With The Row House in Washington, DC, the architectural historian and preservationist Alison Hoagland turns the lucid prose style and keen analytical skill that characterize all her scholarship to the subject of the Washington row house. Row houses have long been an important component of the housing stock of many major American cities, predominantly sheltering the middle classes comprising clerks, tradespeople, and artisans. In Washington, with its plethora of government workers, they are the dominant typology of the historical city. Hoagland identifies six principal row house types—two-room, L-shaped, three-room, English-basement, quadrant, and kitchen-forward—and documents their wide-ranging impact, as sources of income and statements of attainment as well as domiciles for nuclear families or boarders, homeowners or renters, long tenancy or short stays. Through restrictive covenants on some house sales, they also illustrate the pervasive racism that has haunted the city. This topical study demonstrates at once the distinctive character of the Washington row house and the many similarities it shares with row houses in other mid-Atlantic cities. In a broader sense, it also shows how urban dwellers responded to a challenging concatenation of spatial, regulatory, financial, and demographic limitations, providing a historical model for new, innovative designs. Publication of this volume was assisted by a grant from Furthermore: a program of the J. M. Kaplan Fund.

The much-awaited reissue and reexpression of the classic New York row-house book Bricks and Brownstone, with all-new and updated text, new color photography, and luxury slipcase. The classic book Bricks & Brownstone, the first and still the only volume to examine in depth the changing form and varied architectural styles of the much-loved New York City row house, or brownstone, was first published in 1972. That edition helped pave the way for a brownstone revival that has transformed New York's historic neighborhoods over the past half-century. Rizzoli published a revised and expanded edition of the book in 2003, to much fanfare. This edition revisits the classic comprehensively, with an updated text and additional chapters, and an abundance of specially commissioned color photography. It offers to an eager audience the long-awaited re-issue of the landmark volume in a brilliant new form. Boasting more than 250 color and black-and-white images, this definitive volume traces New York's row houses from colonial days through World War I, examining in detail the Federal, Greek Revival, Gothic Revival, Italianate, and Second Empire architectural styles of the early and mid-nineteenth century, as well as the Neo-Grec, Queen Anne, Romanesque, Renaissance Revival, and Colonial Revival styles of the late nineteenth and early twentieth centuries. The new Bricks & Brownstone remains the gold standard reference on brownstone architecture and interiors, and one of the few truly classic histories of New York's urbanism and real estate development.

Washington, D.C. has long been known as a frustrating and sometimes confusing city for its residents to call home. The monumental core of federal office buildings, museums, and the National Mall dominates the city’s surrounding neighborhoods and urban fabric. For much of the postwar era, Washingtonians battled to make the city their own, fighting the federal government over the basic question of home rule, the right of the city’s residents to govern their local affairs. In Historic Capital, urban historian Cameron Logan examines how the historic preservation movement played an integral role in Washingtonians’ claiming the city as their own. Going back to the earliest days of the local historic preservation movement in the 1920s, Logan shows how Washington, D.C.’s historic buildings and neighborhoods have been a site of contestation between local interests and the expansion of the federal government’s footprint. He carefully analyzes the long history of fights over the right to name and define historic districts in Georgetown, Dupont Circle, and Capitol Hill and documents a series of high-profile conflicts surrounding the fate of Lafayette Square, Rhodes Tavern, and Capitol Park, SW before discussing D.C. today. Diving deep into the racial fault lines of D.C., Historic Capital also explores how the historic preservation movement affected poor and African American residents in Anacostia and the U Street and Shaw neighborhoods and changed the social and cultural fabric of the nation’s capital. Broadening his inquiry to the United States as a whole, Logan ultimately makes the provocative and compelling case that historic preservation has had as great an impact on the physical fabric of U.S. cities as any other private or public sector initiative in the twentieth century.

Washington, D.C., conjures images of marble monuments, national memorials, and world-class museums. To many, the world beyond the National Mall is invisible. Yet within an area of only 68 square miles lies a residential city of diversity, beauty, and charm. In the long-awaited update of her 1988 classic Washington at Home, Kathryn Schneider Smith and a team of historians, journalists, folklorists, museum professionals, and others who know the city intimately offer a fresh look at the social history of this intriguing city through the prism of 26 diverse neighborhoods. Lavishly illustrated with engaging historical photographs and maps, Washington at Home introduces readers to the famous residents, colorful characters, distinct flavors, and important events that helped shape the city beyond the federal façade. This second edition adds six new neighborhoods from all parts of the city. Extensive notes make the book invaluable for those doing their own research as well as the more casual reader. Journalists, historians, politicians, residents, real estate agents, and students regularly consult Washington at Home as the standard resource on the social history of Washington, D.C. This expanded and updated edition will appeal to residents, both new and old, as well as to visitors eager to deepen their experience in the nation’s capital.

Perhaps no other American city is so defined by an indigenous architectural style as Baltimore is by the rowhouse, whose brick facades march up and down the gentle hills of the city. Why did the rowhouse thrive in Baltimore? How did it escape destruction here, unlike in many other historic American cities? What were the forces that led to the citywide renovation of Baltimore's rowhouses? The Baltimore Rowhouse tells the fascinating 200-year story of this building type. It chronicles the evolution of the rowhouse from its origins as speculative housing for immigrants, through its reclamation and renovation by young urban pioneers thanks to local government sponsorship, to its current occupation by a new cadre of wealthy professionals.

"Metropolitan areas change over the time. These changes come together and create a city's character and personality. Renowned Washington, DC, historian James Goode has assembled an incredible collection of images that look back at a Washington before it developed into the international metropolitan city it is today. The impactful historic photography exposes the elements of the DC metro area that have disappeared- the dairy farms of Loudoun County, the railroad round house in Alexandria, and model boats on the Rainbow Pool on the National Mall, as well as provide startling different views of areas and neighborhoods that still exist. The majority of these images have never been published, and under the curatorial eye of James Goode have been put together in a way that give readers a better understanding of the city Washington DC was, and the city it was to become."

This elegant volume, a guide to the Library of Congress's massive collection of architectural drawings, offers a celebration of the ambitious project of designing the nation's capital. Each of its "capital drawings" reflects some aspect of the lives, history, and values of the building's creators and sponsors. 55 color illustrations. 123 halftones.

This deeply felt memoir is a love letter to Washington, DC. Lancaster, a third-generation Washingtonian, takes readers on a tour of the capital from its swamp-infested beginnings to the present day, with an insider's view of the gritty politics, environment, society, culture, and larger-than-life heroes that characterize her beloved hometown.

Lost Washington, D.C. looks at the cherished places in the city that time, progress and fashion have swept aside. The Lost series from Pavilion Books looks back in loving detail at many of the things that have helped create a city’s unique identity that have since disappeared; the streetcars, the shops, the parks, the churches, the amusement parks, the communities, even the annual parades. It looks at the landmark buildings that failed to be preserved, the hotels that could not be adapted and fell to the wrecking ball and the novelty buildings such as the General Noble Redwood Treehouse which stood on the Mall from 1894 to 1932. Lost buiildings include the Washington Arsenal and Washinton Penitentiary where the Lincoln conspirators were hanged. The distinctive Center Market building which was razed along with Arcade, Liberty and Dutch Markets. Many theaters have gone; Victorian (Albaugh's Opera House) and Art Deco (Translux), but the grandiose Fox entrance remains to front a modern office block. Other sites include: Hoover Aiport, the Matthew Brady and L.C. Handy studios, the Ebbit House Hotel, commerce on the Chesapeake and Ohio Cabal, Baltimore and Portomac Railroad Station, faux castles such as Henderson's and Stewart's, the Corcoran School of Art and many Victorian vistas of Washingtom from the top of the Capitol and Washington Monument.

Released to mark the bicentennial of Tudor Place, this new title is the first comprehensive record of this important National Historic Landmark in the Georgetown neighborhood of Washington, D.C. Two grand houses were under construction in the young Federal City in 1816: one the President's House, reconstructed after it was burned by the British in 1814, and the other Tudor Place, an elegant mansion rising on the heights above Georgetown. The connection between these two houses is more than temporal, as they were connected through lineage and politics for generations. The builders of Tudor Place were Thomas and Martha Parke Custis Peter, Martha Washington's granddaughter. In the 1790s George Washington had been a frequent guest at the Peters' town house when he was in the nascent Federal City, attending to its planning and selecting sites for the U.S. Capitol and the President's House. In 1817, when President James Monroe moved back into the reconstructed President's House following the fire of 1814, the Peters were completing their own grand home, Tudor Place, designed in concert with their friend, Dr. William Thornton, architect for the first U.S. Capitol Building. The White House and Tudor Place each represent the spirit and aspirations of the early Republic. Little more than two miles apart, each survives as a national architectural landmark. While the White House is perhaps the most well known building in the world, Tudor Place remained a family home until 1983 and very private, although the Peters welcomed some of the nation's foremost leaders as their guests and were themselves guests at the White House.