Paul Dombey is a cold, unbending, pompous merchant, and a widower with two children - Paul and Florence. His chief ambition is to perpetuate the firm-name. He dreams of passing his business on to his son. Dombey dotes on his son, and neglects and mistreats his daughter.The "son" in the title of the book is incapable of ever joining the firm. A sickly and odd child, Paul dies at the age of six. Dombey pours his resentment and anger out on his daughter, whom he pushes away despite her efforts to earn her father's love.Eventually Dombey remarries, after literally acquiring his new wife from her father in a commercial transaction. Dombey is as bad a husband as he is a father and his marriage is loveless. His new bride hates Dombey and eventually runs off with Canker, his business manager. Dombey characteristically blames Florence for this reversal, and strikes her, causing Florence to run away as well.Abandoned by everyone, Dombey loses his business and goes half insane, living in his decaying house. Dombey is eventually reconciled to his daughter, who always a doormat forgives her father........

It is widely known that Charles Dickens gave public readings of his works, and that those readings were enormously popular. Far less well known are the stories themselves; these were not, as is the modern fashion, taken verbatim from the published novels. Instead, Dickens trimmed, reworded, and re-shaped material from the novels to create stories that would be self-contained artistic entities. These concise “performance fictions,” shaped in every way to be accessible to a broad audience, are in many ways an ideal introduction to Dickens’s work for the modern reader. Four of the most successful of these short works have been selected for this volume, including “The Story of Little Dombey” (perhaps the most emotionally affecting of all the readings, and described by Dickens as his “greatest triumph everywhere”) and the violent and suspenseful “Sikes and Nancy” (Dickens’s overpowering performances of which were said to have contributed to his death). Provided in the contextual materials is a selection of reviews and contemporary descriptions that comment on Dickens’s manner of performance and audience reception. A brief excerpt from Dombey and Son is also included, illustrating the extensive revision process that led to “The Story of Little Dombey.”

Evliya Celebi was the Orhan Pamuk of the 17th century, the Pepys of the Ottoman world - a diligent, adventurous and honest recorder with a puckish wit and humour. He is in the pantheon of the great travel-writers of the world, though virtually unknown to western readers. This translation brings his sparkling work to life.

Tracing the dual alphabet from its intervention by Carolingian scribes to its rejection by modernist poets and the Bauhaus printers, Edwards shows how Charles Dickens and other nineteenth century writers used the distinction between upper and lower case letters in unconventional ways and in the interests of a wider radicalism.

As for many of Dickens' novels, highlighting social injustices is at the heart of Little Dorrit. His father was imprisoned for debt, and Dickens' shines a spotlight on the fate of many who are unable to repay a debt when the ability to seek work is denied. Amy Dorrit is the youngest daughter of a man imprisoned for debt and is working as a seamstress for Mrs Clennam when Arthur Clennam crosses her path. Will the sweet natured Amy win Arthur's heart? And will they ever escape the shadow of debtors' prison?