The Enlightenment of Sympathy reclaims the sentimentalist theory of reflective autonomy as a resource for enriching social science, normative theory, and political practice today. The sentimentalist description of the reflective process is more empirically accurate than the competing rationalist description, and can guide scientists investigating the processes by which the mind formulates moral and political principles. Yet the theory is much more than merely descriptive, and can also contribute to the philosophical project of finding principles--including principles of justice--that wield genuine normative authority. Enlightenment sentimentalism demonstrates that emotion is necessarily central to our civic life, and shows how our reflective sentiments can counterbalance the unreflective feelings that might otherwise lead our political principles astray.

Rationalists, the most famous of whom was Kant, posited a mind that was hierarchically arranged, with reason sitting atop of the passions. Yet as Michael Frazer argues, there were in fact two enlightenments - the sentimentalist enlightenment and the rationalist one - and this book reclaims the importance of the former.--Résumé de l'éditeur.

Rationalists, the most famous of whom was Kant, posited a mind that was hierarchically arranged, with reason sitting atop of the passions. Yet as Michael Frazer argues, there were in fact two enlightenments - the sentimentalist enlightenment and the rationalist one - and this book reclaims the importance of the former

This work represents a concise history of sympathy in the eighteenth and early nineteenth centuries, considering the phenomenon of shared feeling from five related angles: charity, the market, global exploration, theatre, and torture.

What makes it possible for self-interest, cruelty and violence to become part of the benevolent, compassionate ideology of eighteenth-century sensibility? This book explores forms of emotional response, including sympathy, tears, swoons and melancholia through a range of eighteenth-century literary, philosophical and scientific texts.

This book is based on an in-depth filmed conversation between Howard Burton and Michael Frazer, Senior Lecturer in Political and Social Theory at the University of East Anglia. After a detailed discussion of Prof. Frazer’s upbringing and intellectual journey, the conversation explores the core ideas behind the sentimentalist theory as outlined in Prof. Frazer’s book called The Enlightenment of Sympathy. This carefully-edited book includes an introduction, More Than Reasonable, and questions for discussion at the end of each chapter: I. New York Origins - A very Woody Allen beginning II. Sympathy - And how to use it III. Different Tracks - Hume, Smith and Herder IV. Disciplinary Boundaries - Political philosophy as Kurdistan V. Bringing It Home - Moral sentiments in the real world About Ideas Roadshow Conversations: This book is part of an expanding series of 100+ Ideas Roadshow conversations, each one presenting a wealth of candid insights from a leading expert through a focused yet informal setting to give non-specialists a uniquely accessible window into frontline research and scholarship that wouldn't otherwise be encountered through standard lectures and textbooks.

How is it that we feel with fictional characters and so approve or disapprove of their actions? For many British Enlightenment thinkers writing at a time when sympathy was the pivot of ethics as well as poetics, this question was crucial. Asserting that the notion of the sympathetic imagination prominent in Romantic criticism and poetry originates in Moral Sentimentalism, this study traces the emergence of what became a key concept of intersubjectivity. It shows how, contrary to earlier traditions, Francis Hutcheson and his disciples successively established the imagination rather than reason as the pivotal faculty through which sympathy is rendered morally effective. Writing at the interface of ethics and poetics, Adam Smith, Lord Kames and others explored the sympathetic imagination as a means of both explaining emotional reader response and discovering moral distinctions. As a result, the sentimental novel became the sight of ethical controversy. Arguing against the dominant view of research which claims that the novel of sensibility is mostly uncritically sentimental, the book demonstrates that it is precisely in this genre that the sympathetic imagination is sceptically assessed in terms of its literary and moral potential.

How is it that we feel with fictional characters and so approve or disapprove of their actions? For many British Enlightenment thinkers writing at a time when sympathy was the pivot of ethics as well as poetics, this question was crucial. Asserting that the notion of the sympathetic imagination prominent in Romantic criticism and poetry originates in Moral Sentimentalism, this study traces the emergence of what became a key concept of intersubjectivity. It shows how, contrary to earlier traditions, Francis Hutcheson and his disciples successively established the imagination rather than reason as the pivotal faculty through which sympathy is rendered morally effective. Writing at the interface of ethics and poetics, Adam Smith, Lord Kames and others explored the sympathetic imagination as a means of both explaining emotional reader response and discovering moral distinctions. As a result, the sentimental novel became the sight of ethical controversy. Arguing against the dominant view of research which claims that the novel of sensibility is mostly uncritically sentimental, the book demonstrates that it is precisely in this genre that the sympathetic imagination is sceptically assessed in terms of its literary and moral potential.

Today, when "globalization" is a buzzword invoked in nearly every realm, we turn back to the eighteenth century and witness the inherent globalization of its desires and, at times, its accomplishments. During the chronological eighteenth century, learning and knowledge were intimately connected across disciplinary and geographical boundaries, yet the connections themselves are largely unstudied. In The Eighteenth Centuries, twenty-two scholars across disciplines address the idea of plural Enlightenments and a global eighteenth century, transcending the demarcations that long limited our grasp of the period’s breadth and depth. Engaging concepts that span divisions of chronology and continent, these essays address topics ranging from mechanist biology, painted geographies, and revolutionary opera to Americanization, theatrical subversion of marriage, and plantation architecture. Weaving together many disparate threads of the historical tapestry we call the Enlightenment, this volume illuminates our understanding of the interconnectedness of the eighteenth centuries.