This book examines key moments in which collective and state violence invigorated racialized social boundaries around Mexican and African Americans in the United States, and in which they violently contested them. Bringing anti-Mexican violence into a common analytical framework with anti-black violence, A savage song examines several focal points in this oft-ignored history, including the 1915 rebellion of ethnic Mexicans in South Texas, and its brutal repression by the Texas Rangers and the 1917 mutiny of black soldiers of the 24th Infantry Regiment in Houston, Texas, in response to police brutality. Aragon considers both the continuities and stark contrasts across these different moments: how were racialized constructions of masculinity differently employed? How did African and Mexican American men, including those in uniform, respond to the violence of racism? And how was their resistance, including their claims to manhood and nation, understood by law enforcement, politicians, and the press? Building on extensive archival research, the book examines how African and Mexican American men have been constructed as ‘racial problems’, investigating, in particular, their relationship with law enforcement and ideas about black and Mexican criminality.

A New York Times bestseller The bestselling sequel—and conclusion—to Victoria Schwab’s instant #1 New York Times bestseller This Savage Song. Kate Harker is a girl who isn’t afraid of the dark. She’s a girl who hunts monsters. And she’s good at it. August Flynn is a monster who can never be human. No matter how much he once yearned for it. He has a part to play. And he will play it, no matter the cost. Nearly six months after Kate and August were first thrown together, the war between the monsters and the humans is a terrifying reality. In Verity, August has become the leader he never wished to be, and in Prosperity, Kate has become the ruthless hunter she knew she could be. When a new monster emerges from the shadows—one who feeds on chaos and brings out its victim’s inner demons—it lures Kate home, where she finds more than she bargained for. She’ll face a monster she thought she killed, a boy she thought she knew, and a demon all her own. A gorgeously written dark fantasy from New York Times–bestselling author Victoria Schwab, and one to hand to fans of Holly Black, Laini Taylor, and Maggie Stiefvater. “Explosive.”—Brightly

Do you believe in love at first sight? Paul Auster doesn't. Paul doesn't believe in much at all. He's thirty, slightly overweight, and his best features are his acerbic wit and the color commentary he provides as life passes him by. His closest friends are a two-legged dog named Wheels and a quasibipolar drag queen named Helena Handbasket. He works a dead-end job in a soul-sucking cubicle, and if his grandmother's homophobic parrot insults him one more time, Paul is going to wring its stupid neck. Enter Vince Taylor. Vince is everything Paul isn't: sexy, confident, and dumber than the proverbial box of rocks. And for some reason, Vince pursues Paul relentlessly. Vince must be messing with him, because there is no way Vince could want someone like Paul. But when Paul hits Vince with his car--in a completely unintentional if-he-died-it'd-only-be-manslaughter kind of way--he's forced to see Vince in a whole new light. The only thing stopping Paul from believing in Vince is himself--and that is one obstacle Paul can't quite seem to overcome. But when tragedy strikes Vince's family, Paul must put aside any notions he has about himself and stand next to the man who thinks he's perfect the way he is.

When the city is hit by a colossal snowstorm, only one superhero can save the day. But who is this mysterious hero, and why does he disappear once his job is done? Find out in this snowy tale about a little truck with a very big job, the second of Stephen Savage's vehicle-based picture books.

“This gripping novel examines anxiety, identity, pressure, and power with Barnard’s characteristic lightness of touch.” —The Guardian “Nuanced, compelling, honest, and important.” —Kirkus Reviews (starred review) Winner of The Bookseller’s YA Book Prize Friendship bonds are tested and the very nature of loyalty is questioned in this lyrical novel about a teen whose best friend runs away with her teacher after suffering the effects of too much academic pressure. Perfect for fans of Morgan Matson and Jennifer Niven. Eden McKinley knows she can’t count on much in this world, but she can depend on Bonnie, her solid, steady, straight-A best friend. So it’s a bit of a surprise when Bonnie runs away with the boyfriend Eden knows nothing about five days before the start of their final exams. Especially when the police arrive on her doorstep and Eden finds out that Bonnie’s boyfriend is actually their music teacher, Mr. Cohn. Sworn to secrecy and bound by loyalty, only Eden knows Bonnie’s location, and that’s the way it has to stay. There’s no way she’s betraying her best friend. Not even when she’s faced with police questioning, suspicious parents, and her own growing doubts. As the days pass and things begin to unravel, Eden is forced to question everything she thought she knew about the world, her best friend, and herself. In this touching and insightful novel, bestselling author Sara Barnard explores just what can happen when the pressure one faces to be “perfect” leads to drastic fallout.

A must-read for anyone who makes business decisions that have a major financial impact. As the recent collapse on Wall Street shows, we are often ill-equipped to deal with uncertainty and risk. Yet every day we base our personal and business plans on uncertainties, whether they be next month’s sales, next year’s costs, or tomorrow’s stock price. In The Flaw of Averages, Sam Savageknown for his creative exposition of difficult subjects describes common avoidable mistakes in assessing risk in the face of uncertainty. Along the way, he shows why plans based on average assumptions are wrong, on average, in areas as diverse as healthcare, accounting, the War on Terror, and climate change. In his chapter on Sex and the Central Limit Theorem, he bravely grasps the literary third rail of gender differences. Instead of statistical jargon, Savage presents complex concepts in plain English. In addition, a tightly integrated web site contains numerous animations and simulations to further connect the seat of the reader’s intellect to the seat of their pants. The Flaw of Averages typically results when someone plugs a single number into a spreadsheet to represent an uncertain future quantity. Savage finishes the book with a discussion of the emerging field of Probability Management, which cures this problem though a new technology that can pack thousands of numbers into a single spreadsheet cell. Praise for The Flaw of Averages “Statistical uncertainties are pervasive in decisions we make every day in business, government, and our personal lives. Sam Savage’s lively and engaging book gives any interested reader the insight and the tools to deal effectively with those uncertainties. I highly recommend The Flaw of Averages.” —William J. Perry, Former U.S. Secretary of Defense “Enterprise analysis under uncertainty has long been an academic ideal. . . . In this profound and entertaining book, Professor Savage shows how to make all this practical, practicable, and comprehensible.” —Harry Markowitz, Nobel Laureate in Economics

A comedic play about Ethel Savage, a widow who was left ten million dollars by her husband, and her grown-up stepchildren's attempts to take it from her.

This book offers a unique and fascinating vehicle for women's voices to be heard on the subject of women's music and how it affects their lives. Author Ann M. Savage explores 15 women's engagements with what might be called feminist rock music, including that of such noted artists as Ani DiFranco, Tori Amos, the Indigo Girls, and Melissa Etheridge. The women interviewed here tell deeply personal stories of how songs by these musicians have helped them survive and cope with turbulent life experiences such as difficult work environments, depression, and abusive relationships. These accounts of personal transformation make for a book that is at once compelling and dynamically political, revealing the myriad ways in which art, polemics, and life intertwine to create a side of womanhood that few ever get to see.

WINNER OF THE PENDERYN MUSIC PRIZEA GUARDIAN MUSIC BOOK OF THE YEAR, 2015Award-winning, Sunday Times bestselling author Jon Savage's monument to the year that shaped the future of global pop cultural history. In America, in London, in Amsterdam, in Paris, revolutionary ideas fomenting since the late 1950s reached boiling point, culminating in a year in which the transient pop moment burst forth. Exploring the canonical figures, from The Beatles and Boty to Warhol and Reagan, 1966 delves deep into the social and cultural heart of the decade through masterfully compiled archival primary sources.'A marvel of hisotrical reconstruction and pop insight.' OBSERVER'Absorbing . . . this is not only fine pop writing, but social history of a high order.'GUARDIAN'Savage is rightly regarded as one of the finest cultural critics of the past 40 years . . . an enthralling, exhiliarting read.'IRISH TIMES'Exceptional.'MOJO

Dan Savage’s mother wants him to get married. His boyfriend, Terry, says “no thanks” because he doesn’t want to act like a straight person. Their six-year-old son DJ says his two dads aren’t “allowed” to get married, but that he’d like to come to the reception and eat cake. Throw into the mix Dan’s straight siblings, whose varied choices form a microcosm of how Americans are approaching marriage these days, and you get a rollicking family memoir that will have everyone—gay or straight, right or left, single or married—howling with laughter and rethinking their notions of marriage and all it entails.