Winner of the IAJS Book Award 2023 for 'Best Edited Book' Winner of the 2023 Gradiva Award for 'Best Edited Book' This volume explores Jung’s theories in relation to the concept of Other and in conjunction with the lived experience of it, while examining current events and cultural phenomena through the lens of Jungian and post-Jungian psychology, sociology, literature, film and philosophy. The contributors examine global expressions of these various viewpoints, disciplines and life experiences and how cultural, political and sociological complexes evoke challenges as well as invitations to the idea of the Other from intersecting and convergent perspectives. The Spectre of the Other in Jungian Psychoanalysis is timely and important reading for Jungian and post-Jungian analysts, therapists, academics, students and creatives.

This new collection of essays by a range of Jungian analysts and scholars seeks to address the concept of individuation in contemporary times, and reflects on its meaning within the 21st century. The concept of individuation is at the core of Analytical Psychology, and can be considered the main legacy of C.G. Jung’s body of work. And yet, in the collective culture, Jung seems to be mostly associated with the concepts of archetypes, collective unconscious and psychological types. Opening with a compelling conversation on the topic with Professor Sonu Shamdasani, the authors within this volume will delve into the concept of individuation and explore it in conjunction with clinical processes, synchronicities, the geopolitics of psychology and decolonial reciprocity, traditional healers and the Grail Legend, homosexuality and identity politics, polyamory and co-individuation, and with temporality and mortality. Featuring a wide range of perspectives from an international cast of authors, this volume will be of great interest to Jungian analysts, students and scholars interested in depth psychology and Jungian theory and anyone wanting to learn more about individuation.

This exciting new book traces the development of an unfolding challenge for psychoanalytic attention, which augments contemporary theoretical lenses focusing on structures of meaning, with an accompanying registration different than and interacting with structural experience. This accompanying registration of experience is given the term ‘fluidity’ in order to characterize it as too fast moving and unformulated to be symbolized with linguistic categorization. Expanding attention from speech meaning to include embodied registrations of rhythm involving tonality, pauses and accents can catalyze additional and often emotionally more significant communications central to the state of the transactional field in any psychoanalytic moment. This perspective is contextualized within recognition of how cultural practices and beliefs are carried along both structural and fluid registrations of experience and can shape emotional turbulence for both interactants in a clinical encounter. Experiences of gender, culture, class and race emerging as sources of conflict and mis-recognition are engaged and illustrated throughout the text. This book, part of the popular "Psychoanalysis in a New Key" book series, will appeal to teaching and practicing psychoanalysts, but also an increasing volume of therapists attending to embodied experience in their practice and drawn to the practical clinical illustrations.

Bringing together essays by practitioners in the SAP today, this volume offers perspectives on topics such as gender, infancy, transference, popular culture, dreams and active imagination, spiritual issues and training.

Jung as a Writer traces a relationship between Jung and literature by analysing his texts using the methodology of literary theory. This investigation serves to illuminate the literary nature of Jung’s writing in order to shed new light on his psychology and its relationship with literature as a cultural practice. Jung employed literary devices throughout his writing, including direct and indirect argument, anecdote, fantasy, myth, epic, textual analysis and metaphor. Susan Rowland examines Jung’s use of literary techniques in several of his works, including Anima and Animus, On the Nature of the Psyche, Psychology and Alchemy and Synchronicity and describes Jung’s need for literature in order to capture in writing his ideas about the unconscious. Jung as a Writer succeeds in demonstrating Jung’s contribution to literary and cultural theory in autobiography, gender studies, postmodernism, feminism, deconstruction and hermeneutics and concludes by giving a new culturally-orientated Jungian criticism. The application of literary theory to Jung’s works provides a new perspective on Jungian Psychology that will be of interest to anyone involved in the study of Jung, Psychoanalysis, literary theory and cultural studies.

Two giants of twentieth-century psychology in dialogue C. G. Jung and Erich Neumann first met in 1933, at a seminar Jung was conducting in Berlin. Jung was fifty-seven years old and internationally acclaimed for his own brand of psychotherapy. Neumann, twenty-eight, had just finished his studies in medicine. The two men struck up a correspondence that would continue until Neumann's death in 1960. A lifelong Zionist, Neumann fled Nazi Germany with his family and settled in Palestine in 1934, where he would become the founding father of analytical psychology in the future state of Israel. Presented here in English for the first time are letters that provide a rare look at the development of Jung’s psychological theories from the 1930s onward as well as the emerging self-confidence of another towering twentieth-century intellectual who was often described as Jung’s most talented student. Neumann was one of the few correspondence partners of Jung’s who was able to challenge him intellectually and personally. These letters shed light on not only Jung’s political attitude toward Nazi Germany, his alleged anti-Semitism, and his psychological theory of fascism, but also his understanding of Jewish psychology and mysticism. They affirm Neumann’s importance as a leading psychologist of his time and paint a fascinating picture of the psychological impact of immigration on the German Jewish intellectuals who settled in Palestine and helped to create the state of Israel. Featuring Martin Liebscher’s authoritative introduction and annotations, this volume documents one of the most important intellectual relationships in the history of analytical psychology.

Since the split between Freud and Jung, psychoanalysis and analytical psychology have largely developed in an atmosphere of mutual disregard. Only in recent years have both discourses shown signs of an increasing willingness to engage. Re-Encountering Jung: Analytical Psychology and Contemporary Psychoanalysis is the first edited volume devoted to a reconciliation between these two fields. The contributors explore how Jungian thinking influences, challenges, and is challenged by recent developments in the psychoanalytic mainstream. In examining the nature of the split, figures from both sides of the conversation seek to establish lines of contrast and commonality so as to reflect an underlying belief in the value of reciprocal engagement. Each of the chapters in this collection engages the relationship between Jungian and psychoanalytic thinking with the intention of showing how both lines of discourse might have something to gain from attending more to the voice of the other. While several of the contributing authors offer new perceptions on historical concerns, the main thrust of the collection is in exploring contemporary debates. Re-Encountering Jung reflects a unique undertaking to address one of the longest-standing and most significant rifts in the history of depth psychology. It will be of great interest to all academics, students and clinicians working within the fields of psychoanalysis and analytical psychology.

Winner of the IAJS award for best edited book of 2018! The Routledge International Handbook of Jungian Film Studies weaves together the various strands of Jungian film theory, revealing a coherent theoretical position underpinning this exciting recent area of research, while also exploring and suggesting new directions for further study. The book maps the current state of debates within Jungian orientated film studies and sets them within a more expansive academic landscape. Taken as a whole, the collection shows how different Jungian approaches can inform and interact with a broad range of disciplines, including literature, digital media studies, clinical debates and concerns. The book also explores the life of film outside cinema - what is sometimes termed ‘post-cinema’ - offering a series of articles exploring Jungian approaches to cinema and social media, computer games, mobile screens, and on-line communities. The Routledge International Handbook of Jungian Film Studies represents an essential resource for students and researchers interested in Jungian approaches to film. It will also appeal to those interested in film theory more widely, and in the application of Jung’s ideas to contemporary and popular culture.

The Four Pillars of Jungian Psychoanalysis is a work that describes the methods that in combination sets this form of psychotherapy apart from all the others. The first chapter describes how the theory of individuation serves as an assessment tool for the analyst and guides the process toward the client’s further psychological development. The second chapter, on the analytic relationship, discusses the depth psychological understanding of the healing effect of the therapeutic encounter. Working with dreams and active imagination comprise the other two chapters. In both of these chapters, there is detailed discussions of how these methods are used in Jungian psychoanalysis and to what purpose. It is the combination of “the four pillars” that makes Jungian psychoanalysis unique.

In Sanity, Madness, Transformation, Ross Woodman offers an extended reflection on the relationship between sanity and madness in Romantic literature. Woodman is one of the field's most distinguished authorities on psychoanalysis and romanticism. Engaging with the works of Northrop Frye, Jacques Derrida, Sigmund Freud, and Carl Jung, he argues that madness is essential to the writings of William Blake, William Wordsworth, and Percy Shelley, and that it has been likewise fundamental to the emergence of the modern subject in psychoanalysis and literary theory. For Frye, madness threatens humanism, whereas for Derrida its relationship is more complex, and more productive. Both approaches are informed by Freudian and Jungian responses to the psyche, which, in turn, are drawn from an earlier Romantic ambivalence about madness. This work, which began as a collection of Woodman's essays assembled by colleague Joel Faflak, quickly evolved into a new book that approached Romanticism from an original psychoanalytic perspective by returning madness to its proper place in the creative psyche. Sanity, Madness, Transformation is a provocative hybrid of theory, literary criticism, and autobiography and is yet another decisive step in a distinguished academic career.