Why was the idea of synchronicity so important to Jung? Jung's theory of synchronicity radically challenges the entrenched assumptions of mainstream modern culture in the West. It is one of the most fascinating yet difficult and discomfiting of Jung's psychological theories. The Rupture of Time aims to clarify what Jung really meant by synchronicity, why the idea was so important to him and how it informed his thinking about modern western culture. Areas examined include: * how the theory fits into Jung's overall psychological model and the significance of its apparent inconsistencies * the wide range of personal, intellectual and social contexts of Jung's thinking on the topic * how Jung himself applied the theory of synchronicity within his critique of science, religion, and society * the continuing relevance of the theory for understanding issues in contemporary detraditionalised religion. Focusing closely on Jung's own writings and statements, this book discloses that the theory of synchronicity is not an inconsequential addendum to analytical psychology but is central to the psychological project that occupied Jung throughout his professional life. This much-needed clarification of one of Jung's central tenets will be of great interest to all analytical psychologists and scholars engaged with Jungian thought.

Explores the plausibility and value of viewing synchronicity as a form of spiritual experience.

Shortlisted for the 2021 Baillie Gifford Prize for Non-Fiction Shortlisted for the 2021 Costa Biography Award The Sunday Times Best Book of the Year in Biography and Memoir A Financial Times Best Book of 2021 (Critics' Picks) The New Yorker, Best Books We Read in 2021 Times Literary Supplement Book of the Year 2021 A Guardian Best Book of the Year A reflection on "freedom" in a dramatic, beautifully written memoir of the end of Communism in the Balkans. For precocious 11-year-old Lea Ypi, Albania’s Soviet-style socialism held the promise of a preordained future, a guarantee of security among enthusiastic comrades. That is, until she found herself clinging to a stone statue of Joseph Stalin, newly beheaded by student protests. Communism had failed to deliver the promised utopia. One’s “biography”—class status and other associations long in the past—put strict boundaries around one’s individual future. When Lea’s parents spoke of relatives going to “university” or “graduating,” they were speaking of grave secrets Lea struggled to unveil. And when the early ’90s saw Albania and other Balkan countries exuberantly begin a transition to the “free market,” Western ideals of freedom delivered chaos: a dystopia of pyramid schemes, organized crime, and sex trafficking. With her elegant, intellectual, French-speaking grandmother; her radical-chic father; and her staunchly anti-socialist, Thatcherite mother to guide her through these disorienting times, Lea had a political education of the most colorful sort—here recounted with outstanding literary talent. Now one of the world’s most dynamic young political thinkers and a prominent leftist voice in the United Kingdom, Lea offers a fresh and invigorating perspective on the relation between the personal and the political, between values and identity, posing urgent questions about the cost of freedom.

This volume addresses from different perspectives the key questions posed by the moment and thereby elucidates the connection between social theory, philosophy, literary theory and history that are opened by the moment.

This thesis adopts the relative back-projection method to dramatically reduce “swimming” artifacts by identifying the rupture fronts in the time window of a reference station; this led to a faster and more accurate image of the rupture processes of earthquakes. Mitigating the damage caused by earthquakes is one of the primary goals of seismology, and includes saving more people’s lives by devising seismological approaches to rapidly analyze an earthquake’s rupture process. The back-projection method described in this thesis can make that a reality.

“Readers will be compelled by this illuminating debut memoir…a captivating” (Kirkus Reviews) account of one woman’s journey to regain her language and identity after a brain aneurysm steals her ability to communicate. Lauren Marks was twenty-seven, touring a show in Scotland with her friends, when an aneurysm ruptured in her brain and left her fighting for her life. She woke up in a hospital with serious deficiencies to her reading, speaking, and writing abilities, and an unfamiliar diagnosis: aphasia. This would be shocking news for anyone, but Lauren was a voracious reader, an actress, director, and at the time of the event, pursuing her PhD. At any other period of her life, this diagnosis would have been a devastating blow. But she woke up…different. The way she perceived her environment and herself had profoundly changed, her entire identity seemed crafted around a language she could no longer access. She returned to her childhood home to recover, grappling with a muted inner monologue and fractured sense of self. Soon after, Lauren began a journal, to chronicle her year following the rupture. A Stitch of Time is the remarkable result, an Oliver Sacks–like case study of a brain slowly piecing itself back together, featuring clinical research about aphasia and linguistics, interwoven with Lauren’s narrative and actual journal entries that marked her progress. Alternating between fascination and frustration, she relearns and re-experiences many of the things we take for granted—reading a book, understanding idioms, even sharing a “first kiss”—and begins to reconcile “The Girl I Used to Be” with “The Girl I Am Now.” For fans of Brain on Fire and My Stroke of Insight, the deeply personal and powerful A Stitch of Time is an “engrossing” (Publishers Weekly) journey of self-discovery, resilience, and hope.

Ruptures brings together leading and emerging international anthropologists to explore the concept of ‘rupture’. Understood as radical and often forceful forms of discontinuity, rupture is the active ingredient of the current sense of a world in turmoil, lying at the heart of some of the most defining experiences of our time: the rise of populist politics, the corollary impulse towards protest and even revolutionary change, as well as moves towards violence and terror, and the responses these moves elicit. Rupture is addressed in selected ethnographic and historical contexts: images of the guillotine in the French revolution; reactions to Trump’s election in the USA; the motivations of young Danes who join ISIS in Syria; ‘butterfly effect’ activism among environmental anarchists in northern Europe; the experiences of political trauma and its ‘repair’ through privately sponsored museums of Mao’s revolution in China; people’s experience of the devastating 2001 earthquake in Gujarat; the ‘inner’ rupture of Protestant faith among Danish nationalist theologians; and the attempt to invent ex nihilo an alphabet for use in Christian prophetic movements in Congo and Angola. Ruptures takes in new directions broader intellectual debates about continuity and change. In particular, by thematising rupture as a radical, sometimes violent, and even brutal form of discontinuity, it adds a sharper critical edge to contemporary discourses, both in social theory and public debate and policy.

1955. Two young couples move to the uninhabited, isolated fjord of Hedinsfjörður. Their stay ends abruptly when one of the women meets her death in mysterious circumstances. The case is never solved. Fifty years later an old photograph comes to light, and it becomes clear that the couples may not have been alone on the fjord after all... In nearby Siglufjörður, young policeman Ari Thór tries to piece together what really happened that fateful night, in a town where no one wants to know, where secrets are a way of life. He’s assisted by Ísrún, a news reporter in Reykjavik, who is investigating an increasingly chilling case of her own. Things take a sinister turn when a child goes missing in broad daylight. With a stalker on the loose, and the town of Siglufjörður in quarantine, the past might just come back to haunt them. Haunting, frightening and complex, Rupture is a dark and atmospheric thriller from one of Iceland’s foremost crime writers. ‘Traditional and beautifully finessed... morally more equivocal than most traditional whodunnits, and it offers alluring glimpses of darker, and infinitely more threatening horizons’ Independent • ‘Jonasson’s books have breathed new life into Nordic noir’ Sunday Express • ‘Bitingly contemporary in setting and tone’ Express • ‘A modern take on an Agatha Christie-style mystery, as twisty as any slalom...’ Ian Rankin • ‘A classic crime story seen through a uniquely Icelandic lens ... first rate and highly recommended’ Lee Child • ‘Chilling, poetic beauty... a must read!’ Peter James • ‘British aficionados of Nordic Noir are familiar with two excellent Icelandic writers, Arnaldur Indridason and Yrsa Sigurdardottir. Here’s a third: Ragnar Jónasson ... the darkness and cold are palpable’ Marcel Berlins, The Times For fans of Trapped, Yrsa Sigurdardottir, Agatha Christie and Ann Cleeves

"Ferne is a time capsule of mid-century Detroit, a city poised to explode. Its sounds, scents, and sights spill forth, as vividly experienced by a vibrant young woman whose life would end too soon. Ferne joyously curates her own life; that's the heart of this book. But we also encounter her through the fervent eyes of her daughter, poet and novelist Barbara Henning, who lyrically fills in and fleshes out the social contours and details of the ghostly presence that haunts these pages. Through her daughter's skilled hands, Ferne comes to life again on these pages, bringing with her glimpses of the city she loved so deeply"--