Ruptures brings together leading and emerging international anthropologists to explore the concept of ‘rupture’. Understood as radical and often forceful forms of discontinuity, rupture is the active ingredient of the current sense of a world in turmoil, lying at the heart of some of the most defining experiences of our time: the rise of populist politics, the corollary impulse towards protest and even revolutionary change, as well as moves towards violence and terror, and the responses these moves elicit. Rupture is addressed in selected ethnographic and historical contexts: images of the guillotine in the French revolution; reactions to Trump’s election in the USA; the motivations of young Danes who join ISIS in Syria; ‘butterfly effect’ activism among environmental anarchists in northern Europe; the experiences of political trauma and its ‘repair’ through privately sponsored museums of Mao’s revolution in China; people’s experience of the devastating 2001 earthquake in Gujarat; the ‘inner’ rupture of Protestant faith among Danish nationalist theologians; and the attempt to invent ex nihilo an alphabet for use in Christian prophetic movements in Congo and Angola. Ruptures takes in new directions broader intellectual debates about continuity and change. In particular, by thematising rupture as a radical, sometimes violent, and even brutal form of discontinuity, it adds a sharper critical edge to contemporary discourses, both in social theory and public debate and policy.

A history of twentieth-century Yugoslavia and the ruptures that shaped it

For much of its history, psychoanalysis has been strangely silent about sudden ruptures in the analytic relationship and their immediate and far-reaching effects for those involved. Such issues of betrayal and abandonment – the death of an analyst, a patient’s suicide, an ethical violation – disrupt the stability and cohesion of the analytic framework and leave indelible marks on both individuals and institutions alike. In Traumatic Ruptures an international range of contributors present first-person, highly personal and sometimes painful accounts of their experiences and the occasionally difficult yet redeeming lessons they have taken from them. Presented in four parts, the book explores multiple meanings and consequences of the break in the analytic relationship. Part One, Ruptured Subjectivity: Lost and Found, presents accounts of clinical encounters with death. Part Two, Rupture: The Clinical Process, addresses the sudden loss of an analyst, the trauma of patient suicide and the issue of countertransference when working with patients who have suffered the unexpected loss of their first analyst. Part Three, The Long Shadow of Rupture, examines the effects of ethical violations in the short and long term. Finally, Part Four, Ruptures’ Impact on Organizations, looks at the wider impact of ethical and sexual boundary violations in the context of an organization and the effect of trauma on a psychoanalytic institute. By giving voice to issues that are usually silenced, the authors here open the door to understanding the complex nature of traumatic rupture within the analytic field. This intimate exploration of psychoanalytic treatments and communities is ideal for psychoanalysts, psychologists, clinical social workers, psychiatrists and family therapists. It is an important text for clinicians working with individuals who have experienced traumatic ruptures and for members of organisations dealing with their effects.

1955. Two young couples move to the uninhabited, isolated fjord of Hedinsfjörður. Their stay ends abruptly when one of the women meets her death in mysterious circumstances. The case is never solved. Fifty years later an old photograph comes to light, and it becomes clear that the couples may not have been alone on the fjord after all... In nearby Siglufjörður, young policeman Ari Thór tries to piece together what really happened that fateful night, in a town where no one wants to know, where secrets are a way of life. He’s assisted by Ísrún, a news reporter in Reykjavik, who is investigating an increasingly chilling case of her own. Things take a sinister turn when a child goes missing in broad daylight. With a stalker on the loose, and the town of Siglufjörður in quarantine, the past might just come back to haunt them. Haunting, frightening and complex, Rupture is a dark and atmospheric thriller from one of Iceland’s foremost crime writers. ‘Traditional and beautifully finessed... morally more equivocal than most traditional whodunnits, and it offers alluring glimpses of darker, and infinitely more threatening horizons’ Independent • ‘Jonasson’s books have breathed new life into Nordic noir’ Sunday Express • ‘Bitingly contemporary in setting and tone’ Express • ‘A modern take on an Agatha Christie-style mystery, as twisty as any slalom...’ Ian Rankin • ‘A classic crime story seen through a uniquely Icelandic lens ... first rate and highly recommended’ Lee Child • ‘Chilling, poetic beauty... a must read!’ Peter James • ‘British aficionados of Nordic Noir are familiar with two excellent Icelandic writers, Arnaldur Indridason and Yrsa Sigurdardottir. Here’s a third: Ragnar Jónasson ... the darkness and cold are palpable’ Marcel Berlins, The Times For fans of Trapped, Yrsa Sigurdardottir, Agatha Christie and Ann Cleeves

This book investigates the millennial history of the Indian subcontinent. Through the various methods adopted, the objects and moments examined, it questions various linguistic, literary and artistic appropriations of the past, to address the conflicting comprehensions of the present and also the figuring/imagining of a possible future. The volume engages with this general cultural condition, in relation both to the subcontinent’s current “synchronic” reality and to certain aspects of the culture’s underlying diachronic determinations. It also reveals how the multiple heritages are negotiated through the subcontinent’s long-term sedimentational history. It scrutinizes both conservative interpretations of heritage and a possibly incremental enrichment, and the additional possibility of a mode of appropriation open to a dialectic of creative destruction, in which the patrimonial imperative is challenged, leaving room for processes of renewal and rejuvenation. The collection is organized around four major topics: Orientalism, addressed by way of the Tamil Epic Manimekalai, through the evocation of the Hastings Circle and views on a possible Hindu-Muslim unity sketched out by Sayyid Ahmed Khan; modernism in Indian and Burmese texts written in English; pictorial art, through a consideration of the work of British Asian and Indian film directors; and, finally, the current state of a body of critical thinking on gender.

The devastating earthquake that hit Christchurch in 2011 did more than rupture the surface of the city, argues historian Katie Pickles. It created a definitive endpoint to a history shaped by omission, by mythmaking, and by ideological storytelling. In this multi-layered BWB Text, Pickles uncovers what was lost that February day, drawing out the different threads of Christchurch’s colonial history and demonstrating why we should not attempt to knit them back together. This is an incisive analysis of the way a city’s character is interlinked with its geo-spatial appearance: when the latter changes, so too must the former.

In a radical reconsideration of political theory and politics, Paul Eisenstein and Todd McGowan explore the notion of rupture or radical tearing apart in both history and theory through the sweep of Western philosophy from Plato to Kierkegaard and beyond. The authors use contemporary literature and film to elucidate political theory, examining works by such writers are Dave Eggers, John Irving, and Toni Morrison, as well as films by directors from Sergei Eisenstein to David Fincher. Paul Eisenstein and Todd McGowan find that a rupture or radical break is repeatedly invoked at the beginning of every philosophical system. In this rupture, many of our most cherished political values—equality, solidarity, and the idea of freedom—emerge. But the lack of a sustained commitment to this radical tearing apart has repeatedly foreshortened, distorted, or perverted those same values. Most political philosophy may have marginalized these radical breaks with the past. But Eisenstein and McGowan demonstrate that Alain Badiou, Giorgio Agamben, and Slavoj Žižek have consistently brought rupture to the fore as an organizing principle for political thought. This insight holds great pertinence to our current world situation. Seeing the possibilities for an extended dialogue and sustained political change, Eisenstein and McGowan argue for a more systematic engagement with these theorists.