Contains English translations of Chinese writings drawn from throughout a period of four hundred years, including poems, drama, fiction, songs, biographies, and early works of philosophy and history; arranged chronologically and by genre, with introductory quotes and comments.

The MissionaryÕs Curse tells the story of a Chinese village that has been Catholic since the seventeenth century, drawing direct connections between its history, the globalizing church, and the nation. Harrison recounts the popular folk tales of merchants and peasants who once adopted Catholic rituals and teachings for their own purposes, only to find themselves in conflict with the orthodoxy of Franciscan missionaries arriving from Italy. The villageÕs long religious history, combined with the similarities between Chinese folk religion and Italian Catholicism, forces us to rethink the extreme violence committed in the area during the Boxer Uprising. The author also follows nineteenth century Chinese priests who campaigned against missionary control, up through the founding of the official church by the Communist Party in the 1950s. HarrisonÕs in-depth study provides a rare insight into villager experiences during the Socialist Education Movement and Cultural Revolution, as well as the growth of Christianity in China in recent years. She makes the compelling argument that Catholic practice in the village, rather than adopting Chinese forms in a gradual process of acculturation, has in fact become increasingly similar to those of Catholics in other parts of the world.

The book highlights the categories of Chinese literary theories in the Middle Ancient period, such as the mind and feeling theories, literary endowment, literary style, literary change, and trueness to the spirit, shedding new light on the ancient Chinese literature research.

Adopting new theoretical perspectives and using updated research, this book by a leading Chinese scholar seeks to provide a coherent, panoramic description of the development of premodern Chinese literature and its major characteristics.

A history of Chinese literature from its early beginnings through the end of the Qing dynasty, this recent work from Professor Luo Yuming of China’s Fudan University seeks to provide, by adopting new theoretical perspectives and using updated research, a coherent, panoramic description of the development of Chinese literature and its major characteristics. As one of the very few English translations of such works by Chinese authors it seeks to inform the Western audience of the recent viewpoints and scholarship on the topic from a leading Chinese scholar. It may also provide some grounds of comparison and contrast with equivalent works in the West.

Literary Representations of Christianity in Late Qing and Republican China contributes to the “literary turn” in the study of Chinese Christianity by foregrounding the importance of literary texts, including the major genres of Chinese Christian literature (novels, drama and poetry) of the late Qing and Republican periods. These multifarious types of texts demonstrated the multiple representations and dynamic scenes of Christianity, where Christian imageries and symbolism were transformed by linguistic manipulation into new contextualized forms which nurtured distinctive new fruits of literature and modernized the literary landscape of Chinese literature. The study of the composition and poetics of Chinese Christian literary works helps us rediscover the concerns, priorities, textual strategies of the Christian writers, the cross-cultural challenges involved, and the reception of the Bible.

A global history of the climate catastrophe caused by the Tambora eruption When Indonesia's Mount Tambora erupted in 1815, it unleashed the most destructive wave of extreme weather the world has witnessed in thousands of years. The volcano’s massive sulfate dust cloud enveloped the Earth, cooling temperatures and disrupting major weather systems for more than three years. Communities worldwide endured famine, disease, and civil unrest on a catastrophic scale. Here, Gillen D’Arcy Wood traces Tambora’s global and historical reach: how the volcano’s three-year climate change regime initiated the first worldwide cholera pandemic, expanded opium markets in China, and plunged the United States into its first economic depression. Bringing the history of this planetary emergency to life, Tambora sheds light on the fragile interdependence of climate and human societies to offer a cautionary tale about the potential tragic impacts of drastic climate change in our own century.

Brings together fiction, poetry, drama, folk stories, elegies, letters, travelogues, criticism and theory. It emphasizes the distinctive features of Chinese literature through the ages by means of its topical arrangement.

Among the assumptions interrogated in this volume, edited by Anthony E. Clark, is if Christianity should most accurately be identified as “Chinese” when it displays vestiges of Chinese cultural aesthetics, or whether Chinese Christianity is more indigenous when it is allowed to form its own theological framework. In other words, can theological uniqueness also function as a legitimate Chinese Christian cultural expression in the formation of its own ecclesial identity? Also central to what is explored in this book is how missionary influences, consciously or unconsciously, introduced seeds of independence into the cultural ethos of China’s Christian community. Chinese girls who pushed “the limits of proper behaviour,” for example, added to the larger sense of confidence as China’s Christians began to resist the model of Christianity they had inherited from foreign missionaries. Contributors are: Robert E. Carbonneau, CP, Christie Chui-Shan Chow, Amanda C. R. Clark, Lydia Gerber, Joseph W. Ho, Joseph Tse-hei Lee, Audrey Seah, Jean-Paul Wiest, and Xiaoxin Wu.