The nine essays in this volume originated in the discussions of the Psalms programme unit of the Society of Biblical Literature and a number were first presented as papers at the SBL meetings in 1989 and 1990. The volume documents the growing interest among scholars in understanding the book of Psalms not only as a collection of liturgical materials from ancient Israel and Judah but also as a coherent literary whole. Part I considers the nature and significance of this new approach; it contains essays by J.L. Mays, Roland E. Murphy, Walter Brueggemann, Gerald H. Wilson and David M. Howard, Jr. Part II illustrates the application of this approach and offers preliminary conclusions concerning the shape of the Psalter and its component books; it contains essays by Gerald H. Wilson, Patrick D. Miller, Jr, J. Clinton McCann, Jr. and David M. Howard, Jr.

The nine essays in this volume originated in the discussions of the Psalms programme unit of the Society of Biblical Literature and a number were first presented as papers at the SBL meetings in 1989 and 1990. The volume documents the growing interest among scholars in understanding the book of Psalms not only as a collection of liturgical materials from ancient Israel and Judah but also as a coherent literary whole. Part I considers the nature and significance of this new approach; it contains essays by J.L. Mays, Roland E. Murphy, Walter Brueggemann, Gerald H. Wilson and David M. Howard, Jr. Part II illustrates the application of this approach and offers preliminary conclusions concerning the shape of the Psalter and its component books; it contains essays by Gerald H. Wilson, Patrick D. Miller, Jr, J. Clinton McCann, Jr. and David M. Howard, Jr.

A new and innovative way to approach the Psalter that moves beyond form and cult-functional criticism Drawing inspiration from Gerald H. Wilson’s The Editing of the Hebrew Psalter, this volume explores questions of the formation of the Psalter from the perspective of canonical criticism. Though called “canonical criticism,” the study actually employs a number of historically traditional and nontraditional approaches to reading the text including form criticism, historical criticism of individual psalms as well as of the whole Psalter, and redaction criticism. Features: Exploration of collections of psalms, theological viewpoints, sovereignty, and the shape and shaping of Psalms Examination of the impact of canonical criticism on the study of the Psalter Sixteen essays from the Book of Psalms Consultation group and invited scholars

An indispensable resource for students and scholars, The Oxford Handbook of the Psalms features a diverse array of essays that treat the Psalms from a variety of perspectives. Classical scholarship and approaches as well as contextual interpretations and practices are well represented. The coverage is uniquely wide ranging.

Psalms 146-150, sometimes called “Final Hallel” or “Minor Hallel”, are often argued to have been written as a literary end of the Psalter. However, if sources other than the Hebrew Masoretic Text are taken into account, such an original unit of Psalms 146-150 has to be questioned. “The End of the Psalter” presents new interpretations of Psalms 146-150 based on the oldest extant evidence: the Hebrew Masoretic Text, the Hebrew Dead Sea Scrolls, and the Greek Septuagint. Each Psalm is analysed separately in all three sources, complete with a translation and detailed comments on form, intertextuality, content, genre, and date. Comparisons of the individual Psalms and their intertextual references in the ancient sources highlight substantial differences between the transmitted texts. The book concludes that Psalms 146-150 were at first separate texts which only in the Masoretic Text form the end of the Psalter. It thus stresses the importance of Psalms Exegesis before Psalter Exegesis, and argues for the inclusion of ancient sources beyond to the Masoretic Text to further our understanding of the Psalms.

"This volume, which is based on the papers given at a panel at the 2019 SBL International Meeting in Rome, represents current discourses in Psalms research. The past decades have been marked by the paradigm shift from form criticism to different exegetical approaches which consider the Book of Psalms as the literary context of the individual Psalms. More recently, it has been pointed out that the complex evidence given by the manuscripts from antiquity to the Middle Ages does not support the notion of a fixed canonical text as presupposed by some approaches. The present volume combines contributions about such basic considerations with studies of individual groups of Psalms. With different methodological and hermeneutical approaches, they open up perspectives on the interrelation between the origin, composition and reception of the Psalms." --

The canonical shape of the Hebrew Bible reveals the footprints of the communities of faith that formed that literature. Nancy deClaisse-Walford explores the process by which the postexilic community selected, appropriated, and shaped various psalms into the Hebrew Psalter. The Psalter, she concludes, tells its own story of the history of ancient Israel and gives its shaping community and subsequent believing communities a rationale for continued existence as a people with God as their king.

The rationale of the order of Psalms is a puzzle at least as old as Augustine in the fourth century, and Grant (Biblical studies, Highland Theological College, Scotland) does not aspire to solve the whole thing here and now. Rather he bites off only one aspect, a particular paradigm that may have influenced the shape of the Psalms in certain ways.

Introduction to the Psalms: A Song from Ancient Israel seeks to provide the reader with a solid introduction to the Hebrew Psalter, one that is informed by an interest in its shape and shaping. The author, Nancy deClaiss�-Walford, provides an up-to-date study on the poetic style of the psalms in the Psalter, their Gatt�ngen or genres, the broad shape of the book, and the history of its shaping. She introduces each of the five books of the Psalter, providing a detailed examination of those individual psalms that are either key to the shaping of the Psalter or interesting studies in poetic style. In the final chapter, deClaiss�-Walford draws conclusions about the shape of the Psalter and about its story and message. She proposes a way to read the Psalms as a unified whole and in relationship to one another rather than as individual pieces, giving an inclusive, all-encompassing shape to the Psalter. Included are two appendices that provide a listing of the superscriptions and Gatt�ngen of the psalms in the Hebrew Psalter and an explanation of many of the technical terms found in their superscriptions.