Washington, D.C., conjures images of marble monuments, national memorials, and world-class museums. To many, the world beyond the National Mall is invisible. Yet within an area of only 68 square miles lies a residential city of diversity, beauty, and charm. In the long-awaited update of her 1988 classic Washington at Home, Kathryn Schneider Smith and a team of historians, journalists, folklorists, museum professionals, and others who know the city intimately offer a fresh look at the social history of this intriguing city through the prism of 26 diverse neighborhoods. Lavishly illustrated with engaging historical photographs and maps, Washington at Home introduces readers to the famous residents, colorful characters, distinct flavors, and important events that helped shape the city beyond the federal façade. This second edition adds six new neighborhoods from all parts of the city. Extensive notes make the book invaluable for those doing their own research as well as the more casual reader. Journalists, historians, politicians, residents, real estate agents, and students regularly consult Washington at Home as the standard resource on the social history of Washington, D.C. This expanded and updated edition will appeal to residents, both new and old, as well as to visitors eager to deepen their experience in the nation’s capital.

For one hundred years, housing cooperatives in various sizes and shapes have been a positive part of the urban landscape of Washington, D.C. Co-ops first arose in the city in the 1920s. Building slowed during the Great Depression, but their numbers expanded after World War II. Conversions expanded their numbers, and the model thrived and became a vital part of the city's fabric. Local historian Steve McKevitt tells the stories of the architecture and development of each District co-op with both historic and modern images.

" ... The details of Washington's 45-year-long campaign to build and perfect Mount Vernon."--Jacket.

Since the early nineteenth century, an unusually rich and varied array of housing stock has been created in the Washington, D.C., metropolitan area. Washington has harbored numerous private-sector initiatives to develop model housing projects, and it has also been a proving ground for federal policies crafted to improve living conditions for households of middle and moderate income. In addition, the large, middle-class African American population has left a distinct imprint on the metropolitan area’s domestic landscape, developing its own options for housing in city and suburb alike. Profusely illustrated, with thirteen chapters by fourteen esteemed authors, Housing Washington examines the storied legacy of residential development in our nation’s capital, from the early nineteenth century to the present. By focusing on a wide variety of mainstream patterns and interweaving the threads of convention and change as well as those of race and class, this book offers a fresh perspective on metropolitan dwelling places and breaks new ground in urban studies and architectural and planning history.

“Beautiful. ... A lyrical companion to his father’s classic, A River Runs through It, chronicling their family’s history and bond with Montana’s Blackfoot River.” —Washington Post A "poetic" and "captivating" (Publishers Weekly) memoir about the power of place to shape generations, Home Waters is John N. Maclean's remarkable chronicle of his family's century-long love affair with Montana's majestic Blackfoot River, the setting for his father's classic novella, A River Runs through It. Maclean returns annually to the simple family cabin that his grandfather built by hand, still in search of the trout of a lifetime. When he hooks it at last, decades of longing promise to be fulfilled, inspiring John, reporter and author, to finally write the story he was born to tell. A book that will resonate with everyone who feels deeply rooted to a landscape, Home Waters is a portrait of a family who claimed a river, from one generation to the next, of how this family came of age in the 20th century and later as they scattered across the country, faced tragedy and success, yet were always drawn back to the waters that bound them together. Here are the true stories behind the beloved characters fictionalized in A River Runs through It, including the Reverend Maclean, the patriarch who introduced the family to fishing; Norman, who balanced a life divided between literature and the tug of the rugged West; and tragic yet luminous Paul (played by Brad Pitt in Robert Redford’s film adaptation), whose mysterious death has haunted the family and led John to investigate his uncle’s murder and reveal new details in these pages. A universal story about nature, family, and the art of fly fishing, Maclean’s memoir beautifully captures the inextricable ways our personal histories are linked to the places we come from—our home waters. Featuring twelve wood engravings by Wesley W. Bates and a map of the Blackfoot River region.

George Washington inherited his first slave at the age of eleven, and he was the only founding father to free his slaves in his will. This highly readable selection of articles focuses on Washington's changing attitudes toward the institution of slavery and his everyday relationships with the slaves who shared his Mount Vernon estate. Along with his insightful introduction, editor Philip J. Schwarz has included James C. Rees's essay "Looking Back, Moving Forward: The Changing Interpretation of Slave Life on the Mount Vernon Estate," Dennis J. Pogue's essay "Slave Lifeways at Mount Vernon: An Archaeological Perspective," and Lorena S. Walsh's essay "Slavery and Agriculture at Mount Vernon," as well as essays by Jean B. Lee, Mary V. Thompson, and Edna Greene Medford.

Grounded in the oral storytelling tradition, this riveting retelling of a traditional ghost story follows a big, strong man as he spends a night in a mysterious deserted mansion. Full color.

George Washington's Mount Vernon brings together--for the first time--the details of Washington's 45-year endeavor to build and perfect Mount Vernon. In doing so it introduces us to a Washington few of his contemporaries knew, and one little noticed by historians since. Here we meet the planter/patriot who also genuinely loved building, a man passionately human in his desire to impress on his physical surroundings the stamp of his character and personal beliefs. As chief architect and planner of the countless changes made at Mount Vernon over the years, Washington began by imitating accepted models of fashionable taste, but as time passed he increasingly followed his own ideas. Hence, architecturally, as the authors show, Mount Vernon blends the orthodox and the innovative in surprising ways, just as the new American nation would. Equally interesting is the light the book sheds on the process of building at Mount Vernon, and on the people--slave and free--who did the work. Washington was a demanding master, and in their determination to preserve their own independence his workers often clashed with him. Yet, as the Dalzells argue, that experience played a vital role in shaping his hopes for the future of American society--hope that embraced in full measure the promise of the revolution in which he had led his fellow citizens. George Washington's Mount Vernon thus compellingly combines the two sides of Washington's life--the public and the private--and uses the combination to enrich our understanding of both. Gracefully written, with more than 80 photographs, maps, and engravings, the book tells a fascinating story with memorable insight.