This sourcebook presents a wealth of material relating to everyaspect of Roman spectacles, especially gladiatorial combat andchariot racing. Draws on the words of eye-witnesses and participants, as wellas depictions of the games in mosaics and other works of art. Offers snapshots of “a day at the games” and“the life of a gladiator”. Includes numerous illustrations. Covers chariot-races, water pageants, naval battles and wildanimal fights, as well as gladiatorial combat. Combines political, social, religious and archaeologicalperspectives. Facilitates an in-depth understanding of this important featureof ancient life.

Roland Auguet examines the Roman taste for blood and considers what the games, that strange combination of Cruelty and Civilization, reveal about the Roman mentality. He shows how the great spectacles became a part of city life - they were awaited with impatience, everyone discussed them, some applauded the action in the arena, while others booed frantically. This book provides an exciting history of gladiators, chariot racing and other games as well as an investigation of their function and significance within society. It is essential reading for anyone who is interested in the Romans' violent form of entertainment.

The Roman Emperor Commodus wanted to kill a rhinoceros with a bow and arrow, and he wanted to do it in the Colosseum. For fourteen days near the end of AD 192, the emperor mounted one of the most lavish gladiatorial games Rome had ever seen. People rushed from all over Italy to witness the spectacle. Why did Roman rulers spend vast resources on such over-the-top displays? Why did the Roman rabble enjoy watching the slaughter of animals and the sight of men fighting to the death? In this book, Jerry Toner set out to answer these questions by describing what it would have been like to attend Commodus' fantastic shows.

Were the Romans who watched brutal gladiatorial games all that different from us? This book argues they were not.

Although Nemesis was already revered in Archaic Greece, the main evidence for worship comes from the Roman Principate. During this period two important facets of the cult were the association of the goddess with the state, and her presence in agonistic contexts. Nemesis, the Roman State and the Games explores these aspects, discerning a possible connection between them. The author begins by discussing the origin and background of the goddess. He then clarifies the ways in which the goddess was enlisted into the service of the Roman emperor and state. Finally, he explains the presence of the goddess almost exclusively at the Roman Munus and Venatio as derived from the function of such games to express the proper order of society. Nemesis represents a significant re-evaluation of the place of Nemesis in the Roman World. The book also provides an invaluable corpus of epigraphic, literary, and iconographic evidence for the goddess.

Suspecting their friend Jonathan is alive, Flavia, Nubia, and Lupus go to Rome for the Colosseum Games, facing wild beasts, criminals, conspirators, and gladiators, and where Nubia is called upon to make a terrible choice.

An analysis of the lives of ancient Rome's gladiators explores how they were both despised and hero-worshiped, chronicling how tens of thousands of gladiators perished publicly over the course of six hundred years.

 Chariot races. Gladiatorial combat. Fishing. Hunting. Swimming. The ancient Romans enjoyed these sports--sometimes with fanatical enthusiasm. This reference book contains more than 100 entries covering sporting events and activities of the era, and the Romans who sponsored, competed in and attended them. Charioteer Appuleius Diocles, in a career spanning 24 years, competed in 4,257 races, winning an astounding 1,462 of them. Alypius, the young friend of St. Augustine, was both drawn to and repulsed by gladiatorial battles and struggled to shake his mania for the spectacle of blood sport. Brief abstracts of the entries are included for quick reference, along with an expansive glossary and biographical notes on the ancient authors cited.

Describes the events and games held in the amphitheaters, cicuses, and theaters in ancient Rome.

A crime novel set in Ancient Rome. A city under the thrall of a tyrant, where deceit and death walk hand-in-hand. DECEIT, TYRANNY, DEATH. Games the Romans play best. Sextus Ingentius Verpa, imperial senator, notorious informer and scheming minion of the despotic Emperor Domitian, has been butchered in the night. The Emperor has decreed that punishment will be swift and has commissioned Gaius Plinius Secundus – better known as Pliny the Younger – to investigate. Pliny is no detective, but unless he can find the murderer by the close of the 'Ludi Romani', or Roman Games, all Verpa's slaves – forty men and women – will be burned alive in the arena. That gives Pliny just fifteen days. Fifteen days that will threaten Pliny's conscience, his life and the stability of Rome itself.