In the land of Eileanan, the Pact of Peace has not meant the end of unrest. Isault and Lachlan must continue to deal with their military position in Tirsoilleir—where a spy has compromised their tactical secrets, leaving them at a tremendous loss. Isabeau the witch longs to rejoin her sister and her home in these uncertain times, but she must first complete one last task for her teachers. To find her true purpose in life, she must reach the Skull of the World and listen to the silent words of the White Gods. Few survive. But those who do are changed forever. Now, when she does return home, she does so with an extraordinary gift. But when Margrit of Arran decides to take advantage of Lachlan’s absence by kidnapping his son and heir to the throne, Isabeau must learn to use her gifts in the face of evil—and overcome her enemy once and for all.

Academy Award-winning director Peter Jackson brings his sweeping cinematic vision to the iconic story of the gigantic ape-monster. Lavishly illustrated, this book reproduces the amazing artwork, design sketches, and digital models that helped bring Kong to life.

Beethoven’s Skull is an unusual and often humorous survey of the many strange happenings in the history of Western classical music. Proving that good music and shocking tabloid-style stories make excellent bedfellows, it presents tales of revenge, murder, curious accidents, and strange fates that span more than two thousand years. Highlights include: A cursed song that kills those who hear it A composer who lovingly cradles the head of Beethoven’s corpse when his remains are exhumed half a century after his death A fifteenth-century German poet who sings of the real-life Dracula A dream of the devil that inspires a virtuoso violin piece Unlike many music books that begin their histories with the seventeenth or eighteenth centuries, Beethoven’s Skull takes the reader back to the world of ancient Greece and Rome, progressing through the Middle Ages and all the way into the twentieth century. It also looks at myths and legends, superstitions, and musical mysteries, detailing the ways that musicians and their peers have been rather horrible to one another over the centuries.

Hugo Award–winning author Elizabeth Bear returns to her critically acclaimed epic fantasy world of the Eternal Sky with a brand new trilogy. Best SFF Books 2017—The Guardian Kirkus Best Science Fiction and Fantasy of 2017 The Verge Recommended Fantasy for 2017 Locus 2017 Recommended Reading List The Stone in the Skull, the first volume in her new trilogy, takes readers over the dangerous mountain passes of the Steles of the Sky and south into the Lotus Kingdoms. The Gage is a brass automaton created by a wizard of Messaline around the core of a human being. His wizard is long dead, and he works as a mercenary. He is carrying a message from the most powerful sorcerer of Messaline to the Rajni of the Lotus Kingdom. With him is The Dead Man, a bitter survivor of the body guard of the deposed Uthman Caliphate, protecting the message and the Gage. They are friends, of a peculiar sort. They are walking into a dynastic war between the rulers of the shattered bits of a once great Empire. The Lotus Kingdoms #1 The Stone in the Skull #2 The Red-Stained Wings The Eternal Sky Trilogy #1 Range of Ghosts #2 Shattered Pillars #3 Steles of the Sky At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

Artist Scalin decided to make a skull image every day for a year, each made from odd sometimes humorous materials. Each of the 150 skulls shown is accompanied by a brief description and fun anecdotal stories. As a bonus, there are four skull projects to make.

When an American film crew arrives on his island, Kong takes a liking to actress Ann Darrow. Follow this gigantic gorilla as he kidnaps Ann and fends off the other strange beasts to keep her safe. Full color.

A Smithsonian Book of the Year A Nature Book of the Year “Provides much-needed foundation of the relationship between museums and Native Americans.” —Smithsonian In 1864 a US Army doctor dug up the remains of a Dakota man who had been killed in Minnesota and sent the skeleton to a museum in Washington that was collecting human remains for research. In the “bone rooms” of the Smithsonian, a scientific revolution was unfolding that would change our understanding of the human body, race, and prehistory. Seeking evidence to support new theories of racial classification, collectors embarked on a global competition to recover the best specimens of skeletons, mummies, and fossils. As the study of these discoveries discredited racial theory, new ideas emerging in the budding field of anthropology displaced race as the main motive for building bone rooms. Today, as a new generation seeks to learn about the indigenous past, momentum is building to return objects of spiritual significance to native peoples. “A beautifully written, meticulously documented analysis of [this] little-known history.” —Brian Fagan, Current World Archeology “How did our museums become great storehouses of human remains? Bone Rooms chases answers...through shifting ideas about race, anatomy, anthropology, and archaeology and helps explain recent ethical standards for the collection and display of human dead.” —Ann Fabian, author of The Skull Collectors “Details the nascent views of racial science that evolved in U.S. natural history, anthropological, and medical museums...Redman effectively portrays the remarkable personalities behind [these debates]...pitting the prickly Aleš Hrdlička at the Smithsonian...against ally-turned-rival Franz Boas at the American Museum of Natural History.” —David Hurst Thomas, Nature

When Philadelphia naturalist Samuel George Morton died in 1851, no one cut off his head, boiled away its flesh, and added his grinning skull to a collection of crania. It would have been strange, but perhaps fitting, had Morton’s skull wound up in a collector’s cabinet, for Morton himself had collected hundreds of skulls over the course of a long career. Friends, diplomats, doctors, soldiers, and fellow naturalists sent him skulls they gathered from battlefields and burial grounds across America and around the world. With The Skull Collectors, eminent historian Ann Fabian resurrects that popular and scientific movement, telling the strange—and at times gruesome—story of Morton, his contemporaries, and their search for a scientific foundation for racial difference. From cranial measurements and museum shelves to heads on stakes, bloody battlefields, and the “rascally pleasure” of grave robbing, Fabian paints a lively picture of scientific inquiry in service of an agenda of racial superiority, and of a society coming to grips with both the deadly implications of manifest destiny and the mass slaughter of the Civil War. Even as she vividly recreates the past, Fabian also deftly traces the continuing implications of this history, from lingering traces of scientific racism to debates over the return of the remains of Native Americans that are held by museums to this day. Full of anecdotes, oddities, and insights, The Skull Collectors takes readers on a darkly fascinating trip down a little-visited but surprisingly important byway of American history.

Mr. Elives’s magic shop is back, and this time it is on the other side of Tucker’s Swamp. And Tucker’s Swamp is where Charlie Eggleston heads to escape a beating-for lying. Charlie can’t seem to keep from lying, though sometimes his lies are for a good cause. When Charlie stumbles into Mr. Elives’s magic shop, his eyes light upon The Skull. Charlie steals The Skull and it puts him under some sort of spell-he can only tell the truth. Trouble is, now no one believes him. . . .

When a mysterious envelope arrives for Jake Ransom, he and his older sister, Kady, are plunged into a gripping chain of events. An artifact found by their parents—on the expedition from which they never returned—leads Jake and Kady to a strange world inhabited by a peculiar mix of long-lost civilizations, a world that may hold the key to their parents' disappearance. But even as they enter the gate to this extraordinary place, savage grackyls soar across the sky, diving to attack. Jake's new friends, the pretty Mayan girl Marika and the Roman Pindor, say the grackyls were created by an evil alchemist—the Skull King. And as Jake struggles to find a way home, it becomes obvious that what the Skull King wants most is Jake and Kady—dead or alive.