers Weekly “Reads as fresh as tomorrow's headlines. . . . Hornfischer's captivating narrative uses previously classified documents to reconstruct the epic battle and eyewitness accounts to bring the officers and sailors to life.”—Texas Monthly “Hornfischer is a powerful stylist whose explanations are clear as well as memorable. . . . A dire survival-at-sea saga.”—Denver Post “In The Last Stand of the Tin Can Sailors, James Hornfischer drops you right into the middle of this raging battle, with 5-inch guns blazing, torpedoes detonating and Navy fliers dive-bombing. . . . The overall story of the battle is one of American guts, glory and heroic sacrifice.”—Omaha World Herald

This second volume of Edward Bond's notebooks covers the period from Restoration, his historic drama with songs, to Eleven Vests, his play for young people written for Big Brum Theatre-in-Education "There is a cliché - which is also false - that all creative writing is autobiographical. If I were to be asked when you write do you write about your life I would answer when I write I am living my life." Including first drafts of plays, ideas and thoughts on characters, themes, actions and dramatic technique, this selection of notes provides a glimpse into the working mind of one of the world's most provocative playwrights. Alongside the commentaries on the plays, Bond's notes also contain stories and poems. His philosophy on theatre and art and his views on the role of the writer in society are included. Emphasis is given to Bond's critical response to political and moral issues such as Thatcherism, the monarchy, nuclear war, Britain's social classes and our definitions of good and evil.

The beloved bestselling, Pulitzer Prize–winning author brings us a novel filled with "emotional power" (The New York Times). • "To read a novel by Anne Tyler is to fall in love." —PEOPLE In the small town of Larksville, the Pike family is hopelessly out of step with the daily rhythms of life. Mrs. Pike seldom speaks, while Mr. Pike maintains a forced stoicism. Only their ten-year-old, Simon, seems able to acknowledge that their world has changed. He just doesn’t understand why. The Pikes may choose to stand still, to hide from an unnameable past, but the strange shroud over their home cannot be contained. Soon it’s inching its way toward their neighbors, where brothers Ansel and James will have to confront their own dark secrets if they want to bring their neighborhood back out into the light.

Kenly Lowen is forced to confront her painful past when a close childhood friend dies and relinquishes to her a box containing a devastating secret.

Plays Six includes some of the most acclaimed work of Edward Bond, one of Britain's greatest living contemporary dramatists, who is widely studied by schools and colleges. The collection includes a commentary by the author. The collection includes The War Plays and Choruses from After the Assasinations. In The War Plays (Red Black and Ignorant, The Tin Can People, Great Peace): "Bond particularises daunting themes and subjects, but examines them within the context of every day life. His platform is a trilogy of plays that deal with the aftermath of a nuclear holocaust. The first, - a quick, telling chronicle of a life destroyed before it ever got lived - puts forth Bond's notions of contemporary cultural corruption and conditioning. In play two the demoralised inheritors of a ravaged earth try to rationalise an existence predicated on death. The third play enlarges the issues by focussing on a post-apocalyptic Mother Courage for whom schizoid suffering becomes a survival technique." (Time Out). In Choruses From After The Assassinations, Bond forecasts questions fifty years into the future, in an age of escalating militarism.Edward Bond is "a great playwright - many, particularly in continental Europe, would say the greatest living English playwright" (Independent)

Over 50 years after his first appearance on the theatre scene, Edward Bond remains a hugely significant figure in the history of modern British playwriting. His plays are the subject of much debate and frequent misinterpretation, with his extensive use of allegory and metaphor to comment on the state of society and humanity in general leading to many academics, theatre practitioners and students trying - and often failing - to make sense of his plays over the years. In this unique collection, David Tuaillon puts these pressing questions and mysteries to Edward Bond himself, provoking answers to some of his most elusive dramatic material, and covering an extraordinary range of plays and subjects with real clarity. With a particular focus on Bond's later plays, about which much less has been written, this book draws together very many questions and issues within a thematic structure, while observing chronology within that. Edward Bond: The Playwright Speaks is potentially the most comprehensive, precise and clear account of the playwright's work and time in the theatre to date, distilling years and schools of thought into one single volume. Published to mark the 50th anniversary of the first performance of Edward Bond's Saved at the Royal Court Theatre in 1965.

With the increasing interest of pop culture and academia towards environmental issues, which has simultaneously given rise to fiction and artworks dealing with interdisciplinary issues, climate change is an undeniable reality of our time. In accordance with the severe environmental degradation and health crises today, including the COVID-19 pandemic, human beings are awakening to this reality through climate fiction (cli-fi), which depicts ways to deal with the anthropogenic transformations on Earth through apocalyptic worlds as displayed in works of literature, media and art. Appealing to a wide range of readers, from NGOs to students, this book fills a gap in the fields of literature, media and art, and sheds light on the inevitable interconnection of humankind with the nonhuman environment through effective descriptions of associable conditions in the works of climate fiction.