"This book tells the story of crime fiction published during the first half of the twentieth century. The diversity of this much-loved genre is breathtaking, and so much greater than many critics have suggested. To illustrate this, the leading expert on classic crime discusses one hundred books ranging from The Hound of the Baskervilles to Strangers on a Train which highlight the entertaining plots, the literary achievements, and the social significance of vintage crime fiction. This book serves as a companion to the acclaimed British Library Crime Classics series but it tells a very diverse story. It presents the development of crime fiction-from Sherlock Holmes to the end of the golden age-in an accessible, informative and engaging style. Readers who enjoy classic crime will make fascinating discoveries and learn about forgotten gems as well as bestselling authors. Even the most widely read connoisseurs will find books (and trivia) with which they are unfamiliar-as well as unexpected choices to debate. Classic crime is a richly varied and deeply pleasurable genre that is enjoying a world-wide renaissance as dozens of neglected novels and stories are resurrected for modern readers to enjoy. The overriding aim of this book is to provide a launch point that enables readers to embark on their own voyages of discovery."

2018 ALA Book Club October Pick, Things that Go Bump: Paranormal Mysteries David Randall's perfect family life came derailed when his little daughter Lindsey died in a car crash. Thrown out by his second wife and wanting to leave a dead-end detective agency to start his own, he reluctantly accepts his psychic friend Camden's invitation to stay in Camden's boarding house in Parkland, North Carolina. Meanwhile, working the case of the murder of Albert Bennett, Randall's only clue is a notebook filled with odd musical notation. When another client, Melanie Gentry, hires him to prove her great-grandmother was murdered by her lover, composer John Burrows Ashford, over authorship of "Patchwork Melodies," Randall sets out to find a connection to Bennett's murder, as well as to the murder of a Smithsonian director, who was preparing a new PBS documentary on early American music. Randall's investigations lead him to another notebook, where he finds not only "Two Hearts Singing," Ashford's most famous song, but a valuable early copy of Stephen Foster's "Oh! Susanna," hidden in the cover. But things become more complicated when Ashford's spirit parks itself in Cam...and refuses to leave until Randall proves Ashford's innocence.

Contains thirteen mystery stories, written between 1841 and 1920, and includes "The Murders in the Rue Morgue," by Edgar Allan Poe, "Three Detective Anecdotes," by Charles Dickens, and "The Leopard Man's Story," by Jack London.

Dorothy Sayers called William Roughead "the best showman who ever stood before the door of the chamber of horrors," and his true crime stories, written in the early 1900s, are among the glories of the genre. Displaying a meticulous command of evidence and unerring dramatic flair, Roughead brings to life some of the most notorious crimes and extraordinary trials of eighteenth- and nineteenth-century England and Scotland. Utterly engrossing, these accounts of pre-meditated mayhem and miscarried justice also cast a powerful light on the evil that human beings, and human institutions, find both tempting to contemplate and all too easy to do.

Mystery crime fiction written in the Golden Age of Murder "As with the best of such compilations, readers of classic mysteries will relish discovering unfamiliar authors, along with old favorites such as Arthur Conan Doyle and G.K. Chesterton." --Publishers Weekly STARRED review A man is forbidden to uncover the secret of the tower in a fairy-tale castle by the Rhine. A headless corpse is found in a secret garden in Paris--belonging to the city's chief of police. And a drowned man is fished from the sea off the Italian Riviera, leaving the carabinieri to wonder why his socialite friends at the Villa Almirante are so unconcerned by his death. These are three of the scenarios in this new collection of vintage crime stories. Detective stories from the golden age and beyond have used European settings--cosmopolitan cities, rural idylls and crumbling chateaux--to explore timeless themes of revenge, deception, murder and haunting. Including lesser-known stories by Agatha Christie, Arthur Conan Doyle, G.K. Chesterton, J. Jefferson Farjeon and other classic writers, this collection reveals many hidden gems of British crime.

13 tantalizing tales including the first real detective story, Poe's "Murders in the Rue Morgue"; "The Blue Cross," the first Father Brown tale by Chesterton; "A Scandal in Bohemia" by Doyle, plus stories by Hammett and Chandler.

Classic American Crime Writing of the 1920s—including House Without a Key, The Benson Murder Case, The Tower Treasure, The Roman Hat Mystery, The Tower Treasure, and Little Caesar—offers some of the very best of that decade’s writing. Earl Derr Biggers wrote about Charlie Chan, a Chinese-American detective, at a time when racism was rampant. S. S. Van Dine invented Philo Vance, an effete, rich amateur psychologist who flourished while America danced and the stock market rose. Edwin Stratemeyer, a man of mystery himself, singlehandedly created the juvenile mystery, with the beloved Hardy Boys series. The quintessential American detective Ellery Queen leapt onto the stage, to remain popular for fifty years. W. R. Burnett, created the indelible character of Rico, the first gangster antihero. Each of the five novels included is presented in its original published form, with extensive historical and cultural annotations and illustrations added by Edgar-winning editor Leslie S. Klinger, allowing the reader to experience the story to its fullest. Klinger's detailed foreword gives an overview of the history of American crime writing from its beginnings in the early years of America to the twentieth century.

Winner of four major prizes for the best critical/biographical book related to crime fiction: the Edgar, Anthony, Macavity and H.R.F. Keating Awards; and shortlisted for both the Agatha and Gold Dagger Awards. ‘Martin Edwards is the closest thing there has been to a philosopher of crime writing.’ The Times

Winner of the 2016 EDGAR, AGATHA, MACAVITY and H.R.F.KEATING crime writing awards, this real-life detective story investigates how Agatha Christie and colleagues in a mysterious literary club transformed crime fiction.

Police Sergeant William South has a good reason to shy away from murder investigations: he is a murderer himself. A methodical, diligent, and exceptionally bright detective, South is an avid birdwatcher and trusted figure in his small town on the rugged Kentish coast. He also lives with the deeply buried secret that, as a child in Northern Ireland, he may have killed a man. When a fellow birdwatcher is found murdered in his remote home, South's world flips. The culprit seems to be a drifter from South's childhood; the victim was the only person connecting South to his early crime; and a troubled, vivacious new female sergeant has been relocated from London and assigned to work with South. As our hero investigates, he must work ever-harder to keep his own connections to the victim, and his past, a secret. The Birdwatcher is British crime fiction at its finest; a stirring portrait of flawed, vulnerable investigators; a meticulously constructed mystery; and a primal story of fear, loyalty and vengeance. **Longlisted for the Theakston Old Peculier Crime Novel of the Year