A “marvelously macabre” (Kirkus Reviews) history of the bizarre afterlives of corpses of the celebrated and notorious dead. For some of the most influential figures in history, death marked the start of a new adventure. The famous deceased have been stolen, burned, sold, pickled, frozen, stuffed, impersonated, and even filed away in a lawyer’s office. Their fingers, teeth, toes, arms, legs, skulls, hearts, lungs, and nether regions have embarked on voyages that crisscross the globe and stretch the imagination. Counterfeiters tried to steal Lincoln’s corpse. Einstein’s brain went on a cross-country road trip. And after Lord Horatio Nelson perished at Trafalgar, his sailors submerged him in brandy—which they drank. From Alexander the Great to Elvis Presley, and from Beethoven to Dorothy Parker, Rest in Pieces connects the lives of the famous dead to the hilarious and horrifying adventures of their corpses, and traces the evolution of cultural attitudes toward death.

Recommendations. -- Methods. -- Background: attitudes towards policing. History of policing in pre-colonial and colonial Nigeria -- Structure and organization of the Nigerian police force. -- Deaths in police custody. -- Torture and cruel, inhuman or degrading treatment or punishment. Types of torture or cruel, inhuman, and degrading treatment -- Who is targeted: Arrest of friends or relatives of a suspect. Torture and ill-treatment of members of self-determination groups. -- The purpose -- The perpetrators --The location -- The right to freedom from torture. -- Rape by the police. -- Abusive conditions of detention and denial of medical treatment. -- Lack of due process of law. Acceptance of forced confessions -- Failure to be informed of grounds for arrest -- Absence of legal representation -- Prolonged pre-trial detention. -- Obstacles to redress. Criminal investigations and prosecutions -- Police Complaints Burea -- The 'Orderly Room Trial' -- The Police Service Commission -- National Human Rights Commission -- Inquests and autopsies -- Societal attitudes to torture and police abuses. -- Police Reform. Review of the Police Act -- Donor governments' support for police reform. -- Conclusion. -- Acknowledgements.

Mrs. Murphy thinks the new man in town is the cat's meow.... Maybe she should think again. Small towns don't take kindly to strangers--unless the stranger happens to be a drop-dead gorgeous and seemingly unattached male. When Blair Bainbridge comes to Crozet, Virginia, the local matchmakers lose no time in declaring him perfect for their newly divorced postmistress, Marry Minor "Harry Haristeen." Even Harry's tiger cat, Ms. Murphy, and her Welsh Corgi, Tee Tucker, believe he smells A-okay. Could his one little imperfection be that he's a killer? Blair becomes the most likely suspect when the pieces of a dismembered corpse begin tuming up around Crozet. No one knows who the dead man is, but when a grisly clue makes a spectacular appearance in the middle of the fall festivities, more than an early winter snow begins chilling the blood of Crozet's very best people. That's when Ms. Murphy, her friend Tucker, and her human companion Harry begin to sort throughout the clues . . . only to find themselves a whisker away from becoming the killer's next victims.

In this book the process of death, dying and bereavement is discussed in full. Topics related to death (such as suicide, accidents, natural death, the undead, different funeral formats and the aftermath) is also explored in designated chapters. What sets this book apart from others on the topic, is the inclusion of MINISTRY TO THE UNDEAD.

Winner of the 2007 National Book Critics Circle Award for Criticism A New York Times Book Review Top Ten Book of the Year Time magazine Top Ten Nonfiction Book of 2007 Newsweek Favorite Books of 2007 A Washington Post Book World Best Book of 2007 In this sweeping and dramatic narrative, Alex Ross, music critic for The New Yorker, weaves together the histories of the twentieth century and its music, from Vienna before the First World War to Paris in the twenties; from Hitler's Germany and Stalin's Russia to downtown New York in the sixties and seventies up to the present. Taking readers into the labyrinth of modern style, Ross draws revelatory connections between the century's most influential composers and the wider culture. The Rest Is Noise is an astonishing history of the twentieth century as told through its music.

When Beatrice takes on a new case, she must solve it before anyone else rests in pieces. ​ It’s a beautiful evening for a wedding and Beatrice couldn’t be prouder as the mother of the bride. It’s a happy occasion and a beautiful ceremony—aside from the appearance of the odd and uninvited Ophelia. Ophelia argues with another guest, who is later discovered dead. Beatrice must piece together the truth before the killer strikes again.

In 1997, Binjamin Wilkomirski arrived in New York to read from his prize-winning book Fragments: Memories of a Wartime Childhood, his memoir of an early childhood lost to the concentration camps at Majdanek and Auschwitz, and to raise money for the Holocaust Museum in Washington D.C. This orphaned survivor also came as the guest of honor to the family reunion of the Wilburs (once Wilkomirskis). The Wilburs hoped to trace the unrecorded link between the Wilkomirskis of Riga in Latvia and the name that Binjamin remembered. The Wilburs and the media embraced Binjamin as a humanitarian whose eloquent story typified that of many child survivors. One year later, however, Binjamin was publicly accused of being a gentile imposter: on August 27, 1998, a German novelist named Daniel Ganzfried announced to the world that he had uncovered documentary evidence proving that Fragments was an elaborate fiction. Yet Binjamin still insisted his wartime memories carried more weight than the documents against him, proclaiming, "Nobody has to believe me." Those who continued to believe Binjamin included child survivors, psychotherapists, and his publishers. Who was Binjamin Wilkomirski? Why would someone want to be him? And why would so many of us want to believe him? Wilbur family member Blake Eskin recounts the dispute over Binjamin's authenticity through reportage, interviews with Binjamin's acquaintances, and a visit to Riga in search of actual Wilkomirski relatives. In his absorbing narrative Eskin records the reactions of the media, the child-survivor community, and the Wilburs themselves to reveal larger disagreements over the reliability of memory, the value of testimony, and the individual's relationship to history. Part biography, part mystery, and part memoir, Eskin's A Life in Pieces is an important and lasting contribution to the literature of the Holocaust.

One of America's most popular music artists bares her heart and soul in her first autobiographical work. With honesty and depth, Grant offers poignant and often startling insights on motherhood, marriage, forgiveness, and faith--revealing a life blessed with jagged edges as well as vivid colors.