This stunning work illuminates today’s black experience through the voices of our most transformative and powerful African American poets. Included in this extraordinary volume are the poems of 43 of America’s most talented African American wordsmiths, including Pulitzer Prize–winning poets Rita Dove, Natasha Tretheway, Yusef Komunyakaa, and Tracy K. Smith, as well as the work of other luminaries such as Elizabeth Alexander, Ishmael Reed, and Sonia Sanchez. Included are poems such as “No Wound of Exit” by Patricia Smith, “We Are Not Responsible” by Harryette Mullen, and “Poem for My Father” by Quincy Troupe. Each is accompanied by a photograph of the poet along with a first-person biography. The anthology also contains personal essays on race such as “The Talk” by Jeannine Amber and works by Harry Belafonte, Amiri Baraka, and The Reverend Dr. William Barber II, architect of the Moral Mondays movement, as well as images and iconic political posters of the Black Lives Matter movement, Malcolm X, and the Black Panther Party. Taken together, Of Poetry and Protest gives voice to the current conversation about race in America while also providing historical and cultural context. It serves as an excellent introduction to African American poetry and is a must-have for every reader committed to social justice and racial harmony.

“To read these poems is to be reminded again and again of our true allegiance to each other.” —from the introduction by Julia Alvarez With a powerful and poignant introduction from Julia Alvarez, Resistencia: Poems of Protest and Revolution is an extraordinary collection, rooted in a strong tradition of protest poetry and voiced by icons of the movement and some of the most exciting writers today. The poets of Resistencia explore feminist, queer, Indigenous, and ecological themes alongside historically prominent protests against imperialism, dictatorships, and economic inequality. Within this momentous collection, poets representing every Latin American country grapple with identity, place, and belonging, resisting easy definitions to render a nuanced and complex portrait of language in rebellion. Included in English translation alongside their original language, the fifty-four poems in Resistencia are a testament to the art of translation as much as the act of resistance. An all-star team of translators, including former US Poet Laureate Juan Felipe Herrera along with young, emerging talent, have made many of the poems available for the first time to an English-speaking audience. Urgent, timely, and absolutely essential, these poems inspire us all to embrace our most fearless selves and unite against all forms of tyranny and oppression.

This book is a compilation of Persian protest poems written in the last century. This collection comprises works that address the socio-political issues of their time, often focusing on government oppression of the people. Such topics can stimulate a reader's interest and empathy, possibly spurring him/her into action. Because of the lack of freedom of speech in Iran and constant fear of censorship, Persian poets use various tools, including rhyme, metaphor and symbolism, in order to bypass the government's censorship. The works of the following poets are included in this compilation: Mohammad Taqi Bahar, Simin Behbahani, Ali Akbar Saidi Sirjani, Nader Naderpour, Fereydoun Moshiri, Ahmad Shamlou, Mehdi Akhavan Salis, Parviz natel Khanlari, Hadi Khorsandi, Nasim Shomal, Karo Derderian, Hila Sedighi, Mohammad Reza Aali-payam, Iraj Mirza, Basij Khalkhali.

From the author of How the Word is Passed: A Reckoning with the History of Slavery Across America * Winner, 2017 Black Caucus of the American Library Association Literary Award * Finalist, 2017 NAACP Image Awards * "One Book One New Orleans" 2017 Book Selection * Published in The New Yorker, The New York Times Magazine, Poetry Magazine, The Paris Review, New Republic, Boston Review, The Guardian, The Rumpus, and The Academy of American Poets "So many of these poems just blow me away. Incredibly beautiful and powerful." -- Michelle Alexander, Author of The New Jim Crow "Counting Descent is a tightly-woven collection of poems whose pages act like an invitation. The invitation is intimate and generous and also a challenge; are you up to asking what is blackness? What is black joy? How is black life loved and lived? To whom do we look to for answers? This invitation is not to a narrow street, or a shallow lake, but to a vast exploration of life. And you’re invited. -- Elizabeth Acevedo, Author of Beastgirl & Other Origin Myths "These poems shimmer with revelatory intensity, approaching us from all sides to immerse us in the America that America so often forgets." -- Gregory Pardlo "Counting Descent is more than brilliant. More than lyrical. More than bluesy. More than courageous. It is terrifying in its ability to at once not hide and show readers why it wants to hide so badly. These poems mend, meld and imagine with weighted details, pauses, idiosyncrasies and word patterns I've never seen before." -- Kiese Laymon, Author of Long Division Clint Smith's debut poetry collection, Counting Descent, is a coming of age story that seeks to complicate our conception of lineage and tradition. "Do you know what it means for your existence to be defined by someone else’s intentions?" Smith explores the cognitive dissonance that results from belonging to a community that unapologetically celebrates black humanity while living in a world that often renders blackness a caricature of fear. His poems move fluidly across personal and political histories, all the while reflecting on the social construction of our lived experiences. Smith brings the reader on a powerful journey forcing us to reflect on all that we learn growing up, and all that we seek to unlearn moving forward.

In Protest: 150 Poems for Human Rights is an anthology of new poetry exploring human rights and social justice themes. This collection, a collaboration between the Human Rights Consortium at the School of Advanced Study, University of London, and the Keats House Poets, brings together writing that is often very moving, frequenly touching, and occasionally humorous. The 150 poems included here come from over 16 countries, and provide a rare insight into experiences of oppression, discrimination, and dispossession - and yet they also offer strong messages of hope and solidarity. This anthology brings you contemporary works that are truly outstanding for both their human rights and poetic content. Arranged across thirteen themes - Expression, History, Land, Exile, War, Children, Sentenced, Slavery, Women, Regimes, Workers, Unequal, and Protest - you will fi nd within this collection a poem that inspires and engages you.

The Routledge Handbook of Translation and Activism provides an accessible, diverse and ground-breaking overview of literary, cultural, and political translation across a range of activist contexts. As the first extended collection to offer perspectives on translation and activism from a global perspective, this handbook includes case studies and histories of oppressed and marginalised people from over twenty different languages. The contributions will make visible the role of translation in promoting and enabling social change, in promoting equality, in fighting discrimination, in supporting human rights, and in challenging autocracy and injustice across the Middle East, Africa, Latin America, East Asia, the US and Europe. With a substantial introduction, thirty-one chapters, and an extensive bibliography, this Handbook is an indispensable resource for all activists, translators, students and researchers of translation and activism within translation and interpreting studies.

Anthology of poems by 26 Maine poets inspired by and responding to the Black Lives Matter protests and calls for social and racial justice. The third book in Littoral Books' Contemporary Maine Poetry Series.

A second edition of the classic introduction to arts in social movements, fully updated and now including Black Lives Matter, Occupy Wall Street, and new digital and social media forms of cultural resistance The Art of Protest, first published in 2006, was hailed as an “essential” introduction to progressive social movements in the United States and praised for its “fluid writing style” and “well-informed and insightful” contribution (Choice Magazine). Now thoroughly revised and updated, this new edition of T. V. Reed’s acclaimed work offers engaging accounts of ten key progressive movements in postwar America, from the African American struggle for civil rights beginning in the 1950s to Occupy Wall Street and Black Lives Matter in the twenty-first century. Reed focuses on the artistic activities of these movements as a lively way to frame progressive social change and its cultural legacies: civil rights freedom songs, the street drama of the Black Panthers, revolutionary murals of the Chicano movement, poetry in women’s movements, the American Indian Movement’s use of film and video, anti-apartheid rock music, ACT UP’s visual art, digital arts in #Occupy, Black Lives Matter rap videos, and more. Through the kaleidoscopic lens of artistic expression, Reed reveals how activism profoundly shapes popular cultural forms. For students and scholars of social change and those seeking to counter reactionary efforts to turn back the clock on social equality and justice, the new edition of The Art of Protest will be both informative and inspiring.

My Sweet Dream / My Living Nightmare: Adobe Walls

Antoine de Chandieu (1534-1591) was a key figure in the establishment and development of the French Protestant Church. Of all its indigenous leaders, he was perhaps closest to Calvin, and took a leading role in all the major debates about resistance, church order and doctrine of the Church. He was also a prodigious writer of political, religious and poetical works, whose output corresponds to a period of great turmoil in the progress of the French Church. Chandieu was uniquely placed not merely to engage and contribute to the great debates of the day, but also to record ongoing events. By illuminating his career, which meshed almost exactly with the French Wars of Religion, this book not only demonstrates the key role Chandieu's played in the development of French Protestantism, but also highlights the vital role of literature in shaping the religious experience of the wars. Offering the first systematic evaluation of Chandieu's vernacular works, this study questions many of the assumptions made about his motivations and aims, and how these developed over a thirty year period. His writings were contemporaneous with progress in the worlds of politics, theology and poetry, worlds in which he played a notable, if not well-documented, role. As a corpus, these works show the development of one man's understanding of his ideology over a lifetime actively spent in the pursuit of making that ideology a reality. Chandieu the young political hothead became Chandieu the defender of Calvinist theology, who in turn matured into Chandieu the elder statesman. The interest lies in where these changes occurred, how they were reflected in Chandieu's writing, and what they demonstrate about being Calvinist, and a representative of one's faith, in a time of disorder. As such, this book provides not only a reappraisal of the man and his publications, but presents an intriguing perspective on the development of French Protestantism during this turbulent time.