Set in the world of Larry Niven's popular The Magic Goes Away, The Burning City transports readers to an enchanted ancient city bearing a provocative resemblance to our own modern society. Here Yagen-Atep, the volatile and voracious god of fire, alternately protects and destroys the city's denizens. In Tep's Town, nothing can burn indoors and no fire can start -- except when the Burning comes upon the city. Then the people, possessed by Yagen-Atep, set their own town ablaze in a riotous orgy of destruction that often comes without warning. Whandall Placehold has lived with the Burning all his life. Fighting his way to adulthood in the mean-but-magical streets of the city's most blighted neighborhoods, Whandall dreams of escaping the god's wrath to find a new and better life. But his best hope for freedom may lie with Morth of Atlantis, the enigmatic sorcerer who killed his father!

From the New York Times bestselling coauthor of All of Us Villains. Sixteen-year-old Sorina has spent most of her life within the smoldering borders of the Gomorrah Festival. Yet even among the many unusual members of the traveling circus-city, Sorina stands apart as the only illusion-worker born in hundreds of years. This rare talent allows her to create illusions that others can see, feel and touch, with personalities all their own. Her creations are her family, and together they make up the cast of the Festival’s Freak Show. But no matter how lifelike they may seem, her illusions are still just that—illusions, and not truly real. Or so she always believed…until one of them is murdered. Desperate to protect her family, Sorina must track down the culprit and determine how they killed a person who doesn’t actually exist. Her search for answers leads her to the self-proclaimed gossip-worker Luca. Their investigation sends them through a haze of political turmoil and forbidden romance, and into the most sinister corners of the Festival. But as the killer continues murdering Sorina’s illusions one by one, she must unravel the horrifying truth before all her loved ones disappear.

2016 REUBEN AWARD WINNER - BEST GRAPHIC NOVEL! After the bombs fell and shook the walls of Nanjing, the Imperial Japanese Army entered and seized the Chinese capital. Through the dust of the demolished buildings, screams echo off the rubble. Two abandoned Chinese soldiers are trapped and desperately outnumbered inside the walled city. What they'll encounter will haunt them. But in the face of horror, they'll learn that resistance and bravery cannot be destroyed by the enemy. Ethan Young (Tails) delves into World War II's forgotten tragedy, the devastating Japanese invasion of Nanjing, and tells a heart-wrenching tale of war, loss, and defiance. Beautifully illustrated in black and white. "In Nanjing, cartoonist Ethan Young tells an intimate story against an epic landscape. Bold, heart-breaking, and gorgeously rendered." —Eisner and Printz Award-winner Gene Luen Yang (Boxers & Saints, American Born Chinese) "Young’s decision not to glorify violence or titillate the reader in any way avoids a common pitfall and heightens the drama. This is stunning, stirring historical fiction by a creator at the height of his craft." (Starred review) —Publishers Weekly "Young’s is just one chapter in an overwhelmingly grievous episode of the 20th century. The specifics might be fictional amidst a historical backdrop, but in creating names, depicting individual faces both living and dead, Young conjures a haunting microcosm amidst a horrifying event of epic proportions." —Smithsonian APAC Bookdragon "A rugged black and white style ... a little Kubert, a little Tardi." —The Beat "Nanjing: The Burning City deserves a spot alongside not only historical comics, but wartime prose and non-fiction as well. It’s not often that an author can so skillfully evoke powerful emotion while telling a complex and long-forgotten story and this book is an excellent, necessary addition to the genre." —The A.V. Club "Haunting and powerful, Nanjing is a moving tribute to an event which needs to be remembered, as much as we'd like to forget it." —Eisner and Harvey Award-winning author Derek Kirk Kim (Same Difference, Tune) "Young's expressive, thoughtful line work takes full advantage of comics' power. Nanjing reads effortlessly while begging the eyes to savor each page. A triumph at the very soul of the medium, a perfect marriage of Toth and Tatsumi." —Eisner Award-winning writer/artist Nate Powell (March, Swallow Me Whole)

Return to the "vivid and unusual" (Kirkus Reviews) world of Larry Niven and Jerry Pournelle's The Burning City, where the fire god has retreated into myth, leaving the residents of Tep's Town unprotected for the first time in their history. Unfortunately, a fiery fate isn't the only danger the town is facing. From out of the desert come monsters -- great birds with blades instead of wings, driven by some unknown force. Although they can be killed, the threat these terror birds pose is worse than death. Danger on the roads means no trade. No trade means that Tep's Town will be no more. Sent by the Lords of Lordshills to discover the source of the terror birds, Lord Sandry and his beloved, Burning Tower, must travel into a world where magic is still strong -- and where someone or something waits to destroy them! Filled with the sweeping adventure, memorable characters, and imaginative world-building that have defined the novels of Larry Niven and Jerry Pournelle, Burning Tower is another triumph.

It is the simmering summer of 2001 in New York City. Heller is the youngest employee of Soft Tidings, a messenger service whose motto is “news with a personal touch.” At Soft Tidings, a message is not handed over but told to the recipient. And the messages, as a rule, are not especially good news. Heller prefers his bike to the mandatory Rollerblades, and he gets away with his maniacal bike riding because he is, hands down, the best deliverer of bad news. This summer will be memorable for Heller as he finds himself drawn into the lives of a wildly diverse cast of characters, accidentally falling in love, and relating to people in a whole new way. From the Hardcover edition.

For fans of Ender’s Game, Red Rising, and The Hunger Games comes an explosive, epic science fiction debut... Cities vanished, gone in flashes of world-shattering destruction. An alien race had come to make Earth theirs, bringing a power so far beyond human technology it seemed like magic. It was nearly the end of the world—until we learned to seize the power, and use it to fight back. The war has raged for five centuries. For a cadet like Jax, one of the few who can harness the enemy’s universe-altering force, that means growing up in an elite military academy, training for battle at the front—and hoping he is ready. For Naomi, young nomad roaming the wilds of a ruined Earth, it means a daily fight for survival against the savage raiders who threaten her caravan. When a new attack looms, these two young warriors find their paths suddenly intertwined. Together with a gifted but reckless military commander, a factory worker drafted as cannon fodder, a wild and beautiful gunfighter, and a brilliant scientist with nothing to lose—they must find a way to turn back the coming invasion, or see their home finally and completely destroyed.

Poetry. BURNING CITY acts as a "multisensory Baedecker" to the many incarnations of international modernism from 1910-1939. Inspired by the abandoned plans of the early avant-garde poet Yvan Goll to write a history of modernity through the poetry of that era, scholars Jed Rasula and Tim Conley have carried out Goll's project, scouring the small journals and magazines of the period for both lost and seminal texts. BURNING CITY is organized not just according to the cities which inspired the texts Paris, Cracow, Buenos Aires, and so on but according to such icons of the modern urban experience as "Cineland," "Music Hall," "Electric Man." BURNING CITY makes a new contribution to anthologies of both poetry and modernism by its thematic focus on city life, by its inclusion of poets from languages and nationalities seldom represented in standard US surveys, and by its preservation of the typographic versatility of the this feverishly innovating period. "'The fascination of cities, ' wrote Langston Hughes, 'seizes me, burning like a fever in the blood.' BURNING CITY enacts that passion with astonishing skill and learning. Whatever else Modernism was or was not, its geography was that of the New Urbanism: from Paris and Berlin to Sao Paulo and Shanghai, from such icons as the Eiffel Tower and the Empire State Building to Moscow's Nikitin Circus, it is the City in all its contradictions, its splendors and miseries, that was to become the laboratory of modernism, still dominating our dreams and nightmares a century after the fact. Truly global in its reach, yet local in its exacting particularities, BURNING CITY breaks down the old familiar isms and genre divisions, introducing us to writings we've never seen before, printed side by side with our favorite poems by Huidobro and Musil, Mayakovsky and Mina Loy. In a nutshell, the map of modernism will never be the same " Marjorie Perloff"

Jessica Bruderis a reporter for theOregonian.Her writing has also appeared in theNew York Times,theWashington Post,and theNew York Observer.She lives in Portland, Oregon.

Part of the Peter Owen World Series: Baltics'This story glows somewhere on the fringes of my consciousness, so close I can almost touch it.' Opening up about her family history, Tiina revisits the first two decades of her life following the Second World War, in Tartu, Estonia. The city, destroyed by Nazi invasion then rebuilt and re-mapped by the Soviets, is home to many secrets, and little Tiina knows them all, even if she does not know their import. The adult world that makes up Communist society, is one of cryptic conversations, undiagnosed dread and heavy drinking. From the death of Stalin to the gradual separation of her parents, Tiina, as a young girl, experiences both domestic and great events from the periphery, and is, therefore, powerless to prevent the defining tragedy in her life - a suicide in the family.Translated for the first time into English, Burning Cities is an intimate portrayal of life under Soviet Communism and an absorbing family drama told with poetic precision. Translated from the Estonian by Adam Cullen.

A unique and stylish contribution to the social history of African cities and Zimbabwean cultural life. NEW LOW PRICE This book is designed as a tribute and response to Yvonne Vera's famous novel Butterfly Burning, which is set in the Bulawayo townships in 1946 and dedicated to the author. It is an attempt to explorewhat historical research and reconstruction can add to the literary imagination. Responding as it does to a novel, this history imitates some fictional modes. Two of its chapters are in effect 'scenes', dealing with brief periods of intense activity. Others are in effect biographies of 'characters'. The book draws upon and quotes from a rich body of urban oral memory. In addition to this historical/literary interaction the book is a contribution to the historiography of southern African cities, bringing out the experiential and cultural dimensions, and combining black and white urban social history. TERENCE RANGER was Emeritus Rhodes Professor of Race Relations, University of Oxford and author of many books including Writing Revolt, Are we not also Men? (1995), Voices from the Rocks (1999) and was co-editor of Violence and Memory (2000). Zimbabwe: Weaver Press