Winner of four major prizes for the best critical/biographical book related to crime fiction: the Edgar, Anthony, Macavity and H.R.F. Keating Awards; and shortlisted for both the Agatha and Gold Dagger Awards. ‘Martin Edwards is the closest thing there has been to a philosopher of crime writing.’ The Times

Winner of the H.R.F. Keating Award for best biographical/critical book related to crime fiction, and nominated for the Edgar Allen Poe and Macavity Awards for Best Critical/Biographical book.

"Genuinely fascinating reading."—The New York Times Book Review "Diverting and patently authoritative."—The New Yorker "Grand and fascinating … a history, a compendium and a critical study all in one, and all first rate."—Rex Stout "A landmark … a brilliant study written with charm and authority."—Ellery Queen "This book is of permanent value. It should be on the shelf of every reader of detective stories."—Erle Stanley Gardner Author Howard Haycraft, an expert in detective fiction, traces the genre's development from the 1840s through the 1940s. Along the way, he charts the innovations of Edgar Allan Poe, Wilkie Collins, and Arthur Conan Doyle, as well as the modern influence of George Simenon, Josephine Tey, and others. Additional topics include a survey of the critical literature, a detective story quiz, and a Who's Who in Detection.

Winner of the 2016 EDGAR, AGATHA, MACAVITY and H.R.F.KEATING crime writing awards, this real-life detective story investigates how Agatha Christie and colleagues in a mysterious literary club transformed crime fiction.

“This is an exemplary reference book sure to lead readers to gems of mystery and detective fiction.” —Publishers Weekly, starred review This book tells the story of crime fiction published during the first half of the twentieth century. The diversity of this much-loved genre is breathtaking, and so much greater than many critics have suggested. To illustrate this, the leading expert on classic crime discusses one hundred books ranging from The Hound of the Baskervilles to Strangers on a Train which highlight the entertaining plots, the literary achievements, and the social significance of vintage crime fiction. This book serves as a companion to the acclaimed British Library Crime Classics series but it tells a very diverse story. It presents the development of crime fiction—from Sherlock Holmes to the end of the golden age—in an accessible, informative and engaging style. Readers who enjoy classic crime will make fascinating discoveries and learn about forgotten gems as well as bestselling authors. Even the most widely read connoisseurs will find books (and trivia) with which they are unfamiliar—as well as unexpected choices to debate. Classic crime is a richly varied and deeply pleasurable genre that is enjoying a world-wide renaissance as dozens of neglected novels and stories are resurrected for modern readers to enjoy. The overriding aim of this book is to provide a launch point that enables readers to embark on their own voyages of discovery.

This collection of essays examines how college professors teach the genre of detective fiction and provides insight into how the reader may apply such strategies to his or her own courses. Multi-disciplinary in scope, the essays cover teaching in the areas of literature, law, history, sociology, anthropology, architecture, gender studies, cultural studies, and literary theory. Also included are sample syllabi, writing assignments, questions for further discussion, reading lists, and further aids for course instruction.

With Martin Edwards as librarian and guide, delve into an irresistible stack of bibliomysteries, where "golden age–inspired puzzle masters [are] doing what they do best: bringing together readers, books, and felonies [in] perhaps the single best collection yet in this blue-chip series (Kirkus Reviews)." There is no better hiding place for clues—or red herrings—than inside the pages of a book. But in this world of resentful ghost writers, indiscreet playwrights, and unscrupulous book collectors, literary prowess is often a prologue to disaster. Readers should be warned that the most riveting tales often conceal the deadliest of secrets. Featuring much-loved Golden Age detectives Nigel Strangeways, Philip Trent, Detective Chief Inspector Roderick Alleyn, and others, a bookish puzzle threatens an eagerly awaited inheritance; a submission to a publisher recounts a murder that seems increasingly to be a work of nonfiction; an irate novelist puts a grisly end to the source of his writer's block.

"...a beautifully-evoked sense of the Lake District and an interesting and diverse group of characters. Martin Edwards got plenty of kudos for his Harry Devlin series, and he should get even more for this one. His DCI Hannah Scarlett is a fine creation." —Peter Robinson, New York Times bestselling author Oxford historian and TV personality Daniel Kind and his new lover, Miranda, both want to escape to a new life. On impulse they buy Tarn Cottage in Brackdale, an idyllic valley in the Lake District that Daniel knew as a boy, a place so remote that the dead had to be carried out over the peaks on pack animals along the ancient Coffin Trail. Tarn Cottage was once home to Barrie Gilpin, an autistic youth suspected of a savage murder. A young woman visitor to the valley had been found laid out on the Sacrifice Stone, an ancient pagan site up on the fell. Barrie fell to his death near the crime scene before he could be questioned. All these years later, Daniel retains his belief in Barrie's innocence and questions his own policeman father's handling of the case. When DCI Hannah Scarlett and her squad launch a cold case review, Brackdale's skeletons begin to rattle. The wild geography of the Lakes District plays against local literary references, all backdrop to the lives of villagers and outsiders drawn to this beautiful spot—but for what reasons? The Coffin Trail launches a new series by a master British hand.

A Talent to Deceive is an analysis of Agatha Christie's masterful solutions, of her strategems of deception, and of her unmatched ability to divert the reader's attention from the matter of real importance.

Fourteen extraordinary Victorian and Edwardian crime stories by Rudyard Kipling, Arthur Conan Doyle, Jacques Futrelle, G. K. Chesterton, and others — many never before published in book form.