Milford loves Sage Eden. She's one of their own, coming home as CEO of the long-awaited hospital. But the small Utah town isn't sure about Sage's husband, Zeke. He brought trouble with him when he did the unthinkable and involved four of Milford's best kids. When a Minnesota railroad scandal with a missing corpse rips across the Rockies and plummets to earth smack-dab in Utah, where else could tracks lead but to Zeke Eden, the mystery writer also-known-as Kiel Nede? The viewpoint from Milford to Rochester is this: Anyone who created as terrifying a hero as Raven Crowley is smart enough to pull off the murder someone dared to lift from the pages of Kiel Nede's latest book. When the body isn't found where his best-seller said it should be, Zeke realizes what really happened. He wishes Raven weren't just a figment of his imagination. Zeke's life derails while he seeks to reveal what only he and the murderer know: The truth.

A candid and colorful memoir by the singer, songwriter, and “Duchess of Coolsville” (Time). This troubadour life is only for the fiercest hearts, only for those vessels that can be broken to smithereens and still keep beating out the rhythm for a new song . . . Last Chance Texaco is the first-ever no-holds-barred account of the life of two-time Grammy Award-winner and Rickie Lee Jones in her own words (Hilton Als). It is a tale of desperate chances and impossible triumphs, an adventure story of a girl who beat the odds and grew up to become one of the most legendary artists of her time, turning adversity and hopelessness into timeless music. With candor and lyricism, she takes us on a singular journey through her nomadic childhood, her years as a teenage runaway, her legendary love affair with Tom Waits, and ultimately her longevity as the hardest working woman in rock and roll. Rickie Lee’s stories are rich with the infamous characters of her early songs—“Chuck E’s in Love,” “Weasel and the White Boys Cool,” “Danny’s All-Star Joint,” and “Easy Money”—but long before her notoriety in show business, there was a vaudevillian cast of hitchhikers, bank robbers, jail breaks, drug mules, and a pimp with a heart of gold, and tales of her fabled ancestors. This intimate memoir by one of the most trailblazing and tenacious women in music is filled with never-before-told stories of the girl in the raspberry beret, whose songs defied categorization and inspired American pop culture for decades. “A striking, distinctive self-portrait.” —The New York Times “Terrific . . . Jones is as fearless in prose as she is on stage.” —Minneapolis Star-Tribune “Men leave, fame fizzles, family breaks your heart . . . but Jones knows a good story and how to tell it.” —Kirkus Reviews (starred review) “[The] premiere song-stylist and songwriter of her generation.” —Hilton Als, Pulitzer Prize–winner and author of White Girls

"Legend" meets "Leviathan" in this gritty steampunk fiction by debut author Sophia Elaine Hanson. Charged with fear, heavy with heartbreak, and stitched with unexpected moments of joy, "Vinyl" is perfect for fans of "Cinder" and "Divergent". In the heart of the once powerful nation of Arutia lies the reclusive city state of Revinia. All citizens within its soaring black walls have metal Singers grafted into their skulls at birth. The parasitic machines issue a form of auditory hypnosis called The Music, which keeps their minds malleable and emotions flat. All artistic expression--especially real music--is strictly prohibited. On the edge of the city, nineteen year old Ronja struggles to support her family. Plagued by migraines and haunted by prejudice brought on by her mother--a 'mutt' genetically twisted as punishment for crimes unknown--Ronja is hanging by a thread. Then, a chance meeting leads to her kidnapping by the Anthem, an underground resistance working to snuff The Music and preserve the human spirit. Violently severed from her Singer by the brash young agent Roark, Ronja revels in her newfound freedom...until she returns home to discover her family has been taken as a result of her disappearance.The first in a trilogy, "Vinyl" is a story of loyalty, passion, trauma, human connection, and the extraordinary power of real music.

The only encyclopedic and definitive book on American indie metal! If all you know about metal music was what was heard on commercial radio, then you don’t know metal at all. Heroes of the Underground profiles 600 American bands from every town and city in the United States who ever released a record. Metal bands exploded during the 1980s. Influenced by the heavy sounds coming out of Britain via Judas Priest and Iron Maiden, young guitar shredders turned the amps up and played harder and faster. American record companies scooped up a few bands and signed them to major label recording deals (Metallica, Slayer, Anthrax), but that left hundreds of bands—and their fans—trying to get their songs heard. These intrepid metal bands borrowed a page from punk’s DIY handbook and did it themselves. Regional favorites. Hometown heroes. Tour van veterans. Bands who invested their life savings into recording and pressing their songs onto albums for a shot at immortality on vinyl. Fans remember these bands with joy. Collectors seek these records like the Holy Grail. And in Heroes of the Metal Underground, author Alex Anesiadis compiles the details of these bands and their records. Whether you’re a true or baby metalhead, Heroes of the Metal Underground will become your guide to all things metal.

In New York there was a contract on his life. In Nebraska there was an unscrupulous plastic surgeon guarded by a punch-drunk fighter. And somewhere in New Jersey there was an armored car stuffed with money. In the middle of it all was Parker. Parker goes under the knife in The Man with the Getaway Face, changing his face to escape the mob and a contract on his life. Along the way he scores his biggest heist yet, but there’s a catch—a beautiful, dangerous catch who goes by the name Alma.

Across two dozen countries—from back alleys to remote beaches to the roofs of skyscrapers—an eye-opening journey into the heart of soccer Every country has a different term for it: In the United States it's "pickup." In Trinidad it's "taking a sweat." In Brazil it's "pelada" (literally "naked"). It's the other side of soccer, those spontaneous matches played away from the bright lights and manicured fields—the game for anyone, anywhere. At sixteen, Gwendolyn Oxenham was the youngest Division I athlete in NCAA history, a starter and leading goal-scorer for Duke. At twenty, she graduated, the women's professional soccer league folded, and her career was over. In Finding the Game, Oxenham, along with her boyfriend and two friends, chases the part of the game that outlasts a career. They bribe their way into a Bolivian prison, bet shillings on a game with moonshine brewers in Kenya, play with women in hijab on a court in Tehran—and discover what the world looks like when you wander down side streets, holding on to a ball. An entertaining, heartfelt look at the soul of a sport and a thrilling travel narrative, this book is proof that on the field and in life, some things need no translation.

It's the summer of 1979. A 15-year-old boy listens to WNEW on the radio in his bedroom in Brooklyn. A monotone voice (it's the singer's) announces into dead air in between songs "The Talking Heads have a new album, it's called Fear of Music" - and everything spins outward from that one moment. Jonathan Lethem treats Fear of Music (the third album by the Talking Heads, and the first produced by Brian Eno) as a masterpiece - edgy, paranoid, funky, addictive, rhythmic, repetitive, spooky and fun. He scratches obsessively at the album's songs, guitars, rhythms, lyrics, packaging, downtown origins, and legacy, showing how Fear of Music hints at the directions (positive and negative) the band would take in the future. Lethem transports us again to the New York City of another time - tackling one of his great adolescent obsessions and illuminating the ways in which we fall in and out of love with works of art.

A Vietnam-era Breakfast Club bonds over music and their distaste for the Vietnam War and decides to take a stand against the US government and the violent racism in their own town.