This book examines key moments in which collective and state violence invigorated racialized social boundaries around Mexican and African Americans in the United States, and in which they violently contested them. Bringing anti-Mexican violence into a common analytical framework with anti-black violence, A savage song examines several focal points in this oft-ignored history, including the 1915 rebellion of ethnic Mexicans in South Texas, and its brutal repression by the Texas Rangers and the 1917 mutiny of black soldiers of the 24th Infantry Regiment in Houston, Texas, in response to police brutality. Aragon considers both the continuities and stark contrasts across these different moments: how were racialized constructions of masculinity differently employed? How did African and Mexican American men, including those in uniform, respond to the violence of racism? And how was their resistance, including their claims to manhood and nation, understood by law enforcement, politicians, and the press? Building on extensive archival research, the book examines how African and Mexican American men have been constructed as ‘racial problems’, investigating, in particular, their relationship with law enforcement and ideas about black and Mexican criminality.

"With remarkable literary skill, Peter Silver ... provokes hard thinking about the basic themes of our history." -- Sean Wilentz, The Rise of American Democracy Relying on meticulous original archival research, historian Peter Silver uncovers a fearful and vibrant early America in which Lutherans and Presbyterians, Quakers, Catholics and Covenanters, Irish, German, French, and Welsh all sought to lay claim to a daunting countryside. Such groups had rarely intermingled in Europe, and the divisions between them only grew -- until, with the arrival of the Seven Years' War, thousands of country people were forced to flee from Indian attack. Silver reveals in vivid and often chilling detail how easily a rhetoric of fear can incite entire populations to violence. He shows how it was only through the shared experience of fearing and hating Indians that these Europeans, once irreconcilable, were finally united under the ideal of religious and ethnic tolerance that has since defined the best in American life.

The appearance of James Macpherson's Ossian in the 1760s caused an international sensation. The discovery of poetic fragments that seemed to have survived in the Highlands of Scotland for some 1500 years gripped the imagination of the reading public, who seized eagerly on the newly available texts for glimpses of a lost primitive world. That Macpherson's versions of the ancient heroic verse were more creative adaptations of the oral tradition than literal translations of a clearly identifiable original may have exercised contemporary antiquarians and contributed eventually to a decline in the popularity of Ossian. Yet for most early readers, as for generations of enthusiastic followers, what mattered was not the accuracy of the translation, but the excitement of encountering the primitive, and the mood engendered by the process of reading. The essays in this collection represent an attempt by late twentieth-century readers to chart the cultural currents that flowed into Macpherson's texts, and to examine their peculiar energy. Scholars distinguished in the fields of Gaelic, German, Irish, Scottish, French, English and American literature, language, history and cultural studies have each contributed to the exploration of Macpherson's achievement, with the aim of situating his notoriously elusive texts in a web of diverse contexts. Important new research into the traditional Gaelic sources is placed side by side with discussions of the more immediate political impetus of his poetry, while studies of the reception of Ossian in Scotland, Germany, France and England are part of the larger recognition of the cultural significance of Macpherson's work, and its importance to issues of fragmentation, liminality, colonialism, national identity, sensibility and gender.

In potent, graceful prose that sensitively unearths the social complexity and tangled history of colonial relations, Silver presents an astonishingly vivid picture of 18th-century America. 13 illustrations; 2 maps.

This breathtaking adventure set in the American West of the 1820s is at once a tale of complex friendships, a love story, and a panoramic retelling of a crucial moment in American history. When the young William Wyeth leaves St. Louis for a fur-trapping expedition, he nearly loses his life and quickly discovers the depth of loyalty among the men who must depend on one another to survive. While convalescing, he falls in love with proud Alene, a young widow who may or may not wait for him. And on a wildly risky expedition into Crow territory, Wyeth finds himself unwittingly at the center of a deadly boundary dispute among Native American tribes, the British government, and American trapping brigades. A classic adventure told with great suspense and literary flair, Into the Savage Country illuminates the ways in which extreme circumstances expose the truth about the natures of individual men and the surprising mechanics of their bravery, loyalty, and friendship.

"This book delineates the theatre's deep connection with the grotesque and traces the historically extensive and theoretically intensive relationship between performance and its "other," the grotesque. It also presents a general theory of the grotesque"--

Racing the Street traces the history of how race was used as a technology for gathering, assembling, and networking the early cosmopolitan city. Drawing on an archive that ranges from engineering blueprints and parliamentary committee reports to sensationalistic pamphlets and periodical press accounts, Robert J. Topinka conducts an original genealogy of the nineteenth-century London street, demonstrating how race as a technology gathers, sorts, and assembles the teeming particularities of the street into a manageable network. This interdisciplinary study offers a novel approach to the intersections of race, rhetoric, media, technology, and urban government.

The voices of Tusiata Avia are infinite. She ranges from vulnerable to forbidding to celebratory with forms including pantoums, prayers and invocations. And in this electrifying new work, she gathers all the power of her voice to speak directly into histories of violence.Avia addresses James Cook in fury. She unravels the 2019 Christchurch massacre, walking us back to the beginning. She describes the contortions we make to avoid blame. And she locates the many voices that offer hope. The Savage Coloniser Book is a personal and political reckoning. As it holds history accountable, it rises in power.

The notion of citizenship is complex; it can be at once an identity; a set of rights, privileges, and responsibilities; an elevated and exclusionary status, a relationship between individual and state, and more. In recent decades citizenship has attracted interdisciplinary attention, particularly with the transnational growth of Western capitalism. Yet citizenship's relationship to gender has gone relatively unexplored--despite the globally pervasive denial of citizenship to women, historically and in many places, ongoing today. This highly interdisciplinary volume explores the political and cultural dimensions of citizenship and their relevance to women and gender. Containing essays by a well-known group of scholars, including Iris Marion Young, Alison Jaggar, Martha Nussbaum, and Sandra Bartky, this book examines the conceptual issues and strategies at play in the feminist quest to give women full citizenship status. The contributors take a fresh look at the issues, going beyond conventional critiques, and examine problems in the political and social arrangements, practices, and conditions that diminish women's citizenship in various parts of the world.