This sourcebook presents a wealth of material relating to everyaspect of Roman spectacles, especially gladiatorial combat andchariot racing. Draws on the words of eye-witnesses and participants, as wellas depictions of the games in mosaics and other works of art. Offers snapshots of “a day at the games” and“the life of a gladiator”. Includes numerous illustrations. Covers chariot-races, water pageants, naval battles and wildanimal fights, as well as gladiatorial combat. Combines political, social, religious and archaeologicalperspectives. Facilitates an in-depth understanding of this important featureof ancient life.

Donatari had been a gallant young officer with a bright and promising future serving as the Captain of Guard for the Emperor of the Territory of Corinia in what was a peaceful, productive, unobtrusive little country. He, his family, his countrymen, and his country itself find they are nothing more than pawns caught in the middle of the never ending expansion of the Roman Empire. Donatari must learn to survive as a gladiator in the harsh arena of the Province of Gamorah ruled by a Roman Governor and his ruthless, sadistic wife, Krystynia. Many lives are affected by her voracious lust for blood, power, and depraved sexual gratification. The book follows the lives of the citizens and slaves who serve to satisfy the Governess’ insatiable appetites, the most compelling of which are the deadly games of the arena.

Roland Auguet examines the Roman taste for blood and considers what the games, that strange combination of Cruelty and Civilization, reveal about the Roman mentality. He shows how the great spectacles became a part of city life - they were awaited with impatience, everyone discussed them, some applauded the action in the arena, while others booed frantically. This book provides an exciting history of gladiators, chariot racing and other games as well as an investigation of their function and significance within society. It is essential reading for anyone who is interested in the Romans' violent form of entertainment.

Were the Romans who watched brutal gladiatorial games all that different from us? This book argues they were not.

"Christians to the lions!" The image of early Christian victims of pagan blood - lust in the Roman arenas are as familiar as a catechism to Christians of all ages. Dr. Richard DeVoe parallels the development of these two great social forces of the Roman Empire: Christianity; the Roman games which included not only the arena, but also the circus and the theatre. He questions why Christianity did not have more effect on the Roman games, as both institutions grew apace for four centuries. He concludes, contrary to traditional church history, that Christianity did not limit, but, in fact absorbed and perpetuated the games. Why? With regard not only to the games, but also education, the military and the imperial cult, Rome was not Christianized: Christianity was paganized! Christianity and the Roman Games traces this process of paganization from the first through the fifth centuries, discovering surprising consequences both for Christianity and subsequent history.

Although Nemesis was already revered in Archaic Greece, the main evidence for worship comes from the Roman Principate. During this period two important facets of the cult were the association of the goddess with the state, and her presence in agonistic contexts. Nemesis, the Roman State and the Games explores these aspects, discerning a possible connection between them. The author begins by discussing the origin and background of the goddess. He then clarifies the ways in which the goddess was enlisted into the service of the Roman emperor and state. Finally, he explains the presence of the goddess almost exclusively at the Roman Munus and Venatio as derived from the function of such games to express the proper order of society. Nemesis represents a significant re-evaluation of the place of Nemesis in the Roman World. The book also provides an invaluable corpus of epigraphic, literary, and iconographic evidence for the goddess.

You’re no idiot, of course. The battle scenes in Gladiator had you on the edge of your seat and wondering where you could find more information on the rise and fall of ancient Rome. But so far, your search has left you feeling like a blundering barbarian. Pick yourself up off the coliseum floor! Consult The Complete Idiot’s Guide® to the Roman Empire—a fun-to-read introduction to the fascinating history, people, and culture of ancient Rome. In this Complete Idiot’s Guide®, you get: --The history of the Roman Empire’s rise and fall. --An idiot-proof introduction to the great epic literature of the Roman Republic. --A survey of the Romans in arts and popular culture. --Fascinating details of some of history’s most nefarious emperors, including Nero, Caligula, and Commodus.

 Chariot races. Gladiatorial combat. Fishing. Hunting. Swimming. The ancient Romans enjoyed these sports--sometimes with fanatical enthusiasm. This reference book contains more than 100 entries covering sporting events and activities of the era, and the Romans who sponsored, competed in and attended them. Charioteer Appuleius Diocles, in a career spanning 24 years, competed in 4,257 races, winning an astounding 1,462 of them. Alypius, the young friend of St. Augustine, was both drawn to and repulsed by gladiatorial battles and struggled to shake his mania for the spectacle of blood sport. Brief abstracts of the entries are included for quick reference, along with an expansive glossary and biographical notes on the ancient authors cited.

The Roman Emperor Commodus wanted to kill a rhinoceros with a bow and arrow, and he wanted to do it in the Colosseum. For fourteen days near the end of AD 192, the emperor mounted one of the most lavish gladiatorial games Rome had ever seen. People rushed from all over Italy to witness the spectacle. Why did Roman rulers spend vast resources on such over-the-top displays? Why did the Roman rabble enjoy watching the slaughter of animals and the sight of men fighting to the death? In this book, Jerry Toner set out to answer these questions by describing what it would have been like to attend Commodus' fantastic shows.

New York Times Bestseller A New York Times Notable Book Named one of the Best Books of the Year by the Wall Street Journal, the Economist, Foreign Affairs, and Kirkus Reviews Finalist for the National Book Critics Circle Award (Nonfiction) Shortlisted for the Cundill Prize in Historical Literature Finalist for the Los Angeles Times Book Prize (History) A San Francisco Chronicle Holiday Gift Guide Selection A New York Times Book Review Editors’ Choice Selection A sweeping, "magisterial" history of the Roman Empire from one of our foremost classicists shows why Rome remains "relevant to people many centuries later" (Atlantic). In SPQR, an instant classic, Mary Beard narrates the history of Rome "with passion and without technical jargon" and demonstrates how "a slightly shabby Iron Age village" rose to become the "undisputed hegemon of the Mediterranean" (Wall Street Journal). Hailed by critics as animating "the grand sweep and the intimate details that bring the distant past vividly to life" (Economist) in a way that makes "your hair stand on end" (Christian Science Monitor) and spanning nearly a thousand years of history, this "highly informative, highly readable" (Dallas Morning News) work examines not just how we think of ancient Rome but challenges the comfortable historical perspectives that have existed for centuries. With its nuanced attention to class, democratic struggles, and the lives of entire groups of people omitted from the historical narrative for centuries, SPQR will to shape our view of Roman history for decades to come.