To what extent has the demand for a vicarious experience of other cultures fuelled the expectation that the most important task for writers is to capture and convey authentic cultural material? This text argues that authenticity is in fact a restrictive category of literary judgment.

A New York Times bestseller A WASHINGTON POST “FEEL-GOOD BOOK guaranteed to lift your spirits” “A warm, charming tale about the rewards of revealing oneself, warts and all.” —People The story of a solitary green notebook that brings together six strangers and leads to unexpected friendship, and even love Clare Pooley's next book, Iona Iverson's Rules for Commuting, is forthcoming Julian Jessop, an eccentric, lonely artist and septuagenarian believes that most people aren't really honest with each other. But what if they were? And so he writes—in a plain, green journal—the truth about his own life and leaves it in his local café. It's run by the incredibly tidy and efficient Monica, who furtively adds her own entry and leaves the book in the wine bar across the street. Before long, the others who find the green notebook add the truths about their own deepest selves—and soon find each other In Real Life at Monica's Café. The Authenticity Project's cast of characters—including Hazard, the charming addict who makes a vow to get sober; Alice, the fabulous mommy Instagrammer whose real life is a lot less perfect than it looks online; and their other new friends—is by turns quirky and funny, heartbreakingly sad and painfully true-to-life. It's a story about being brave and putting your real self forward—and finding out that it's not as scary as it seems. In fact, it looks a lot like happiness. The Authenticity Project is just the tonic for our times that readers are clamoring for—and one they will take to their hearts and read with unabashed pleasure.

Embrace individuality and being your authentic self in I Am Me, the companion to New York Times bestsellers I Am Human and I Am Love, now in board book Sometimes I stand out in a crowd. Sometimes I am not seen at all, and I feel alone. I start to ask myself, why can’t I blend in? Fit the mold? But when I stop and look, I see nothing in this world is exactly the same. Sometimes we hide who we really are to conform to the way we think we are supposed to be in the world. Sometimes we compare ourselves to others and feel we don’t fit in. But when we realize we are something to be celebrated, and we proudly live out loud as our true selves, we can make our unique mark on the world—and share our joy! From author Susan Verde and illustrator Peter H. Reynolds, the #1 New York Times bestselling team behind the I Am series, comes a bighearted celebration of individuality, being comfortable in our own skin, respecting others for who they are, living authentically, and loving ourselves. For anyone who’s ever felt like too much or not enough, I Am Me is an affirming reminder that difference is what makes life beautiful—and that each of us matters, just as we are. Inside you’ll also find exercises to celebrate who we are. I Am series: I Am Me I Am We Who I Am I Am Courage I Am One I Am Love I Am Human I Am Peace I Am Yoga

“Miller takes us on an exciting tour of postcolonial and world literature, guiding us through the literary maze of the real and the pretenders to the real.” —Ngugi wa Thiong’o, author of Wizard of the Crow Writing a new page in the surprisingly long history of literary deceit, Impostors examines a series of literary hoaxes, deceptions that involved flagrant acts of cultural appropriation. This book looks at authors who posed as people they were not, in order to claim a different ethnic, class, or other identity. These writers were, in other words, literary usurpers and appropriators who trafficked in what Christopher L. Miller terms the “intercultural hoax.” In the United States, such hoaxes are familiar. Forrest Carter’s The Education of Little Tree and JT LeRoy’s Sarah are two infamous examples. Miller’s contribution is to study hoaxes beyond our borders, employing a comparative framework and bringing French and African identity hoaxes into dialogue with some of their better-known American counterparts. In France, multiculturalism is generally eschewed in favor of universalism, and there should thus be no identities (in the American sense) to steal. However, as Miller demonstrates, this too is a ruse: French universalism can only go so far and do so much. There is plenty of otherness to appropriate. This French and Francophone tradition of imposture has never received the study it deserves. Taking a novel approach to this understudied tradition, Impostors examines hoaxes in both countries, finding similar practices of deception and questions of harm. “In this fascinating study of intercultural literary hoaxes, Christopher L. Miller provides a useful, brief history of American literary impostures as a backdrop for his investigation of France’s literary history of ‘ethnic usurpation.’” —Henry Louis Gates, Jr., New York Times–bestselling author

Discover The Secrets To Building Healthy, Happy and Rewarding Relationships We all want that special 'someone' who's going to love us unconditionally, honour us and accept us for just being who we are. Authentic love and connection are enormously powerful bonds between two people. Unfortunately though, if we've had more than our fair share of bad relationships through our lifetime. Then it can become easy to suspect there's no right person, just many different alternatives of wrong. We have a staggering divorce rate which causes untold damage to the partners and even more so to their children. It is common, perhaps expected, for relationships to suffer from maladaptive patterns over time (it's like a car that needs maintenance) and these are fixable when both partners do the work. Our interpersonal relationships start forming as soon as we're born, and psychologists have studied how those early connections can set the stage for the other relationships we form later in life. The attachment theory argues that a strong emotional and physical bond to one primary caregiver in our first years of life, is critical to our development. Change the way you view every type of relationship you have ever had, and will ever have. Make healthier choices in choosing who to date, and discover a new dimension of connection, where relationships can become an institution for unlimited creativity, fulfilment, intimacy, and love. If you are in a relationship, this book will show you how to examine the unknown path that you'll travel with your spouse, and carefully evaluate the strengths and weaknesses of your relationship. If you are single, this book will help you to become clear and define what you want in your ideal future partner - and also what you don't want! The key ingredient to happy and fulfilled people is the quality of their intimate, social, family and professional relationships - nothing else in life comes even remotely close. Go Ahead, Transform The Quality of Your Relationships and Make Love Work For You, Just Scroll Up and Click Add to Cart

What draws people to study abroad or volunteer in far-off communities? Often the answer is romance – the romance of landscapes, people, languages, the very sense of border-crossing – and longing for liberation, attraction to the unknown, yearning to make a difference. This volume explores the complicated and often fraught desires to study and volunteer abroad. In doing so, the book sheds light on how affect is managed by educators and mobilized by students and volunteers themselves, and how these structures of feeling relate to broader social and economic forces.

What is the origin of the Romance languages and how did they evolve? When and how did they become different from Latin, and from each other? Volume 2 of The Cambridge History of the Romance Languages offers fresh and original reflections on the principal questions and issues in the comparative external histories of the Romance languages. It is organised around the two key themes of influences and institutions, exploring the fundamental influence, of contact with and borrowing from, other languages (including Latin), and the cultural and institutional forces at work in the establishment of standard languages and norms of correctness. A perfect complement to the first volume, it offers an external history of the Romance languages combining data and theory to produce new and revealing perspectives on the shaping of the Romance languages.

This book brings together contributions from authors who are actively engaged in authenticity research in a tourism context. In so doing, it demonstrates the various trajectories research has taken towards understanding the significance of authenticity.