From an array of prominent activists including Nelson Mandela and Steve Biko to renowned performers and oral poets such as Johnny Dyani and Samuel Mqhayi, the Eastern Cape region plays a unique role in the history of South African protest politics and creativity. The Spirit of Resistance in Music and Spoken Word of South Africa's Eastern Cape concentrates on the Eastern Cape's contribution to the larger narrative of the connection between creativity, mass movements, and the forging of a modern African identity and focuses largely on the amaXhosa population. Lindsay Michie explores Eastern Cape performance artists, activists, organizations, and movements that used inventive and historical means to raise awareness of their plight and brought pressure to bear on the authorities and systems that caused it, all the while exhibiting the depth, originality, and inspiration of their culture.

Inzuzo is a classic collection of poems, first published in 1943, about religion, nature, life and historical events and prominent figures in the history of Africans. It has five sections: Izabelo (Distributions), Izibongo ezingokufa nokuthwasa komnyaka (Poems about death and the beginning of the year), Izibongo ezingabafi bethu (Poems about the dead), Izibongo ngabawele iilwandle (Poems about people who have travelled overseas) and Ingqokelela (Collection). In each section, Mqhayi proved himself to be a literary author with the ability and skill to transform from a traditional poet to a modern poet. This ability is most evident in the first section, Izabelo, with poems composed in a manner that demonstrates western influence in their structure. Mqhayi was able to combine modern versification with the diction and artistic form of izibongo (praise poems). Mqhayi’s poetry is also a storehouse of historical events as in poems like Umnyaka omtsha, 1915 (New Year, 1915), Aa! Zweliyazuza! (Hail Great Britain on whom the sun never sets!), and Umfikazi uCharlotte Manyhi Maxeke, a tribute to Charlotte Manyhi Maxeke. In these poems, his style as a praise poet is distinct. The poems portray Mqhayi as a religious and social poet. He took an interest in the welfare of his people and embraced African culture. Known as the father of isiXhosa contemporary and traditional poetry, Mqhayi was a well-known imbongi (praise poet) who was revered as Imbongi yeSizwe Jikelele (National Poet).

This incisive, deeply informed book introduces post-apartheid South Africa to an international audience. South Africa has a history of racism and white supremacy. This crushing historical burden continues to resonate today. Under President Jacob Zuma, South Africa is treading water. Nevertheless, despite calls to undermine the 1994 political settlement characterized by human rights guarantees and the rule of law, distinguished diplomat John Campbell argues that the country’s future is bright and that its democratic institutions will weather its current lackluster governance. The book opens with an overview to orient readers to South Africa’s historical inheritance. A look back at the presidential inaugurations of Nelson Mandela and Jacob Zuma and Mandela’s funeral illustrates some of the ways South Africa has indeed changed since 1994. Reviewing current demographic trends, Campbell highlights the persistent consequences of apartheid. He goes on to consider education, health, and current political developments, including land reform, with an eye on how South Africa’s democracy is responding to associated thorny challenges. The book ends with an assessment of why prospects are currently poor for closer South African ties with the West. Campbell concludes, though, that South Africa’s democracy has been surprisingly adaptable, and that despite intractable problems, the black majority are no longer strangers in their own country.

As the most influential and powerful country on the entire continent of Africa, an understanding of South Africa’s past and its present trends is crucial in appreciating where South Africans are going to, and from where they have come. South Africa changed dramatically in 1994 when apartheid was dismantled, and it became a democratic state. Since 2000, when the previous edition appeared, further big changes occurred, with the rise of new political leaders and of a new black middle class. There were also serious problems in governance, in public health, and the economy, but with a remarkable popular resilience too. This third edition of Historical Dictionary of South Africa contains a chronology, an introduction, and an extensive bibliography. The dictionary section has more than 600 cross-referenced entries on important personalities as well as aspects of the country’s politics, economy, foreign relations, religion, and culture. This book is an excellent resource for students, researchers, and anyone wanting to know more about South Africa.

Ethiopia is an ancient country with rich potential, but it has not yet resolved the fundamental question of economic development and nation building. The Ethiopian population lives under the threat of recurring famine and war. The conflict that existed between Ethiopia and Eritrea for several decades was never resolved peacefully, and a new conflict has recently emerged on top of the old. Economic Development and Nation Building in Ethiopia gives valuable insight into these problems. The book first checks the major views of development with the Ethiopian experience and examines the impact of the IMF program and the Post-Cold War globalization on the Ethiopian development. Showing the historical disparities in development between Ethiopia and the now industrialized societies of the world, the book examines the possibilities for Ethiopian economic development and nation building. Author Daniel Teferra investigates the incentives for a shared market and broader democracy between Ethiopia and Eritrea by taking a closer, more focused look at the two societies.

South Africa: A Botched Civilization? examines how South African novelists, both Black and white, portray the impact of racial conflict on the identities of both the oppressed and the oppressor. This book gives an in-depth analysis of several major authors and focuses on prejudice and its consequences. The discussion of racism and identity is of central importance to the history and the present of South Africa. While the book focuses on literature of the era of segregation and of apartheid, the analysis of the novels reveals barriers to past, present, and future racial progress in South Africa.

For several centuries Cape Town has accommodated a great variety of musical genres which have usually been associated with specific population groups living in and around the city. Musical styles and genres produced in Cape Town have therefore been assigned an "identity" which is first and foremost social. This volume tries to question the relationship established between musical styles and genres, and social - in this case pseudo-racial - identities. In Sounding the Cape, Denis-Constant Martin recomposes and examines through the theoretical prism of creolisation the history of music in Cape Town, deploying analytical tools borrowed from the most recent studies of identity configurations. He demonstrates that musical creation in the Mother City, and in South Africa, has always been nurtured by contacts, exchanges and innovations whatever the efforts made by racist powers to separate and divide people according to their origin. Musicians interviewed at the dawn of the 21st century confirm that mixture and blending characterise all Cape Town's musics. They also emphasise the importance of a rhythmic pattern particular to Cape Town, the ghoema beat, whose origins are obviously mixed. The study of music demonstrates that the history of Cape Town, and of South Africa as a whole, undeniably fostered creole societies. Yet, twenty years after the collapse of apartheid, these societies are still divided along lines that combine economic factors and "racial" categorisations. Martin concludes that, were music given a greater importance in educational and cultural policies, it could contribute to fighting these divisions and promote the notion of a nation that, in spite of the violence of racism and apartheid, has managed to invent a unique common culture.

"We in South Africa needed the support of the international community in our efforts to end the vicious system of racial oppression called apartheid. We had to have eloquent advocates to tell the world our story and persuade it to come to our assistance. . . . We had none more articulate and with all the credibility and integrity so indispensable than Dennis Brutus to plead our cause. He was quite outstanding, and we South Africans owe an immense debt of gratitude."--Archbishop Desmond Tutu "Dennis Brutus stands as a tribune of the dispossessed. His willingness to speak out on all cases of injustice and side with the oppressed makes him the type of person we all wish to emulate. His perseverance, dedication, and eloquence have made him not only a hero for the South African freedom struggle, but for all those who struggle for social justice."--Bill Fletcher, TransAfrica Forum This vital original collection of interviews, poetry, and essays of the much-loved anti-apartheid leader is the first book of its kind to bring together the full, forceful range of his work. Brutus, imprisoned along with Nelson Mandela, is known worldwide for his unparalleled eloquence as an opponent of the apartheid South African regime. Since its fall, he has been a voice for justice and humanity, speaking and writing extensively on issues of debt, poverty, war, racism, and neoliberalism. Dennis Brutus is a lifelong human rights activist and poet. He was imprisoned with Nelson Mandela on Robben Island in South Africa and became an eloquent spokesperson for the anti-apartheid movement. He currently teaches African studies and literature at the University of Pittsburgh. Lee Sustar has written extensively on the global justice and labor movements for numerous publications. He is a member of the National Writers Union and lives in Chicago, Illinois.

This collection of interviews explores the role of religion in the lives of eminent South Africans who led the struggle against apartheid. Nelson Mandela, Chris Hani, Desmond Tutu, Nadine Gordimer, and seventeen other political, religious, and cultural leaders share the beliefs and values that informed the moral positions they adopted, often at great cost. From all ethnic, religious, and political backgrounds, these men and women have shaped one of the greatest political transformations of the century. What emerges from the interviews are reflections on all aspects of life in an embattled country. There are stories of the homelands and townships, and tales of imprisonment and exile. Dedicated communists relate their intense youthful devotion to Christianity; Muslim activists discuss the complexity of their relationships with their communities. As the respondents grapple with difficult questions about faith, politics, and authority, they expose a more personal picture: of their daily lives, of their pasts, and of the enormous conflicts that arise in a society that continually strains the moral fiber of its citizens. Taken together, these interviews reveal the many-faceted vision that has fueled South Africa's struggle for democracy.

A compassionate, shame-free guide for your darkest days “A one-of-a-kind book . . . to read for yourself or give to a struggling friend or loved one without the fear that depression and suicidal thoughts will be minimized, medicalized or over-spiritualized.”—Kay Warren, cofounder of Saddleback Church What happens when loving Jesus doesn’t cure you of depression, anxiety, or suicidal thoughts? You might be crushed by shame over your mental illness, only to be told by well-meaning Christians to “choose joy” and “pray more.” So you beg God to take away the pain, but nothing eases the ache inside. As darkness lingers and color drains from your world, you’re left wondering if God has abandoned you. You just want a way out. But there’s hope. In I Love Jesus, But I Want to Die, Sarah J. Robinson offers a healthy, practical, and shame-free guide for Christians struggling with mental illness. With unflinching honesty, Sarah shares her story of battling depression and fighting to stay alive despite toxic theology that made her afraid to seek help outside the church. Pairing her own story with scriptural insights, mental health research, and simple practices, Sarah helps you reconnect with the God who is present in our deepest anguish and discover that you are worth everything it takes to get better. Beautifully written and full of hard-won wisdom, I Love Jesus, But I Want to Die offers a path toward a rich, hope-filled life in Christ, even when healing doesn’t look like what you expect.