"Friedland has done an excellent job of examining from all possible angles this difficult corpus of fragmentary statuary from Panias." -- Irene Bald Romano, University of Arizona, Bryn Mawr Classical Review (2013.03.41) This constitutes the first publication of a deposit of broken, marble statues, discovered in 1992 during excavations of the Roman Sanctuary of Pan at Caesarea Philippi (Banias, Israel). From 245 fragments, twenty-nine statues ranging from colossal to miniature and representing mainstream Graeco-Roman deities and mythological figures are reconstructed. Most date stylistically to the first through the late fourth centuries AD. A catalogue discusses each sculpture's subject, comparanda, workshop associations, and date; three interpretive chapters present the artistic and material origins of the sculptures; patterns of patronage, chronology of sculptural dedication, and display; and sculptural evidence for the sanctuary's pantheon.

Figural and non-figural supports are a ubiquitous feature of Roman marble sculpture; they appear in sculptures ranging in size from miniature to colossal and of all levels of quality. At odds with modern ideas about beauty, completeness, and visual congruence, these elements, especially non-figural struts, have been dismissed by scholars as mere safeguards for production and transport. However, close examination of these features reveals the tastes and expectations of those who commissioned, bought, and displayed marble sculptures throughout the Mediterranean in the Hellenistic and Roman periods. Drawing on a large body of examples, Greek and Latin literary sources, and modern theories of visual culture, this study constitutes the first comprehensive investigation of non-figural supports in Roman sculpture. The book overturns previous conceptions of Roman visual values and traditions and challenges our understanding of the Roman reception of Greek art.

Situates the study of Roman sculpture within the fields of art history, classical archaeology, and Roman studies, presenting technical, scientific, literary, and theoretical approaches.

For the first time, this publication comprehensively documents and analyzes the Greek and Roman statuary discovered to date in the greater area of Syria. The text portion describes nearly all monuments in detail and classifies them in the context of the history of ancient sculpture. The associated volume of plates documents every item in detail, typically with four photographic views.

Jesus Christ is arguably the most famous man who ever lived. His image adorns countless churches, icons, and paintings. He is the subject of millions of statues, sculptures, devotional objects and works of art. Everyone can conjure an image of Jesus: usually as a handsome, white man with flowing locks and pristine linen robes. But what did Jesus really look like? Is our popular image of Jesus overly westernized and untrue to historical reality? This question continues to fascinate. Leading Christian Origins scholar Joan E. Taylor surveys the historical evidence, and the prevalent image of Jesus in art and culture, to suggest an entirely different vision of this most famous of men. He may even have had short hair.

This volume addresses and problematizes the formation and transformation of the ancient Near Eastern art historical and archaeological canon. The 'canon' is defined as an established list of objects, monuments, buildings, and sites that are considered to be most representative of the ancient Near East. In "testing" this canon, this project takes stock of the current canon, its origins, endurance, and prospects. Boundaries and typologies are examined, technologies of canon production are investigated, and heritage perspectives on contemporary culture offer a key to the future.

Volume XXIII in the Corinth series is dedicated to the finds from the Gymnasium Area, excavated between 1965 and 1972 by James R. Wiseman and the University of Texas at Austin. Fascicle XXIII.1 presents the marble sculpture, 126 pieces dating between the 6th century B.C. and 5th century A.D. and found in or near a variety of built features, including the ornately decorated Bath-Fountain complex. Among the sculptural finds are portraits of athletes and civic officials and depictions of Dionysos, Hermes, and Aphrodite and the nymphs. Herms and statue bases also form part of the assemblage. This corpus grants us insight into the sculptural practices after the founding of the Roman colony at Corinth, and critical knowledge concerning display context, reuse, and the deposition of sculpture at a gymnasium in a large regional center of the eastern Mediterranean.

The Herods explores the Herodian rule from Herod the Great's father, Antipater, until the dynastic sunset with Bereniké, Herod's great-granddaughter, describing the theocratic aims that motivated Herod and his progeny, and the groups and factions within Judaism and Christianity that often defined themselves in opposition to the Herodian project.

This new edition of Rome in the East expands on the seminal work of the first edition, and examines the lasting impact of the near Eastern influence on Rome on our understanding of the development of European culture. Warwick Ball explores modern issues as well as ancient, and overturns conventional ideas about the spread of European culture to the East. This volume includes analysis of Roman archaeological and architectural remains in the East, as well as links to the Roman Empire as far afield as Iran, Central Asia, India, and China. The Near Eastern client kingdoms under Roman rule are examined in turn and each are shown to have affected Roman, and ultimately European, history in different but very fundamental ways. The highly visible presence of Rome in the East – mainly the architectural remains, some among the greatest monumental buildings in the Roman world – are examined from a Near Eastern perspective and demonstrated to be as much, if not more, a product of the Near East than of Rome. Warwick Ball presents the story of Rome in the light of Rome’s fascination with the Near East, generating new insights into the nature and character of Roman civilisation, and European identity from Rome to the present. Near Eastern influence can be seen to have transformed Roman Europe, with perhaps the most significant change being the spread of Christianity. This new edition is updated with the latest research and findings from a range of sources including field work in the region and new studies and views that have emerged since the first edition. Over 200 images, most of them taken by the author, demonstrate the grandeur of Rome in the East. This volume is an invaluable resource to students of the history of Rome and Europe, as well as those studying the Ancient Near East.