Beethoven’s Skull is an unusual and often humorous survey of the many strange happenings in the history of Western classical music. Proving that good music and shocking tabloid-style stories make excellent bedfellows, it presents tales of revenge, murder, curious accidents, and strange fates that span more than two thousand years. Highlights include: A cursed song that kills those who hear it A composer who lovingly cradles the head of Beethoven’s corpse when his remains are exhumed half a century after his death A fifteenth-century German poet who sings of the real-life Dracula A dream of the devil that inspires a virtuoso violin piece Unlike many music books that begin their histories with the seventeenth or eighteenth centuries, Beethoven’s Skull takes the reader back to the world of ancient Greece and Rome, progressing through the Middle Ages and all the way into the twentieth century. It also looks at myths and legends, superstitions, and musical mysteries, detailing the ways that musicians and their peers have been rather horrible to one another over the centuries.

Introduces the life of the Austrian composer, along with the story of a lock of his hair cut by a barber after his death, which was kept by various owners and the analysis of which revealed the high level of lead present in the composer's body.

Symbolic Landscapes presents a definitive collection of landscape/place studies that explores symbolic, cultural levels of geographical meanings. Essays written by philosophers, geographers, architects, social scientists, art historians, and literati, bring specific modes of expertise and perspectives to this transdisciplinary and interdisciplinary study of the symbolic level human existential spatiality. Placing emphasis on the pre-cognitive genesis of symbolic meaning, as well as embodied, experiential (lived) geography, the volume offers a fresh, quasi-phenomenological approach. The editors articulate the epistemological doctrine that perception and imagination form a continuum in which both are always implicated as complements. This approach makes a case for the interrelation of the geography of perception and the geography of imagination, which means that human/cultural geography offers only an abstraction if indeed an aesthetic geography is constituted merely as a sub-field. Human/cultural geography can only approach spatial reality through recognizing the intimate interrelative dialectic between the imaginative and perceptual meanings of our landscapes/place-worlds. This volume reinvigorates the importance of the topic of symbolism in human/cultural geography, landscape studies, philosophy of place, architecture and planning, and will stand among the classics in the field.

For some of the most influential figures in history, death marked the start of a new adventure. The famous deceased have been stolen, burned, sold, pickled, frozen, stuffed, impersonated, and even filed away in a lawyer's office. Their fingers, teeth, toes, arms, legs, skulls, hearts, lungs, and nether regions have embarked on voyages that crisscross the globe and stretch the imagination.

This award-winning book for reluctant readers is a fascinating collection of remarkable deaths--and not for the faint of heart. Over the course of history, men and women have lived and died. In fact, getting sick and dying can be a big, ugly mess--especially before the modern medical care that we all enjoy today. From King Tut's ancient autopsy to Albert Einstein's great brain escape, How They Croaked contains all the gory details of the awful ends of nineteen awfully famous people. Don't miss the companion, How They Choked!

Franz Joseph Gall, a dedicated physician and scientist, is unfortunately most remembered for his controversial doctrine that would become known as phrenology. Although often portrayed as a discredited buffoon who believed he could assess a person's strengths and weaknesses by measuring cranial bumps, Gall strove to answer pressing questions about the mind, brain, and behavior. His career began in Vienna during the 1790s and ended with his death in Paris in 1828. This work presents a fresh look at Gall, both his life and seminal ideas, some of which--for example, cortical localization of function--would become tenets of modern behavioral neuroscience.

Ashes to ashes, dust to dust. By what miracle can an assortment of seemingly unrelated particles come together and correctly assemble to form a human being? Amazingly, once aggregated, these atoms, molecules, and compounds manage to interact reasonably coherently during our lives but seek to return to their dusty state when death occurs. Of the billions of our species who have existed on earth over the millennia, most have quietly and inexorably returned to ashes and dust when their term of life expired. This book tracks some of the misadventures of selected corpses, including burials that went awry to body snatching, exhumations, human-relic collection, and assorted desecrations. Over the years, it seems that a remarkable number of bodies have failed to enjoy the admonition to “Rest in Peace.” Whether these aberrations in the burial process have disturbed the afterlife of the departed, everyone is dying to discover the answer.

For several decades, Scott Burnham has sought to bring a ready ear and plenty of humanistic warmth to musicological inquiry. Sounding Values features eighteen of his essays on mainstream Western music, music theory, aesthetics and criticism. In these writings, Burnham listens for the values-aesthetic, ethical, intellectual-of those who have created influential discourse about music, while also listening for the values of the music for which that discourse has been generated. The first half of the volume confronts pressing issues of historical theory and aesthetics, including intellectual models of tonal theory, leading concepts of sonata form, translations of music into poetic meaning, and recent rifts and rapprochements between criticism and analysis. The essays in the second half can be read as a series of critical appreciations, engaging some of the most consequential reception tropes of the past two centuries: Haydn and humor, Mozart and beauty, Beethoven and the sublime, Schubert and memory.