From childhood, willful, intelligent Saira Qader broke the boundaries between her family's traditions and her desire for independence. A free-spirited and rebellious Muslim-American of Indo-Pakistani descent, she rejected the constricting notions of family, duty, obligation, and fate, choosing instead to become a journalist, the world her home. Five years later, tragedy strikes, throwing Saira's life into turmoil. Now the woman who chased the world to uncover the details of other lives must confront the truths of her own. In need of understanding, she looks to the stories of those who came before—her grandparents, a beloved aunt, her mother and father. As Saira discovers the hope, pain, joy, and passion that defined their lives, she begins to face what she never wanted to admit—that choice is not always our own, and that faith is not just an intellectual preference.

When faith and facts collide, Jo March—a young woman born into an Evangelical Christian dynasty—wrestles with questions about who she is and how she fits into the weave of her faithful family. Chasing loose threads that she hopes will lead to the truth, Jo sets off on an unlikely quest across boundaries of language and religion, through chasms of sectarian divides in the Muslim world. Against the backdrop of the War on Terror—travelling from California to Chicago, Pakistan to Iraq—she delves deeply into the past, encountering relatives, often for the first time, whose histories are intricately intertwined with her own . . . only to learn that true spiritual devotion is a broken field riddled with doubt and that nothing is ever as it seems. A story of forbidden love and familial dysfunction that interweaves multiple generational and cultural viewpoints, The Sweetness of Tears is a powerful reminder of the ties that bind us, the choices that divide us, and the universal joys and tragedies that shape us all.

It has been a year of change since Gemma Doyle arrived at the foreboding Spence Academy. Having bound the wild, dark magic of the realms to her, Gemma has forged unlikely and unsuspected new alliances both with the headstrong Felicity and timid Ann, Kartik, the exotic young man whose companionship is forbidden, and the fearsome creatures of the realms. Now, as Gemma approaches her London debut, the time has come to test those bonds. As her friendship with Felicity and Ann faces its gravest trial, and with the Order grappling for control of the realms, Gemma is compelled to decide once and for all which path she is meant to take. Pulled forward by fate, the destiny Gemma faces threatens to set chaos loose, not only in the realms, but also upon the rigid Victorian society whose rules Gemma has both defied and followed. Where does Gemma really belong? And will she, can she, survive?

"Sentimental, heartfelt….the exploration of Henry’s changing relationship with his family and with Keiko will keep most readers turning pages...A timely debut that not only reminds readers of a shameful episode in American history, but cautions us to examine the present and take heed we don’t repeat those injustices."-- Kirkus Reviews “A tender and satisfying novel set in a time and a place lost forever, Hotel on the Corner of Bitter and Sweet gives us a glimpse of the damage that is caused by war--not the sweeping damage of the battlefield, but the cold, cruel damage to the hearts and humanity of individual people. Especially relevant in today's world, this is a beautifully written book that will make you think. And, more importantly, it will make you feel." -- Garth Stein, New York Times bestselling author of The Art of Racing in the Rain “Jamie Ford's first novel explores the age-old conflicts between father and son, the beauty and sadness of what happened to Japanese Americans in the Seattle area during World War II, and the depths and longing of deep-heart love. An impressive, bitter, and sweet debut.” -- Lisa See, bestselling author of Snow Flower and the Secret Fan In the opening pages of Jamie Ford’s stunning debut novel, Hotel on the Corner of Bitter and Sweet, Henry Lee comes upon a crowd gathered outside the Panama Hotel, once the gateway to Seattle’s Japantown. It has been boarded up for decades, but now the new owner has made an incredible discovery: the belongings of Japanese families, left when they were rounded up and sent to internment camps during World War II. As Henry looks on, the owner opens a Japanese parasol. This simple act takes old Henry Lee back to the 1940s, at the height of the war, when young Henry’s world is a jumble of confusion and excitement, and to his father, who is obsessed with the war in China and having Henry grow up American. While “scholarshipping” at the exclusive Rainier Elementary, where the white kids ignore him, Henry meets Keiko Okabe, a young Japanese American student. Amid the chaos of blackouts, curfews, and FBI raids, Henry and Keiko forge a bond of friendship–and innocent love–that transcends the long-standing prejudices of their Old World ancestors. And after Keiko and her family are swept up in the evacuations to the internment camps, she and Henry are left only with the hope that the war will end, and that their promise to each other will be kept. Forty years later, Henry Lee is certain that the parasol belonged to Keiko. In the hotel’s dark dusty basement he begins looking for signs of the Okabe family’s belongings and for a long-lost object whose value he cannot begin to measure. Now a widower, Henry is still trying to find his voice–words that might explain the actions of his nationalistic father; words that might bridge the gap between him and his modern, Chinese American son; words that might help him confront the choices he made many years ago. Set during one of the most conflicted and volatile times in American history, Hotel on the Corner of Bitter and Sweet is an extraordinary story of commitment and enduring hope. In Henry and Keiko, Jamie Ford has created an unforgettable duo whose story teaches us of the power of forgiveness and the human heart. BONUS: This edition contains a Hotel on the Corner of Bitter and Sweet discussion guide and an excerpt from Jamie Ford's Love and Other Consolation Prizes.

When a woman becomes pregnant, miscarriage is usually the furthest thing from her mind. Such was the case for Jessalyn Hutto when she became pregnant with her first baby. But as is all too common in our post-fall world, the life she carried came to an abrupt end. Death had visited her womb, and the horrors of miscarriage had become a part of her life’s story. ••• Ultimately, she would lose two children in the womb, at 6 and 15 weeks gestation. Through these painful losses, a whole new world of suffering opened up to her. It seemed that everywhere she looked women were quietly mourning the loss of their unborn children. Yet this particular type of loss has been grossly overlooked by the church. ••• Couples navigating the unique sorrow of losing a child are often left with little biblical counsel to draw upon. Well-meaning friends and family often offer empty platitudes and Christian clichés. But what these couples truly need is the hope of the gospel. ••• Short, sensitive, and theologically robust, Inheritance of Tears offers hope and comfort to those who are called to walk through the painful trial of miscarriage, and shows pastors and church members how to effectively minister to these parents in their time of need.

From the author of "Italian for Beginners," a lush, heartwarming novel about a woman who travels to Paris to uncover a family secret for her dying grandmother--and discovers more than she ever imagined.

AN INSTANT NEW YORK TIMES BESTSELLER / AN OPRAH'S BOOK CLUB PICK ONE OF PRESIDENT OBAMA'S FAVORITE BOOKS OF 2021 Winner of the Ernest J. Gaines Award for Literary Excellence Longlisted for the Man Booker Prize Longlisted for the 2022 Carnegie Medal for Excellence Longlisted for the Center for Fiction First Novel Prize In the spirit of The Known World and The Underground Railroad, "a miraculous debut" (Washington Post)​ and "a towering achievement of imagination" (CBS This Morning)about the unlikely bond between two freedmen who are brothers and the Georgia farmer whose alliance will alter their lives, and his, forever--from "a storyteller with bountiful insight and assurance" (Kirkus) A Best Book of the Year: Oprah Daily, NPR, Washington Post, Time, Boston Globe, Smithsonian, Chicago Public Library, BookBrowse, and the Oregonian A New York Times Book Review Editors' Choice A July Indie Next Pick In the waning days of the Civil War, brothers Prentiss and Landry--freed by the Emancipation Proclamation--seek refuge on the homestead of George Walker and his wife, Isabelle. The Walkers, wracked by the loss of their only son to the war, hire the brothers to work their farm, hoping through an unexpected friendship to stanch their grief. Prentiss and Landry, meanwhile, plan to save money for the journey north and a chance to reunite with their mother, who was sold away when they were boys. Parallel to their story runs a forbidden romance between two Confederate soldiers. The young men, recently returned from the war to the town of Old Ox, hold their trysts in the woods. But when their secret is discovered, the resulting chaos, including a murder, unleashes convulsive repercussions on the entire community. In the aftermath of so much turmoil, it is Isabelle who emerges as an unlikely leader, proffering a healing vision for the land and for the newly free citizens of Old Ox. With candor and sympathy, debut novelist Nathan Harris creates an unforgettable cast of characters, depicting Georgia in the violent crucible of Reconstruction. Equal parts beauty and terror, as gripping as it is moving, The Sweetness of Water is an epic whose grandeur locates humanity and love amid the most harrowing circumstances.

Fifty-year old Katherine Lafleur is woken from sleep one wintry morning in Brooklyn, New York, by a phone call telling her that her younger sister Karen-Anne has died after being trampled by a run-away rhinoceros. So after years of avoiding her home state of Louisiana, Katherine finds herself journeying back to a place where she's only known as Katie-Lee and she's constantly at odds with her older sister Kendra-Sue. The physical distance may only be 1,500 miles, but the emotional and psychic distances is light years away from her life in New York, where she communicates more with text and social media than through actual conversation. In Louisiana, however, she finds a hurricane of family members. Sisters and brother, their kids and kids' kids. Not to mention the distant relations that threaten to turn the funeral services into a circus of epic hilarity rather than a somber affair. Tensions slowly build throughout the comedy, but only when Katie-Lee spots her high school sweetheart lurking around the outskirts of the graveyard do we finally learn what drove her away from home all those years ago--and just how tight the Lafleur family bond really is.

Do tears have a color? A boy imagines that they do and so much more! A boy asks his mother, "What is the color of tears?". He tries to guess their color and, among other things, matches each shade with a flavor. Sweet tears, salty tears, sour tears. He plays with imaginative descriptions. If the tears were as red as ketchup, he would spread them on sausage and swallow them in a second. He imagines that brown tears are like mud on his face. The mother plays along with the child and enjoys guessing along with him the color of the tears. But whatever their color, he learns not to lock them inside In the end she embraces him and tells him the most important message: No matter what color the tears will be, the main thing is not to leave them locked inside, not to stop them but to let them out. The mother's words move the child, and he hugs her tightly. The closeness between them leads the mother to shed a tear of happiness, and the boy sees his mother's tear as golden in color, which is to him the most special color. Scroll up now to get your copy of The Color of Tears!

This volume presents a wide range of contributions that analyse the cultural, sociological and communicative significance of tears and crying in Graeco-Roman antiquity. The papers cover the time from the eighth century BCE until late antiquity and take into account a broad variety of literary genres such as epic, tragedy, historiography, elegy, philosophical texts, epigram and the novel. The collection also contains two papers from modern socio-psychology.