A richly imagined fantasy set in Nova Scotia where a young girl—part selkie, part human—must save her family. I am human upon dry land. I swim as selkie on the sea. Brigit knows all the old songs and legends by heart: of Neve, the daughter of the sea god; of the warrior Finn MacCool; and of people who are not quite human. But Brigit knows the truth. It’s evident in the webbing between her fingers–webbing that must be cut. She’s the daughter of a selkie. A truth she must keep secret from everyone. But someone in her village is killing young seals. Angering the king of the selkie clan, who vows revenge. A curse that will bring storm, sickness, and death. To protect those she loves, Brigit must find a way to Sule Skerrie, the land of selkies, to confront the Great Selkie and protect the young seals from harm. Like sitting by a warm fireplace, The Selkie’s Daughter is an imaginative fantasy, steeped in Celtic mythology and rich with detail. Perfect for fans of mermaids and Studio Ghibli-esque stories. A Junior Library Guild Gold Standard Selection

The Edinburgh Festival brings together artists from all over the world, and Cowrie is among them, telling stories and giving readings. But even Cowrie can't anticipate the chemistry that will begin when a group of traditional storytellers sets off to the Orkney Islands with Ellen, to stay at her coastal family cottages. For Ellen turns out to be Morrigan, and Morrigan is a selkie, living in the sea and on land. As an ancient mystery unravels, Cowrie and Sasha must turn detective to discover the truth behind Morrigan and the song of the selkies.

Antique shop owner Jade Mackenzie went from mourning her mother's death to a whirlwind of mysteries, breakneck chases, and a cult of madmen trying to kill her…all while a gorgeous fireman made himself her personal bodyguard. Life got a whole lot more interesting when Aidan MacFie turned out to be a Selkie, hybrid human and ancient shapeshifting seal. Forged in life and death circumstances, their newfound love has weathered the first storm, but an even greater danger lurks on the horizon… Through his great-grandmother's diaries, Aidan learned of the Hunters' intent to destroy their people, believing Selkie were unholy, their hybrid offspring unnatural and evil. Just before Aidan and Jade escaped the cult leader after them, he spoke of a reaping in which the Hunters would at last wipe out the Selkies during their Great Birth, a 16-year event of multiple seal shapeshifter births that would take place in Scotland soon. Putting their budding romance on hold is agony, yet Aidan and Jade head to MacFie Castle in Tobermory, where his uncle lives, to follow the Hunters' trail. Only by untangling the threads of Celtic folklore, aquatic shapeshifters, and the shocking overlap of their own families' histories can they hope to save the Selkie Folk. But will they be too late to avoid the mass extinction of Aidan's people by fanatics who will stop at nothing to purge the world of what they consider a threat to all humanity? With peril around every corner, what hope do they have of sharing a happily ever after?

'Maria Lewis is a must-read' BUZZFEED 'Weaves magic into each page' THE NERD DAILY 'Author Maria Lewis has created her own pop culture universe' DAILY TELEGRAPH _________________ She never meant to be a hero . . . In fact, Dreckly Jones has made a point her whole life to be exactly not that. The daughter of a forbidden union between an earth elemental and a selkie, her rare powers have meant she has always had a target on her back. So Dreckly - a 40-something oyster shucker according to her fake documents, 140-something sprite if you're going to get all nit-picky about it - has become an expert at many things. Chief amongst them: hiding. When she meets a determined group of rebels who desperately need her help, she finds herself wanting to stick her neck out for the first time in a long while. Yet is she ready to be noticed? Is Dreckly willing to use her powers to stand up when it could cost her everything? ___________________________ Praise for Who's Afraid Too? (Nominee - Best Horror Novel, Aurealis Awards) 'Feminist werewolf antics [and] good old fashioned sex. More books please!' Natalia Tena (Harry Potter, Game Of Thrones) 'Being curled up in a werewolf fantasy is a respite and a haven!' Teri Hatcher (Lois & Clark, Desperate Housewives) 'Maria Lewis is definitely one to watch' NY Times best-selling author Darynda Jones 'A fresh, funny, sexy & downright sassy take on the werewolf genre' Geek Bomb Praise for The Witch Who Courted Death (Winner - Best Fantasy Novel, Aurealis Awards) '[Takes] a fresh look at the things that make us scream' The West Australian 'An unashamedly feminist story about a woman out for revenge' Readings Praise for The Wailing Woman (Nominee - Best Fantasy Novel, Aurealis Awards) 'World-building at its finest' The Nerd Daily 'An absolute master of the genre' Bookish Bron 'An excellent urban fantasy novel . . . magic, intrigue and romance' Canberra Weekly 'Suspenseful and fantastical' Her HQ 'Journalist Maria Lewis grabs the paranormal fiction genre by the scruff of its neck and gives it a shake' The West Australian 'Truly one of the best in the genre I have ever read' Oscar-nominee Lexi Alexander 'An intriguing take on a classic monster with vibrant, modern characters' Sci Fi Bulletin

Helena Hailstanes is sick of the secluded life her father, Sam, forces her to live on the shores of Loch Duie. She runs away and encounters Megan, who as a muddled and meddling young Sea Witch cursed Helena and Sam, creatures of an ancient race of shape-shifting otters, to remain in human form.

Now in hardcover, the twelfth installment of the Hugo-nominated, New York Times-bestselling Toby Daye urban fantasy series! Things are not okay. In the aftermath of Amandine's latest betrayal, October "Toby" Daye's fragile self-made family is on the verge of coming apart at the seams. Jazz can't sleep, Sylvester doesn't want to see her, and worst of all, Tybalt has withdrawn from her entirely, retreating into the Court of Cats as he tries to recover from his abduction. Toby is floundering, unable to help the people she loves most heal. She needs a distraction. She needs a quest. What she doesn't need is the abduction of her estranged human daughter, Gillian. What she doesn't need is to be accused of kidnapping her own child by her ex-boyfriend and his new wife, who seems to be harboring secrets of her own. There's no question of whether she'll take the case. The only question is whether she's emotionally prepared to survive it. Signs of Faerie's involvement are everywhere, and it's going to take all Toby's nerve and all her allies to get her through this web of old secrets, older hatreds, and new deceits. If she can't find Gillian before time runs out, her own child will pay the price. Two questions remain: Who in Faerie remembered Gillian existed? And what do they stand to gain? No matter how this ends, Toby's life will never be the same.

On her seventeenth birthday, Skye MacNamara loses both her parents after their car plunges into a river. With unseemly haste, her parents are declared dead (despite the absence of bodies) and every trace that they existed is erased. Suspicious, Skye begins asking questions and soon the carefully constructed lies that held her life together fall apart. Nothing and no one is what it seems as Skye finds herself thrust into a mythical world where stories shape reality; where memories are so tangible she physically steps into them. At the heart of The Storyteller's Daughter lies the legend of the seannachie (pronounced "shawn-aw-key"), the traditional storyteller and myth-keeper of the Scottish clans. Combining realism and fantasy, readers are drawn into a world at once familiar and unsettling. Gods and mythical creatures walk in this world, brought here by Skye's mother, a seannachie who has become spellbound by a story that lets her forget a harsh reality. Skye and her two best friends set out on a quest to rescue her-even if she no longer wants to be saved....

A haunting tale of love, music, and magic on the stormy coast of Scotland. After the loss of his wife, Scottish fiddle player Richard Brennan moves to Australia to escape the ghosts of his former life. Six years later, he returns for his father's funeral and decides to remain in his father's desolate cottage in the north of Scotland, gathering together the threads of his former life, scratching out a living playing music. Then Richard meets Ailish, the enigmatic young woman who's ethereal singing haunts the bay by moonlight. As their relationship builds, the secrets of his family's past are brought to light, one by one, leaving them to confront a history that is both terrifying and fantastic-a legacy that may well cost Richard his soul. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

His name is synonymous with "independent film," and for more than twenty-five years, filmmaker John Sayles has tackled issues ranging from race and sexuality to the abuses of capitalism and American culture, aspiring to a type of realism that Hollywood can rarely portray. This collection offers unprecedented coverage of Sayles's craft and content, as it deploys a rich variety of critical methods to explore the full scope of his work. Together the essays afford a deeper understanding not only of the individual films-including his 1980 The Return of the Secaucus Seven (named to the National Registry) and the recent Limbo and Men with Guns-but also of Sayles's unusual place in American cinema and his influence worldwide. The focus of Sayles's films is frequently on peoples' lives, not on stories with tidy endings, and often a main goal is to alert viewers of their complicity in the problems at hand. One might assume his style to be content driven, but closer inspection reveals a mix of styles from documentary to postmodern. In this anthology, a set of international scholars addresses these and many other aspects of Sayles's filmmaking as they explore individual works. Their methodological approaches include historical and industry analysis as well as psychoanalysis and postcolonial theory, to name a few. Sayles Talk is both an in-depth and wide-ranging tribute to the "father" of independent film. In one volume, readers can find discussions of most of Sayles's films together with a comprehensive introduction to his film practice, an annotated list of existing literature on Sayles, and information on resources for further inquiry into his fiction, film, and television work. Film students as well as seasoned critics will turn to this book time and again to enrich their understanding of one of America's great cinematic innovators and his legacy.

When sixteen-year-old Elin Jean finds a seal pelt hidden at home and realizes that her mother is actually a selkie, she returns the pelt to her mother, only to find her life taking many unexpected turns.