Chapters by leading archaeologists in Israel and the Levant explore themes and sites connected with cities and villages from the Hellenistic to early Islamic periods across the region. The result is a rich trove of up-to-date data and insights that will be a must read for scholars and students active in this part of the ancient Mediterranean world.

The study of Roman sculpture has been an essential part of the disciplines of Art History and Classics since the eighteenth century. Famous works like the Laoco?n, the Arch of Titus, and the colossal portrait of Constantine are familiar to millions. Again and again, scholars have returned to sculpture to answer questions about Roman art, society, and history. Indeed, the field of Roman sculptural studies encompasses not only the full chronological range of the Roman world but also its expansive geography, and a variety of artistic media, formats, sizes, and functions. Exciting new theories, methods, and approaches have transformed the specialized literature on the subject in recent decades. Rather than creating another chronological catalogue of representative examples from various periods, genres, and settings, The Oxford Handbook of Roman Sculpture synthesizes current best practices for studying this central medium of Roman art, situating it within the larger fields of Art History, Classical Archaeology, and Roman Studies. This comprehensive volume fills the gap between introductory textbooks and highly focused professional literature. The Oxford Handbook of Roman Sculpture conveniently presents new technical, scientific, literary, and theoretical approaches to the study of Roman sculpture in one reference volume while simultaneously complementing textbooks and other publications that present well-known works in the corpus. The contributors to this volume address metropolitan and provincial material from the early republican period through late antiquity in an engaging and fresh style. Authoritative, innovative, and up-to-date, The Oxford Handbook of Roman Sculpture will remain an invaluable resource for years to come.

The use of stone in vast quantities is a ubiquitous and defining feature of the material culture of the Roman world. In this volume, Russell provides a new and wide-ranging examination of the production, distribution, and use of carved stone objects throughout the Roman world, including how enormous quantities of high-quality white and polychrome marbles were moved all around the Mediterranean to meet the demand for exotic material. The long-distance supply of materials for artistic and architectural production, not to mention the trade in finished objects like statues and sarcophagi, is one of the most remarkable features of the Roman world. Despite this, it has never received much attention in mainstream economic studies. Focusing on the market for stone and its supply, the administration, distribution, and chronology of quarrying, and the practicalities of stone transport, Russell offers a detailed assessment of the Roman stone trade and how the relationship between producer and customer functioned even over considerable distances.

Discover a comprehensive and cross-disciplinary handbook exploring several sub-regions and key themes perfect for a new generation of students A Companion to the Hellenistic and Roman Near East delivers the first complete handbook in the area of Hellenistic and Roman Near Eastern history. The book is divided into sections dealing with interdisciplinary source material, each with a great deal of regional variety and engaging with several key themes. It integrates discussions of the classical Near East with the typical undergraduate teaching syllabus in the Anglo-Saxon world. All contributors in this edited volume are leading scholars in their field, with a combination of established researchers and academics, and emerging voices. Contributors hail from countries across several continents, and work in various disciplines, including Ancient History, Archaeology, Art History, Epigraphy, Numismatics, and Oriental Studies. In addition to furthering the integration of the Levantine lands in the classical periods into the teaching canon, the book offers readers: The first comprehensively structured Companion and edited handbook on the Hellenistic and Roman Near East Extensive regional and sub-regional variety in the cross-disciplinary source material A way to compensate for the recent destruction of monuments in the region and the new generation of researchers’ inability to examine these historical stages in person An integration of the study of the Hellenistic and Roman Near East with traditional undergraduate teaching syllabi in the Anglo-Saxon world Perfect for undergraduate history and classics students studying the Near East, A Companion to the Hellenistic and Roman Near East will also earn a place in the libraries of graduate students and scholars working within Near Eastern studies, as well as interested members of the public with a passion for history.

Sometime in 1997 the ancient city of Banias passed its 2000th anniversary, yet there was no celebration. John Francis Wilson brings us the story of Banias, or ancient Caesarea Philippi, the city that sat at the source of the Jordan River in what are now known as the Golan Heights region. In doing so he brings to life a city whose history is a microcosm of that of the Middle East itself. Banias' story starts in Canaanite times. Under Herod Phillip( died AD 34)it became Caesarea Philippi and was a focal point for the cult of the god Pan throughout the Roman period. With the accession of the Christian Emperor Constantine its pagan heritage brought it into conflict with emerging Christianity. In the following centuries came Arab conquest, the Crusades, neglect and decay, rediscovery in the 19th century by European travellers and finally its destruction in the Six Days War after being occupied by Israeli forces. Wilson reminds us that cities without people are desolate: interspersed amongst the invasions and religious conflicts are the people whose lives touched the life of this city: Herod the Great and his sons, Jesus of Nazareth, the emperors Vespasian and Titus, Saladin and even Samuel Clemens, otherwise known as Mark Twain. John Francis Wilson has had complete access to the site, and has drawn upon a wealth of sources in order to provide the first comprehensive history of this remarkable city . Its story will make fascinating reading to historians, general readers and those interested in the archaeology and narrative of the Near East.

Greco-Roman Culture and the Galilee of Jesus, a book-length investigation of this topic, challenges the conventional scholarly view that first-century Galilee was thoroughly Hellenised. Examining architecture, inscriptions, coins and art from Alexander the Great's conquest until the early fourth century CE, Chancey argues that the extent of Greco-Roman culture in the time of Jesus has often been greatly exaggerated. Antipas's reign in the early first century was indeed a time of transition, but the more dramatic shifts in Galilee's cultural climate happened in the second century, after the arrival of a large Roman garrison. Much of Galilee's Hellenisation should thus be understood within the context of its Romanisation. Any attempt to understand the Galilean setting of Jesus must recognise the significance of the region's historical development as well as how Galilee fits into the larger context of the Roman East.

"Friedland has done an excellent job of examining from all possible angles this difficult corpus of fragmentary statuary from Panias." -- Irene Bald Romano, University of Arizona, Bryn Mawr Classical Review (2013.03.41) This constitutes the first publication of a deposit of broken, marble statues, discovered in 1992 during excavations of the Roman Sanctuary of Pan at Caesarea Philippi (Banias, Israel). From 245 fragments, twenty-nine statues ranging from colossal to miniature and representing mainstream Graeco-Roman deities and mythological figures are reconstructed. Most date stylistically to the first through the late fourth centuries AD. A catalogue discusses each sculpture's subject, comparanda, workshop associations, and date; three interpretive chapters present the artistic and material origins of the sculptures; patterns of patronage, chronology of sculptural dedication, and display; and sculptural evidence for the sanctuary's pantheon.

Public sculptures were the "mass media" of the Roman world. They populated urban centers throughout the empire, serving as a "plastic language" that communicated political, religious, and social messages. This book brings together twenty-eight experts who otherwise rarely convene: text-based scholars of the Greco-Roman, Jewish, and Christian realms from the fields of classics, history, and religion and specialists in the artistic traditions of Greece and Rome as well as art historians and archaeologists. Utilizing the full spectrum of ancient sources, the book examines the multiple, at times even contradictory, meanings and functions that statues served within the complex world of the Roman Near East. Moreover, it situates the discussion of sculpture in the broader context of antiquity in order to reevaluate long-held scholarly consensuses on such ideas as the essence of Hellenism (the culture that emerged from the encounter of Greco-Romans with the Near East) and the everlasting "conflict" among paganism, Christianity, and Judaism.