To commemorate the 70th anniversary of Japan's surrender to the Allied powers, this unique volume explores World War II from an often-overlooked perspective: that of the Japanese home and military fronts. Extraordinary color photographs, film stills, and prints capture a nation eager to expand, and provide a glimpse of Kamikaze pilots, the young Emperor Hirohito on a state visit to England, the attack on Pearl Harbor, propaganda posters from the occupation of China, troops praying for victory, and allied prisoners of war at work.

We thank Ekman & Co AB and Gadelius Holding Ltd for their kind and generous support, making this research available online for free. Lottaz and Ottosson explore the intricate relationship between neutral Sweden and Imperial Japan during the latter’s 15 years of warfare in Asia and in the Pacific. While Sweden’s relationship with European Axis powers took place under the premise of existential security concerns, the case of Japan was altogether different. Japan never was a threat to Sweden, militarily or economically. Nevertheless, Stockholm maintained a close relationship with Tokyo until Japan’s surrender in 1945. This book explores the reasons for that and therefore provides a study on the rationale and the value of neutrality in the Long Second World War. Sweden, Japan, and the Long Second World War is a valuable resource for scholars of the Second World War and of the history of neutrality.

This book examines a set of paintings produced in Japan during the 1930s and early 1940s that have received little scholarly attention. Asato Ikeda views the work of four prominent artists of the time—Yokoyama Taikan, Yasuda Yukihiko, Uemura Shōen, and Fujita Tsuguharu—through the lens of fascism, showing how their seemingly straightforward paintings of Mount Fuji, samurai, beautiful women, and the countryside supported the war by reinforcing a state ideology that justified violence in the name of the country’s cultural authenticity. She highlights the politics of “apolitical” art and challenges the postwar labeling of battle paintings—those depicting scenes of war and combat—as uniquely problematic. Yokoyama Taikan produced countless paintings of Mount Fuji as the embodiment of Japan’s “national body” and spirituality, in contrast to the modern West’s individualism and materialism. Yasuda Yukihiko located Japan in the Minamoto warriors of the medieval period, depicting them in the yamato-e style, which is defined as classically Japanese. Uemura Shōen sought to paint the quintessential Japanese woman, drawing on the Edo-period bijin-ga (beautiful women) genre while alluding to noh aesthetics and wartime gender expectations. For his subjects, Fujita Tsuguharu looked to the rural snow country, where, it was believed, authentic Japanese traditions could still be found. Although these artists employed different styles and favored different subjects, each maintained close ties with the state and presented what he considered to be the most representative and authentic portrayal of Japan. Throughout Ikeda takes into account the changing relationships between visual iconography/artistic style and its significance by carefully situating artworks within their specific historical and cultural moments. She reveals the global dimensions of wartime nationalist Japanese art and opens up the possibility of dialogue with scholarship on art produced in other countries around the same time, particularly Nazi Germany and Fascist Italy. The Politics of Painting will be welcomed by those interested in modern Japanese art and visual culture, and war art and fascism. Its analysis of painters and painting within larger currents in intellectual history will attract scholars of modern Japanese and East Asian studies.

Forty-six accurate, authentic renderings of fighters, bombers, transports, etc. Includes "Enola Gay," Japanese Zero, British Spitfire, German Komet jet fighter, many others. Captions include detailed coloring information, military role and affiliation of plane, manufacturer, other data. All illustrations copyright-free. 13 planes in color on covers. Publisher's Note.

Thousands of wounded servicemen returned to Japan following the escalation of Japanese military aggression in China in July 1937. Tens of thousands would return home after Japan widened its war effort in 1939. In Casualties of History, Lee K. Pennington relates for the first time in English the experiences of Japanese wounded soldiers and disabled veterans of Japan's "long" Second World War (from 1937 to 1945). He maps the terrain of Japanese military medicine and social welfare practices and establishes the similarities and differences that existed between Japanese and Western physical, occupational, and spiritual rehabilitation programs for war-wounded servicemen, notably amputees. To exemplify the experience of these wounded soldiers, Pennington draws on the memoir of a Japanese soldier who describes in gripping detail his medical evacuation from a casualty clearing station on the front lines and his medical convalescence at a military hospital. Moving from the hospital to the home front, Pennington documents the prominent roles adopted by disabled veterans in mobilization campaigns designed to rally popular support for the war effort. Following Japan’s defeat in August 1945, U.S. Occupation forces dismantled the social welfare services designed specifically for disabled military personnel, which brought profound consequences for veterans and their dependents. Using a wide array of written and visual historical sources, Pennington tells a tale that until now has been neglected by English-language scholarship on Japanese society. He gives us a uniquely Japanese version of the all-too-familiar story of soldiers who return home to find their lives (and bodies) remade by combat.

Leading historian of the war in the Far East, P.H. Willmott, provides a concise, readable account of the conflict. The book is fully illustrated throughout and incorporates computer generated graphics that bring the battlefields to life.

A "breathtakingly magisterial" account of World War II by America's preeminent military historian (Wall Street Journal) World War II was the most lethal conflict in human history. Never before had a war been fought on so many diverse landscapes and in so many different ways, from rocket attacks in London to jungle fighting in Burma to armor strikes in Libya. The Second World Wars examines how combat unfolded in the air, at sea, and on land to show how distinct conflicts among disparate combatants coalesced into one interconnected global war. Drawing on 3,000 years of military history, bestselling author Victor Davis Hanson argues that despite its novel industrial barbarity, neither the war's origins nor its geography were unusual. Nor was its ultimate outcome surprising. The Axis powers were well prepared to win limited border conflicts, but once they blundered into global war, they had no hope of victory. An authoritative new history of astonishing breadth, The Second World Wars offers a stunning reinterpretation of history's deadliest conflict.

"This book tells the story of an unusual group of American soldiers in World War II, second-generation Japanese Americans (Nisei) who served as interpreters and translators in the Military Intelligence Service."--Preface.

The Japanese conquest of the Pacific comprised of a complex series of widely scattered operations; their intent was to neutralize American, Commonwealth, and Dutch forces, seize regions rich in economic resources, and secure an outer defense line for their empire. Although their conquest was successful, the forces deployed from Japan and China were not always ideally trained, equipped and armed. The South Seas and tropics proved challenging to these soldiers who were used to milder climates, and they were a less lethal enemy on the Chinese mainland. This book examines the overall structure of the Imperial Japanese Army (IJA), the forces in existence at the beginning of World War II and the organization of the forces committed to the conquest of the Pacific.