A lively and personal book that returns the city to political thought Cities shape the lives and outlooks of billions of people, yet they have been overshadowed in contemporary political thought by nation-states, identity groups, and concepts like justice and freedom. The Spirit of Cities revives the classical idea that a city expresses its own distinctive ethos or values. In the ancient world, Athens was synonymous with democracy and Sparta represented military discipline. In this original and engaging book, Daniel Bell and Avner de-Shalit explore how this classical idea can be applied to today's cities, and they explain why philosophy and the social sciences need to rediscover the spirit of cities. Bell and de-Shalit look at nine modern cities and the prevailing ethos that distinguishes each one. The cities are Jerusalem (religion), Montreal (language), Singapore (nation building), Hong Kong (materialism), Beijing (political power), Oxford (learning), Berlin (tolerance and intolerance), Paris (romance), and New York (ambition). Bell and de-Shalit draw upon the richly varied histories of each city, as well as novels, poems, biographies, tourist guides, architectural landmarks, and the authors' own personal reflections and insights. They show how the ethos of each city is expressed in political, cultural, and economic life, and also how pride in a city's ethos can oppose the homogenizing tendencies of globalization and curb the excesses of nationalism. The Spirit of Cities is unreservedly impressionistic. Combining strolling and storytelling with cutting-edge theory, the book encourages debate and opens up new avenues of inquiry in philosophy and the social sciences. It is a must-read for lovers of cities everywhere. In a new preface, Bell and de-Shalit further develop their idea of "civicism," the pride city dwellers feel for their city and its ethos over that of others.

Marshall Fredericks’s Detroit sculptures capture the spirit of the Motor City and its dramatic transformation from the 1950s to the present day. In this book, Janna Jones analyzes eight of these enormous works of public art, situating them and their structures in metro Detroit’s distinctive midcentury milieu and bringing much-needed critical attention to this sculptor’s oeuvre. Sadly, some of these artworks have suffered along with the city as it shrank from its postwar zenith. Both the buildings and the sculptures erected for them deserve to be rescued from neglect, and then maintained and preserved for the future.

This selection of groundbreaking essays offers a significant and long overdue reassessment of the aims and intentions of European architecture and urbanism over the period 1880-1960.

In recent decades economic dislocation, immigration, new architecture, and other forces have transformed the physical, social, and even religious landscape of large cities. There gleaming skyscrapers tower over struggling ghettos, abandoned businesses mar upscale shopping areas, and tall-steeple churches sometimes languish where storefront mosques thrive. Exploring the religious significance of this new urban landscape, a group of theologians, members of the Workgroup on Constructive Christian Theology, traveled to select cities and found an exciting, vibrant, and multivoiced religious spirit at work. In these essays five leading American theologians delve deeply into the contemporary spiritual geographies of five cities, capturing, through a mix of personal and historical narrative, political analysis, and theological rumination, a sense of this new sacred space and the spirit aborning there.

In The Burning City, Alaya Dawn Johnson continues the trilogy begun with her debut, Racing the Dark, delving deeper into the world of magic wielded by women who understand the dark trade-offs of power and sacrifice. Lana, the heroine, has become the black ange l —a harbinger of destruction unheard of in the islands for 500 years. Nui'ahi, the sleeping volcano of the great city Essel, has erupted. In the chaos, the city is reshaping itself and violence threatens from all corners. A rebel movement has formed in the destroyed heart of the city, determined to oust Kohaku, the mad Mo'i of Essel. Lana wants no part of the rebels' cause — the death spirit still chases her, and the great witch Akua has kidnapped Lana's mother. But the more Lana looks for her mother, the more she is drawn into the city's political conflicts. As Kohaku descends deeper into madness, determined to subdue the city by any means necessary, his wife has run away to the fire temple, where she too is slowly converted to the rebel's cause. When long-running tensions spill over into civil war, Lana must make her hardest decision yet: her mother's life, or a city's freedom?

Grammy Award winner Victor Wooten's inspiring parable of the importance of music and the threats that it faces in today's world. We may not realize it as we listen to the soundtrack of our lives through tiny earbuds, but music and all that it encompasses is disappearing all around us. In this fable-like story three musicians from around the world are mysteriously summoned to Nashville, the Music City, to join together with Victor to do battle against the "Phasers," whose blinking "music-cancelling" headphones silence and destroy all musical sound. Only by coming together, connecting, and making the joyful sounds of immediate, "live" music can the world be restored to the power and spirit of music. A VINTAGE ORIGINAL

Drawing on philosophical reflection, spiritual and religious values, and somatic practice, Spirit and the Obligation of Social Flesh offers guidance for moving amidst the affective dynamics that animate the streets of the global cities now amassing around our planet. Here theology turns decidedly secular. In urban medieval Europe, seculars were uncloistered persons who carried their spiritual passion and sense of an obligated life into daily circumambulations of the city. Seculars lived in the city, on behalf of the city, but—contrary to the new profit economy of the time—with a different locus of value: spirit. Betcher argues that for seculars today the possibility of a devoted life, the practice of felicity in history, still remains. Spirit now names a necessary “prosthesis,” a locus for regenerating the elemental commons of our interdependent flesh and thus for cultivating spacious and fearless empathy, forbearance, and generosity. Her theological poetics, though based in Christianity, are frequently in conversation with other religions resident in our postcolonial cities.

Vivid and poignant, Spirit of Haiti follows the intersecting lives of four young witnesses to military-ruled Haiti during the early 1990s. Léah, an apparition, rises from the sea like a siren one morning off the coast of Cap Haitien, clothes untouched by water, blue stones wrapped around her neck, eyes blind to light. Soon to be a mother, Carmen returns to Haiti from Canada as if responding to the call of the vodou spirits. Alexis flees the island in search of a land without strife. Finally, there is Philippe, who walks the northern hills alert to ancestral voices still haunting its peaks and valleys. Doing what he must to get by in the tourist trade and now weakened by illness, he struggles to maintain spiritual dignity and a hold on hope. First published in 2003 and shortlisted for the Commonwealth Writers First Book Prize in the Caribbean and Canada region, Spirit of Haiti is a novel about confronting the failings of the human heart and the triumph of memory over despair.

102 Classic poster designs of Nashville landmarks and legends plus history and Music City memories (SOFTBACK)