Revision of the author's thesis (doctoral)--University of Michigan, 1986.

This volume studies the seven psalms that were performed at the fundamental daily ritual of the Jerusalem Temple in the late Second Temple period (Psalms 24, 48, 82, 94, 81, 93, 92). It is the first comprehensive and detailed study of this richly-relevant liturgical collection. The work centers around a literary poetic analysis of the collection as a whole, focussing on unifying features such as connections between psalms, overall structure, theme and plot. A review of the Tamid service and exegetical studies of each psalm are included. Three innovative sections illustrate the importance of the Tamid Psalms in Second Temple studies; topics include the formation of the Psalter, the structure of liturgical texts, and the performance of Temple worship.

Though the Psalms are perhaps the most familiar portion of the Hebrew Bible, they are also among the most difficult to interpret. In this new, thoroughly updated edition of a successful textbook, a respected evangelical Old Testament scholar offers a guide to the book of Psalms that is informed by current scholarship and written at an accessible level. Designed for the undergraduate classroom, it includes photos, sidebars, and other pedagogical aids and features a new interior design.

Where in the world was Jesus when he prayed? Where is any one of us when we pray? Since we are embodied creatures, our prayer location can be mapped onto space-time coordinates. Since we are social creatures, our prayers are also situated within our social locations. But do these sets of coordinates exhaustively identify the place that prayer takes when truly entered into? Conversely, can either set totally prevent prayer from taking place there? The studies in When Prayer Takes Place explore dimensions of these issues traced in selected texts from both parts of the Christian Bible.

Traditionally, the Psalms have been read in reference to their historical context. This publication suggests reading a psalm in its literary context and with reference to the editorial intent of its placement in the Psalter. The author proposes that such reading brings holistic richness in our understanding of the thematic patterns underscored in individual psalms. The study analyzes Psalm 145, a unique Davidic psalm, providing the reader with an in-depth understanding of the purpose of its placement.

Despite extensive study of the poetic features of Psalm 119, the conceptions it advocates and its contribution to developing Judaism have not been well understood; indeed some scholars have dismissed the psalm as containing little more than wearisome repetition. Reynolds distinguishes between the psalmist and the speaker within the psalm. The psalmist portrays the speaker as an exemplary Torah student and thereby promotes the contemplation of Torah as a facet of ethical instruction. Using this new perspective, Reynolds contributes a fresh and coherent understanding of the ideas in Psalm 119. He explains the function of its length and highlights its emphasis on Torah study that became axiomatic in Rabbinic Judaism.

"The Narrative Effect of Book IV of the Hebrew Psalter takes seriously the canonical form to the text and suggests that there is a narrative effect that occurs as a reader of the Hebrew Bible encounters the canonical Psalter. Rather than reading the book of Psalms as an anthology, the reader can find lexical and thematic connections within the text that tell a story. The turning point of that story comes in Book IV (Psalms 90-106) when the text emphasizes the kingship of YHWH rather than David and a return to the covenant of Moses." --back cover.

The nine essays in this volume originated in the discussions of the Psalms programme unit of the Society of Biblical Literature and a number were first presented as papers at the SBL meetings in 1989 and 1990. The volume documents the growing interest among scholars in understanding the book of Psalms not only as a collection of liturgical materials from ancient Israel and Judah but also as a coherent literary whole. Part I considers the nature and significance of this new approach; it contains essays by J.L. Mays, Roland E. Murphy, Walter Brueggemann, Gerald H. Wilson and David M. Howard, Jr. Part II illustrates the application of this approach and offers preliminary conclusions concerning the shape of the Psalter and its component books; it contains essays by Gerald H. Wilson, Patrick D. Miller, Jr, J. Clinton McCann, Jr. and David M. Howard, Jr.

Stephen J. Smith enters the lively field of editorial-criticism of the Hebrew Psalter or Psalterexegese with this detailed investigation into the final form of Psalms 73-83. In the book, he engages scholarly disagreements over this collection's structure, the degree and nature of its literary unity, and the primary theological message(s) it communicates. Smith argues that the sequence of Psalms 73–82 - and possibly 83 – has a deliberate design that reflects a sustained focus on addressing, and resolving, a multidimensional collision between “faith” (i.e., core Israelite beliefs about God) and “experience” (i.e., the individual/community's lived experience of God) that was precipitated by God's prolonged absence in the Temple's destruction (c. 586/587 BCE). Parting ways with previous scholarship, Smith contends that a recursive organizing principle rooted in biblical parallelism structures the collection. Over the book's nine chapters, he makes the case that the editor(s) grouped its psalms into two major blocks (74-78; 79-82) of two sub-groupings each (74-76, 77-78; 79/82, 80-81) in order to develop a single topic in multiple dimensions: the severe threat that God's prolonged absence in the temple's destruction posed to the ongoing viability of various core Israelite beliefs about God, most fundamentally God's goodness. Smith makes the case that the collection is shaped to resolve this crisis by bolstering the reader's confidence in, and commitment to, these beliefs in the face of their apparent failure.

One of the most important contributions to our understanding of the psalms, "The Psalms in Israel's Worship" by Sigmund Mowinckel has largely provided the framework and suppositions of modern Psalms study. Fully revised from the original Norwegian edition and now featuring a substantial new foreword by James Crenshaw, this classic work (two volumes in one) argues that the psalms originated in actual temple worship and were used regularly to add drama to Israelbs adoration of Yahweh. Throughout this fascinating work, Mowinckel carefully explores the relationship of the various psalm types to the congregationbs devotional life, including hymns of praise from Israel's national festivals, psalms of lamentation and penitence, and personal or private psalms of thanksgiving. Other topics include the psalms' relationship to prophecy and wisdom, their composition and collection, their style and performance, and the technical terminology involved in Psalms study. Praise for "The Psalms in Israel's Worship" bWe must be very grateful to Mowinckel and all who have helped him to make available this standard work in psalms research to a larger audience.b -- "Journal of Biblical Literature" bA mere review must fail to do justice to this bookbs awesome learning and insight.b -- "Catholic Biblical Quarterly" bBeyond any doubt whatever, this book represents thorough scholarship and has to be taken into consideration by any teacher of the Old Testament.b -- "Princeton Seminary Bulletin"