"A hypnotic meditation on memory . . . reaffirms the potential for storytelling to offer clarity and redemption." —New York Times Book Review In this riveting debut, a daughter attempts to discover the truth about the life of her father, a dying Vietnam veteran haunted by his wartime experiences. Powerful and assured, The Sentimentalists is a story of what lies beneath the surface of everyday life.

In this Giller Prize-winning novel, a daughter tries to uncover the truth about her dying father, a veteran haunted by his past--but she also discovers truths about herself along the way. Haunted by the horrific events he witnessed during the Vietnam War, Napoleon Haskell is exhausted from years spent battling his memories. As his health ultimately declines, his two daughters move him from his trailer in North Dakota to Casablanca, Ontario, to live with the father of a friend who was killed in action. It is to Casablanca, on the shores of a man-made lake beneath which lie the remains of the former town, that Napoleon's youngest daughter also retreats when her own life comes unhinged. Living with the two old men, she finds her father in the twilight of his life and rapidly slipping into senility. With love and insatiable curiosity, she devotes herself to learning the truth about him; and through the fog, Napoleon's past begins to emerge just as his daughter's present comes sharply into focus.

The complete short fiction of Morley Callaghan appears as he comes into full recognition as one of the singular storytellers of our time. In four volumes, several stories are collected for the first time, two of which--"An Autumn Penitent” and "In His Own Country”--have been out of print for decades.

The Enlightenment of Sympathy reclaims the sentimentalist theory of reflective autonomy as a resource for enriching social science, normative theory, and political practice today. The sentimentalist description of the reflective process is more empirically accurate than the competing rationalist description, and can guide scientists investigating the processes by which the mind formulates moral and political principles. Yet the theory is much more than merely descriptive, and can also contribute to the philosophical project of finding principles--including principles of justice--that wield genuine normative authority. Enlightenment sentimentalism demonstrates that emotion is necessarily central to our civic life, and shows how our reflective sentiments can counterbalance the unreflective feelings that might otherwise lead our political principles astray.

In recent years there has been a tremendous resurgence of interest in ethical sentimentalism, a moral theory first articulated during the Scottish Enlightenment. Ethical Sentimentalism promises a conception of morality that is grounded in a realistic account of human psychology, which, correspondingly, acknowledges the central place of emotion in our moral lives. However, this promise has encountered its share of philosophical difficulties. Chief among them is the question of how to square the limited scope of human motivation and psychological mechanism - so easily influenced by personal, social, and cultural circumstance - with the seeming universal scope and objective nature of moral judgment. The essays in this volume provide a comprehensive evaluation of the sentimentalist project with a particular eye to this difficulty. Each essay offers critical clarification, innovative answers to central challenges, and new directions for ethical sentimentalism in general.

Sentimentalism emerged in eighteenth-century Europe as a moral philosophy founded on the belief that individuals are able to form relationships and communities because they can, by an effort of the imagination, understand one another’s feelings. American authors of both sexes who accepted these views cultivated readers’ sympathy with others in order to promote self-improvement, motivate action to relieve suffering, reinforce social unity, and build national identity. Entwined with domesticity and imperialism and finding expression in literature and in public and private rituals, sentimentalism became America’s dominant ideology by the early nineteenth century. Sentimental writings and practices had political uses, some reformist and some repressive. They played major roles in the formation of bourgeois consciousness. The first new collection of scholarly essays on American sentimentalism since 1999, this volume brings together ten recent studies, eight published here for the first time. The Introduction assesses the current state of sentimentalism studies; the Afterword reflects on sentimentalism as a liberal discourse central to contemporary political thought as well as literary studies. Other contributors, exploring topics characteristic of the field today, examine nineteenth-century authors’ treatments of education, grief, social inequalities, intimate relationships, and community. This volume has several distinctive features. It illustrates sentimentalism’s appropriation of an array of literary forms (advice literature, personal narrative, and essays on education and urban poverty as well as poetry and the novel) objects (memorial volumes), and cultural practices (communal singing, benevolence). It includes four essays on poetry, less frequently studied than fiction. It identifies internal contradictions that eventually fractured sentimentalism’s viability as a belief system—yet suggests that the protean sentimental mode accommodated itself to revisionary and ironized literary uses, thus persisting long after twentieth-century critics pronounced it a casualty of the Civil War. This collection also offers fresh perspectives on three esteemed authors not usually classified as sentimentalists—Sarah Piatt, Walt Whitman, and Henry James—thus demonstrating that sentimental topics and techniques informed “realism” and “modernism” as they emerged Offering close readings of nineteenth-century American texts and practices, this book demonstrates both the limits of sentimentalism and its wide and lasting influence.

There has recently been a good deal of interest in moral sentimentalism, but most of that interest has been exclusively either in metaethical questions about the meaning of moral terms or in normative issues about benevolence and/or caring and their place in morality. In Moral Sentimentalism Michael Slote attempts to deal with both sorts of issues and to do so, primarily, in terms of the notion or phenomenon of empathy. Hume sought to do something like this over two centuries ago, though he didn't have the term "empathy" and used "sympathy" instead; and in effect Slote is seeking to give moral sentimentalism a "second wind" in and for contemporary circumstances. By relying systematically on empathy in its account of normative morality and in what it has to say about the meaning of moral vocabulary, Moral Sentimentalism offers a unified overall ethical picture that can then be tested against ethical rationalism. Rationalism has recently dominated the scene in ethics, but by showing how sentimentalism can make coherent and intuitive sense of such preferred rationalist notions as autonomy, respect, and justice--and by showing how a sentimentalism based in empathy can deal with ethically significant aspects of the moral life that rationalism tends to ignore or skimp on--Slote hopes a wider and more active debate between rationalism and sentimentalism can be set in motion. There are signs that sentimentalist modes of thought are gaining new footholds on the way ethics is done, and this new book is very hopeful about these possibilities.