For those of us who didn't live through World War II, it appears in our mind's eye in black and white. Images of the Blitz, of the D-Day landings at Normandy, the liberation of Paris, the fall of Berlin--all come to us in shadowy grays and blacks, the lack of color simultaneously heightening their drama and distancing them from us. Seen in black and white, World War II seems wholly of the past, a story that's being told much more than an experienced that men and women actually lived through. ​This book will help change that. Reproducing seventy-eight rare full-color images from the archives of the Imperial War Museums, it shows us a new--or at least long-forgotten--World War II. In these pages, we see the vivid hues of flames, the richly colored fabrics of flags and uniforms, intense blue skies high over battlefields, faces of suntanned soldiers on the march, and the dizzyingly complicated color of the new art of military camouflage. The result is a World War II that has been rescued from the past and restored to us, powerful and unforgettable, so we can see for the first time what our parents, grandparents, and great-grandparents saw as they fought and sacrificed all those decades ago.

To commemorate the 70th anniversary of Japan's surrender to the Allied powers, this unique volume explores World War II from an often-overlooked perspective: that of the Japanese home and military fronts. Extraordinary color photographs, film stills, and prints capture a nation eager to expand, and provide a glimpse of Kamikaze pilots, the young Emperor Hirohito on a state visit to England, the attack on Pearl Harbor, propaganda posters from the occupation of China, troops praying for victory, and allied prisoners of war at work.

Allied victory in the Second World War owed much to air power. The success of military and naval operations invariably hinged on control of the skies, and the rise to dominance of the Allied air forces meant that the Nazi war machine was effectively doomed. Following the success of 'The Second World War in Colour', this book presents a further selection of original colour photographs from the IWM collection, focusing on Allied aircraft and airmen. Alongside these striking images, 'War in the Air' examines how crucial aviation was to winning the war, from the defence of Britain's skies and maritime trade, to battlefield support in North Africa and Europe and the strategic bombing offensive over Germany. Shot from the ground and from the air, these powerful images bring a vital aspect of the Second World War to life.

Two hundred dramatic full-color photographic images chronicle the events, battles, campaigns, and personalities of World War II, accompanied by letters and other writings by eyewitnesses to the devastating conflict.

`We Can Take It!' shows that the British remember the war in a peculiar way, thanks to a mix of particular images and evidence. Our memory has been shaped by material which is completely removed from historical reality. These images (including complete inventions) have combined to make a new history. The vision is mostly cosy and suits the way in which the Britons conceive of themselves: dogged, good humoured, occasionally bumbling, unified and enjoying diversity. In fact Britons load their memory towards the early part of the war (Dunkirk, Blitz, Battle of Britain) rather than when we were successful in the air or against Italy and Germany with invasions. This suits our love of being the underdog, fighting against the odds, and being in a crisis. Conversely, the periods of the war during which Britain was in the ascendant are, perversely, far more hazy in the public memory.

The collected essays in this book arose out of the groundbreaking conference of the International Association of Media and History, which brought together key academics and program makers from around the world involved in history and television, including Nicholas Pronay, Pierre Sorlin, and Taylor Dowing. These essays offer a dialogue between academics and media practitioners that covers archival access, analyses of how different TV systems have represented themselves, case studies, and the future of television. Philip M. Taylor is a professor of international communications and the director of the Institute of Communications at the University of Leeds. Graham Roberts is a lecturer in communications arts at the University of Leeds.

Few historical events have resonated as much in modern British culture as the Second World War. It has left a rich legacy in a range of media that continue to attract a wide audience: film, TV and radio, photography and the visual arts, journalism and propaganda, architecture, museums, music and literature. The enduring presence of the war in the public world is echoed in its ongoing centrality in many personal and family memories, with stories of the Second World War being recounted through the generations. This collection brings together recent historical work on the cultural memory of the war, examining its presence in family stories, in popular and material culture and in acts of commemoration in Britain between 1945 and the present.

Soviet bombers were a varied lot during the Second World War, ranging from single-engined biplanes such as the 1920's era Polikarpov U-2 to the excellent and modern twin-engined Tu-2 medium bomber. Although the use of four-engined strategic bombers was mostly limited to use of the huge Pe-8 bomber, the Soviets used many other aircraft for both strategic and tactical bombing. As the bombers of the Red Air Force were mainly tasked with supporting the Red Army, most of the bombers were used for tactical bombing, attacking tanks, troop convoys, trains, and airfields. This book will deal with both strategic bombers and tactical bombers, but will concentrate on the smaller tactical bombers, as this is where the Red Air Force's emphasis lay. Such types as the Il-4, the Su-2, the aforementioned Tu-2, and the most important bomber of all, the Il-2 Shturmovik attack bomber, will be described in great detail, including not only details on the aircraft themselves, but how they were deployed in combat. The one truly strategic bomber, the Pe-8, will not be forgotten, and neither will the comparatively tiny U-2 biplane, which was so effective in its use as a night-time "nuisance" raider that the Germans copied the tactic wholesale. Accurate colour profiles in some number will accompany the text in this comprehensive work on Soviet bombers.

The Red Air Force had just started to re-equip with modern monoplane fighters when the Germans opened Operation Barbarossa, the invasion of the Soviet Union. Hundreds of fighters were destroyed in the first few days, but many of these were obsolete biplanes. Soviet Fighters of the Second World War details fighter development from the dark days of Barbarossa to eventual triumph over Berlin. Starting with outdated aircraft such as the Polikarpov Po-2 biplane and monoplane fighters, the Soviets then settled on two main lines of development: the inline-engine LaGG-3 and its radial-engine derivatives, the La-5 and La-7, and the inline-engine Yakovlev fighters, which were produced in greater numbers than any other series of fighters. Not only are these aircraft accurately described, but experimental fighters are also dealt with. In addition, colour profiles illustrate these aircraft in terms of design, camouflage and markings. From the I-15bis biplane of the late 1930s to the superb La-7 and Yak-3 fighters of the last year of the war, all Red Air Force fighters are covered in this comprehensive volume.