Helena Hailstanes is sick of the secluded life her father, Sam, forces her to live on the shores of Loch Duie. She runs away and encounters Megan, who as a muddled and meddling young Sea Witch cursed Helena and Sam, creatures of an ancient race of shape-shifting otters, to remain in human form.

Kenji Mizoguchi's masterpiece Sanshô Dayû (1954) retells a classic Japanese folktale about an eleventh-century feudal official forced into exile by his political enemies. In his absence, his children fall under the corrupting influence of the malevolent bailiff Sansho. In their study of the film, film scholar Dudley Andrew and Japanese literature professor Carole Cavanaugh highlight the cultural, aesthetic and social contexts of this film which is at once rooted in folk legend and a modern artwork released in the aftermath of World War II. This edition includes a new foreword by the authors in which they consider the film's contemporary parallels in modern slavery and children torn from their families by malevolent authorities.

When Martha Cooper returns from Australia she is forced to come to terms with her past, memories of which are dominated by the death of teenager Mike Boothman, drowned in the river at Arton. It is at Arton that she meets his brother Paul again. Martie must unravel many secrets and bring hope to the community to which she has returned.

Twins Katrina and Alex normally live on a houseboat in London, but are spending the summer in Scotland while their mum receives treatment. Aunt Clara is an artist, like Alex, and Uncle Archie is a forest ranger. Almost right away, the twins find themselves searching for what seems to be a big cat. Or, is something stalking them?

The King has been defeated and the spirit of the Mantra restored and Suni reunited with her father but all is not quite right. Then strangers arrive from the sea bringing hope for the town: but nothing is quite as it seems.