A comedic play about Ethel Savage, a widow who was left ten million dollars by her husband, and her grown-up stepchildren's attempts to take it from her.

The lively sequel to The Curious Savage , one of the most beloved and widely performed plays of the modern theatre. All the wonderful, zany characters of the original play are together again and involved in a delightful new series of hilarious misad

There's always that one guy, right? So perfect he's guaranteed heartbreak. For Hailey, that's Jack. He's everything: handsome, athletic, kind. He's also hopelessly head-over-heels for Ella, laughing at everything she says, kissing her like he can't get enough. Hailey could absolutely die. But when Jack invites Hailey to lifeguard with him at a tony country club, Hailey jumps at the chance. Call her a glutton for punishment, but a summer of skimpy swimsuits, sun, and Jack by her side? One last chance to steal him away before they all leave for college? YES PLEASE. Of course, Ella's there every day, lounging in her bikinis and lip gloss smiles. And the worst part? Hailey totally gets why Jack can't resist her. Ella's got this teasing, mean girl attitude that keeps Hailey on her toes. There's something about her that makes Hailey's insides ZING! And then melt in the most delicious...... uh-oh. Guess the only thing worse than an impossible crush is having two impossible crushes.CURIOUS is a 35,000 word contemporary NA MFF romance. Mature scenes intended for adult audiences only. Throuple HFN, no cliffhangers. First in series, can be read as a standalone.

After her mother dies in 1975, ten-year-old Lemonade must live with her grandfather in a small town famous for Bigfoot sitings and soon becomes friends with Tobin, a quirky Bigfoot investigator.

A New York Times / National Bestseller "America's funniest science writer" (Washington Post) Mary Roach explores the science of keeping human beings intact, awake, sane, uninfected, and uninfested in the bizarre and extreme circumstances of war. Grunt tackles the science behind some of a soldier's most challenging adversaries—panic, exhaustion, heat, noise—and introduces us to the scientists who seek to conquer them. Mary Roach dodges hostile fire with the U.S. Marine Corps Paintball Team as part of a study on hearing loss and survivability in combat. She visits the fashion design studio of U.S. Army Natick Labs and learns why a zipper is a problem for a sniper. She visits a repurposed movie studio where amputee actors help prepare Marine Corps medics for the shock and gore of combat wounds. At Camp Lemmonier, Djibouti, in east Africa, we learn how diarrhea can be a threat to national security. Roach samples caffeinated meat, sniffs an archival sample of a World War II stink bomb, and stays up all night with the crew tending the missiles on the nuclear submarine USS Tennessee. She answers questions not found in any other book on the military: Why is DARPA interested in ducks? How is a wedding gown like a bomb suit? Why are shrimp more dangerous to sailors than sharks? Take a tour of duty with Roach, and you’ll never see our nation’s defenders in the same way again.

"In 1851, a war began in what would become Yosemite National Park, a war against the indigenous inhabitants that has yet to come to a real conclusion. A century later - 1951 - and about a hundred and fifty miles away, another war began when the U.S. government started setting off nuclear bombs at the Nevada Test Site. It was called a "nuclear testing program" but functioned as a war against the land and people of the Great Basin."--

I’m not the princess they think I am. I fell out of the sky and into a new world only to be attacked by a monster. The people here think I’m the daughter of the Nimali dragon king. When the king assigns me a healer, I learn the truth of this place. Bloody battles rage between the Nimali and the Fai as their war advances. The healer hates me for who he thinks I am. He’s a Fai captive in this land. But a string pulls me to him whenever he’s near. Every touch. Every look. Every stolen moment. The Nimali have no tolerance for outsiders. If they find out I’m not their princess, they will kill me. She is the daughter of my greatest enemy. I’m a Fai warrior, doing the bidding of the Nimali king to heal the princess. This is the penalty of war. Secretly, I work with the rebellion to free my people. Nimali are everything I hate. The princess is everything I despise. Cold. Aloof. Uncaring. Up close, she’s nothing like I thought. I don’t expect to crave her. I don’t expect the spark between us. Our souls calling to one another. I am a prisoner. She is a princess. Our lies are the only thing keeping us alive. Savage City is a dystopian, enemies-to-lovers, portal, shifter fantasy romance with intriguing worldbuilding and thrilling action.

The Savage Detectives elicits mixed feelings. An instant classic in the Spanish-speaking world upon its 1998 publication, a critical and commercial smash on its 2007 translation into English, Roberto Bolaño’s novel has also been called an exercise in 1970s nostalgia, an escapist fantasy of a romanticized Latin America, and a publicity event propped up by the myth of the bad-boy artist. David Kurnick argues that the controversies surrounding Bolaño’s life and work have obscured his achievements—and that The Savage Detectives is still underappreciated for the subtlety and vitality of its portrait of collective life. Kurnick explores The Savage Detectives as an epic of social structure and its decomposition, a novel that restlessly moves between the big configurations—of states, continents, and generations—and the everyday stuff—parties, jobs, moods, sex, conversation—of which they’re made. For Kurnick, Bolaño’s book is a necromantic invocation of life in history, one that demands surrender as much as analysis. Kurnick alternates literary-critical arguments with explorations of the novel’s microclimates and neighborhoods—the little atmospheric zones where some of Bolaño’s most interesting rethinking of sexuality, politics, and literature takes place. He also claims that The Savage Detectives holds particular interest for U.S. readers: not because it panders to them but because it heralds the exhilarating prospect of a world in which American culture has lost its presumptive centrality.

A Study Guide for John Patrick's "The Curious Savage", excerpted from Gale's acclaimed Drama for Students.This concise study guide includes plot summary; character analysis; author biography; study questions; historical context; suggestions for further reading; and much more. For any literature project, trust Drama for Students for all of your research needs.

A “necessary and brilliant” (NPR) exploration of our cultural fascination with true crime told through four “enthralling” (The New York Times Book Review) narratives of obsession. In Savage Appetites, Rachel Monroe links four criminal roles—Detective, Victim, Defender, and Killer—to four true stories about women driven by obsession. From a frustrated and brilliant heiress crafting crime-scene dollhouses to a young woman who became part of a Manson victim’s family, from a landscape architect in love with a convicted murderer to a Columbine fangirl who planned her own mass shooting, these women are alternately mesmerizing, horrifying, and sympathetic. A revealing study of women’s complicated relationship with true crime and the fear and desire it can inspire, together these stories provide a window into why many women are drawn to crime narratives—even as they also recoil from them. Monroe uses these four cases to trace the history of American crime through the growth of forensic science, the evolving role of victims, the Satanic Panic, the rise of online detectives, and the long shadow of the Columbine shooting. Combining personal narrative, reportage, and a sociological examination of violence and media in the 20th and 21st centuries, Savage Appetites is a “corrective to the genre it interrogates” (The New Statesman), scrupulously exploring empathy, justice, and the persistent appeal of crime.